| 2 |
The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 4 |
The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 6 |
Let Me Tell You, Pt. III: I Know You Are There |
H. Abrahamsen: Let Me Tell You
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| 8 |
Trois Autres Mélodies: Les fleurs |
Erik Satie: Socrate
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| 10 |
The Importance of Being Earnest, Act II: Orchestral Interlude (Live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 12 |
Correspondances - For Soprano And Orchestra:1. Gong (I) |
Esa-Pekka Salonen Great Recordings
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| 14 |
Scene 3 |
Writing to Vermeer
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| 16 |
Trois Mélodies: Sylvie |
Erik Satie: Socrate
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| 18 |
Socrate: Portrait de Socrate |
Erik Satie: Socrate
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| 20 |
Scene 1 |
Writing to Vermeer
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| 22 |
Hymne |
Erik Satie: Socrate
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| 24 |
The Importance of Being Earnest, Act II: You Must Not Laugh at Me (Live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 26 |
Correspondances - For Soprano And Orchestra:2. Danse cosmique |
Esa-Pekka Salonen Great Recordings
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| 28 |
Scene 4 |
Writing to Vermeer
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| 30 |
The Importance of Being Earnest:Act II: You are my little cousin Cecily (Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 32 |
The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian (Live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 34 |
Scene 5 |
Writing to Vermeer
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| 36 |
The Importance of Being Earnest:Act II: I wish Uncle Jack would allow (Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 38 |
The Importance of Being Earnest:Act II: I had no idea (Gwendolen, Cecily, Jack, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 40 |
The Importance of Being Earnest:Act II: Cecily, ever since I looked (Algernon, Cecily, Merriman) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 42 |
The Importance of Being Earnest:Act II: Freude, schöner Gotterfunken (Miss Prism, Cecily, Merriman) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 44 |
let me tell you, PT. II: no我ID哦not mind |
H. Abrahamsen: Let Me Tell You
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| 46 |
the importance of being earnest, act III: Mister worthing, is Miss car的W (live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 48 |
Correspondances - For Soprano And Orchestra:5. De Vincent à Théo |
Esa-Pekka Salonen Great Recordings
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| 50 |
l allegro, IL pens Eros OE的IL moderato, HW V 55:part i, no. 1: OU Vertu Re (concerto gross O, op. 6, no. 1) |
HANDEL: Allegro, il Penseroso ed il Moderato (L)
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| 52 |
Trois Autres Mélodies: Chanson médiévale |
Erik Satie: Socrate
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| 54 |
the importance of being earnest, act II: Cecily, ever since i looked (live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 56 |
the importance of being earnest:act II: garden ATT和manor house: Cecily, Cecily! (Miss prism, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 58 |
let me tell you, PT. i: there wasa time, I remember |
H. Abrahamsen: Let Me Tell You
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| 60 |
the importance of being earnest:act III: pretty child! (Lady bra CK呢LL, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 62 |
the importance of being earnest, act i: are your parents living? (live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 64 |
Rinaldo, HW V 7:act i: overture |
HANDEL: Rinaldo
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| 66 |
correspond an CES - for soprano and orchestra:3. as lava ET Galina |
Esa-Pekka Salonen Great Recordings
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| 68 |
l allegro, IL pens Eros OE的IL moderato, HW V 55:part III, no. 41: OU Vertu Re (concerto for organ and orchestra, op. 7, no. 1) |
HANDEL: Allegro, il Penseroso ed il Moderato (L)
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| 70 |
the importance of being earnest:act II: you must not laugh ATM E (Cecily, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 72 |
the importance of being earnest:act III: Lady bra CK呢LL (m而日漫, Lady bra CK呢LL, Gwen do了N, Jack, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 74 |
scene 2 |
Writing to Vermeer
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| 76 |
the importance of being earnest:act II: he是going to send麼away (Algernon, Cecily, m而日漫) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 78 |
scene 6 |
Writing to Vermeer
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| 80 |
the importance of being earnest:act II: Miss Fairfax (m而日漫, Cecily, Gwen do了N) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 82 |
the importance of being earnest:act III: orchestral Introduction (Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 84 |
the importance of being earnest:act II: Mister worthing! (Miss prism, chasuble, Jack, Cecily, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 86 |
the importance of being earnest:act III: explosion! (all, Jack, Gwen do了N, chasuble, Miss prism, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 88 |
the importance of being earnest, act i: I feel bound to tell you (live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 90 |
The Importance of Being Earnest, Act III: Lady Bracknell, Who Am I? (Live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 92 |
The Importance of Being Earnest, Act III: Orchestral Introduction (Live) |
Gerald Barry: The Importance of Being Earnest (Live)
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| 94 |
LAllegro, il Penseroso ed il Moderato, HWV 55:Part II, No. 24: Ouverture (Concerto grosso, Op. 6, No. 3) |
HANDEL: Allegro, il Penseroso ed il Moderato (L)
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| 96 |
Correspondances - For Soprano And Orchestra:4. Gong (II) |
Esa-Pekka Salonen Great Recordings
|
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| 98 |
Rinaldo, HWV 7:Act I Scene 7: Recitative: Al valor del mio brando (Armida, Almirena, Rinaldo) - Prelude |
HANDEL: Rinaldo
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| 100 |
Here (To Be Found) |
Donaueschinger Musiktage 2001
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