| 2 |
Divertimento No. 7 in B flat, K.deest:III. Andante |
Mozart: Music for Wind Instruments
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| 4 |
Over The Pavements (Scherzo - 1906-1913) |
American Classics: Charles Ives
|
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| 6 |
Die Vätergruft, S. 281 |
100 Best Liszt
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| 8 |
The Bells Of Yale (Battell Chimes Or Chapel Chimes - 1897) |
American Classics: Charles Ives
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|
| 10 |
Ottone in Villa, RV 729, Act 2:"L'ombre, l'aure, e ancora il rio" (Caio, Tullia) |
100 Best Vivaldi
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| 12 |
Divertimento in E flat, K.Anhang C.17.01 (Anh.226):I. Allegro moderato |
Mozart: Music for Wind Instruments
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| 14 |
Homenaje "Pour le Tombeau de Claude Debussy" |
The Art of the Guitar
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| 16 |
Ottone in Villa, RV 729, Act 1:"Gelosia, tu già rendi l'alma mia" (Caio) |
100 Best Vivaldi
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| 18 |
From The Steeples And The Mountains (1901) |
American Classics: Charles Ives
|
|
| 20 |
Choros No. 1 for Guitar, W 161 "Choro tipico" |
100 Best Guitar Classics
|
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| 22 |
Mass No. 3 in F Minor:Kyrie (Live at Philharmonie am Gasteig, Munich, 1990) |
Bruckner: Mass No. 3 in F minor
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| 24 |
Serenade No. 10 in B-Flat Major, K. 361370a, "Gran Partita": VI. Tema con variazioni, (g) Variation VI (Allegretto) |
Mozart: Serenade No.10, "Gran partita"
|
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| 26 |
Mass brevis in C major, K.259 "Orgelsolo-Messe":Benedictus |
Mozart: Sämtliche MessenComplete Masses
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|
| 28 |
On The Atiopdes (1915 - 1923) |
American Classics: Charles Ives
|
|
| 30 |
Piano Sonata No. 20 in A Major, D. 959: II. Andantino (Excerpt) |
100 Best Relaxing Classics
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| 32 |
Te Deum, WAB 45:V. In te, Domine, speravi (Live at Lukaskirche, Munich, 1982) |
Bruckner: Symphony No. 7 & Te Deum (Live)
|
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| 34 |
Cello Sonata in D Minor, Op. 40:I. Allegro non troppo - Largo |
Dmitri Shostakovich: Chamber music
|
|
| 36 |
A Set Of Pieces For Theater Or Chamber Orchestra: Nr.3: In The Night |
100 Best 20th Century Classics
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| 38 |
Four Movements from the ballet "El sombrero de tres picos" ("Der Dreispitz") (1+2 - 3+4):Die Nacht - Tanz des Müll |
100 Best Guitar Classics
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|
| 40 |
Symphony No. 8 in C Minor: II. Scherzo (Allegro moderato) & Trio (Langsam) |
Bruckner - Symphony No. 8
|
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| 42 |
Aeschylus And Sophocles (1922) |
American Classics: Charles Ives
|
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| 44 |
Prelude, Fugue and Allegro in E-Flat Major, BWV 998:Prelude |
100 Best Guitar Classics
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| 46 |
Drei Miniaturen für Klarinette und Klavier:III. Allegro ma non troppo |
20th Century Classics: Penderecki
|
|
| 48 |
Serenade No. 10 in B-Flat Major, K. 361370a, "Gran Partita": VI. Tema con variazioni, (b) Variation I - |
Mozart: Serenade No.10, "Gran partita"
|
|
| 50 |
Sechs Gesänge op.13 nach Gedichten von Maurice Maeterlinck · für Mezzosopran und Orchester (Live): Die drei Schwestern (1910) - "Die drei Sch |
20th Century Classics: Zemlinsky
|
|
| 52 |
Ein Fichtenbaum steht einsam II, S. 309bis |
100 Best Liszt
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| 54 |
Clarinet Quintet in A Major, K. 581: II. Larghetto |
100 Best Adagios
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| 56 |
A Lecture by President A.T. Hadley (1912 - Nr.2 aus "Set No.1") |
American Classics: Charles Ives
|
|
| 58 |
Cello Sonata in D Minor, Op. 40:III. Largo |
Dmitri Shostakovich: Chamber music
|
|
| 60 |
Te Deum, WAB 45:I. Te Deum laudamus (Live at Lukaskirche, Munich, 1982) |
Bruckner: Symphony No. 7 & Te Deum (Live)
|
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| 62 |
3 Sonetti del Petrarca, S. 270b: II. Sonetto 104 di Petrarca, "Pace non trovo" (Molto agitato e presto) |
100 Best Liszt
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|
| 64 |
Der du von dem Himmel bist, S. 2792 |
100 Best Liszt
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| 66 |
Sechs Gesänge op.13 nach Gedichten von Maurice Maeterlinck · für Mezzosopran und Orchester (Live): Sie kam zum Schloß gegangen (1913) - "Sie |
20th Century Classics: Zemlinsky
|
|
| 68 |
Partita for Solo Violin No. 2 in D Minor, BWV 1004:IV. Gigue (Arr. Barrueco for Guitar) |
100 Best Guitar Classics
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|
| 70 |
Serenade No. 10 in B-Flat Major, K. 361370a, "Gran Partita": VII. Rondo (Allegro molto) |
Mozart: Serenade No.10, "Gran partita"
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| 72 |
Lasst mich ruhen, S. 317 |
100 Best Liszt
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|
| 74 |
Mass No. 3 in F Minor:Kyrie (Live at Philharmonie am Gasteig, Munich, 1990) |
Bruckner: Mass No. 3 in F Minor (Live at Philharmonie am Gasteig, Munich, 1990)
|
|
| 76 |
Anfangs wollt' ich fast verzagen, S. 3112 |
100 Best Liszt
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| 78 |
Mass No. 3 in F Minor:Credo (Live at Philharmonie am Gasteig, Munich, 1990) |
Bruckner: Mass No. 3 in F minor
|
|
| 80 |
Te Deum, WAB 45:III. Aeterna fac (Live at Lukaskirche, Munich, 1982) |
Bruckner: Symphony No. 7 & Te Deum (Live)
|
|
| 82 |
Litaniae de venerabili altaris sacramento in E-Flat Major, K. 243:Panis vivus |
Mozart: Sämtliche MessenComplete Masses
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|
| 84 |
Gyp The Blood Or Hearst - Which Is Worst? (Nr.2 Aus "Set No.2" - 1912) |
American Classics: Charles Ives
|
|
| 86 |
Choros No. 1 for Guitar, W 161 "Choro tipico" |
Essential Guitar
|
|
| 88 |
Blume und Duft, S. 324 |
100 Best Liszt
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| 90 |
Divertimento in E flat, K.Anhang C.17.01 (Anh.226):IV. Menuetto: Allegretto |
Mozart: Music for Wind Instruments
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|
| 92 |
Symphony No. 8 in C Minor: III. Adagio (Feierlich langsam, doch nicht schleppend) |
Bruckner - Symphony No. 8
|
|
| 94 |
Mists (1910) |
American Classics: Charles Ives
|
|
| 96 |
Serenade No. 10 in B-Flat Major, K. 361370a, "Gran Partita": VI. Tema con variazioni, (a) Tema. Andante - |
Mozart: Serenade No.10, "Gran partita"
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| 98 |
Divertimento No. 7 in B flat, K.deest:IV. Menuetto |
Mozart: Music for Wind Instruments
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|
| 100 |
Serenade No. 10 in B-Flat Major, K. 361370a, "Gran Partita": VI. Tema con variazioni, (e) Variation IV - |
Mozart: Serenade No.10, "Gran partita"
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