| 2 |
Lotofagos: Scene 1: We were in a dessert, surrounded by our own image, which did not recognize |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 4 |
Fama: Scene 6: Wie hubsch ist es |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 6 |
Extinction Events and Dawn Chorus:III. Autocorrect |
Liza Lim: Extinction Events and Dawn Chorus
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| 8 |
Following |
Dai Fujikura: Mina
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| 10 |
Wondrous Steps (Live) |
Dai Fujikura: Mina
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| 12 |
Extinction Events and Dawn Chorus:V. Dawn Chorus |
Liza Lim: Extinction Events and Dawn Chorus
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| 14 |
Anamorphoses: V. Contrapunctus XI |
Anamorphoses pour ensemble
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| 16 |
Massacre C: All Goes to Wreck - Live |
Wolfgang Mitterer: Massacre (Live)
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| 18 |
5 Chansons pour percussion:No. 1. Chanson du Matin |
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel)
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| 20 |
Anamorphoses: IV. Canon per augmentation in contrario motu |
Anamorphoses pour ensemble
|
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| 22 |
Extinction Events and Dawn Chorus:II. Retrograde Inversion |
Liza Lim: Extinction Events and Dawn Chorus
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| 24 |
Paisajes del Placer y de la Culpa: III. Jardín de Oro |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 26 |
Songs Found in Dream |
Liza Lim: Extinction Events and Dawn Chorus
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| 28 |
Extinction Events and Dawn Chorus:IV. Transmission |
Liza Lim: Extinction Events and Dawn Chorus
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| 30 |
Blood on the Floor:Dispelling the Fears |
Blood on the Floor
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| 32 |
Spur |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 34 |
Ana Morphoses: II. con trap UNC圖書IV |
Anamorphoses pour ensemble
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| 36 |
SU IPO EMI concentric III |
SCIARRINO, A.: Sui poemi concentrici I, II, III (Members of ensemble recherche, Berlin Radio Symphony, Rundel)
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| 38 |
prism spectra |
Dai Fujikura: Mina
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| 40 |
Ana Morphoses: i. con trap UNC圖書vi |
Anamorphoses pour ensemble
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| 42 |
MA查UT-Arch IT EK土壤v |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 44 |
recorder concerto (live) |
Dai Fujikura: Mina
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| 46 |
trio III: "w IE EI NH AU cha US licht u NDS插TT恩" |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 48 |
Orion |
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel)
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| 50 |
Siddhartha |
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel)
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| 52 |
5 chansons pour percussion:no. 5. chanson的adieu |
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel)
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| 54 |
invocation: scene 6: PO R卻, 普額SHA SL了GA的O? |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 56 |
Paisajes del Placer y de la Culpa: I. Jardín del Vidrio |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 58 |
Extinction Events and Dawn Chorus:I. Anthropogenic Debris |
Liza Lim: Extinction Events and Dawn Chorus
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| 60 |
Sui poemi concentrici III |
SCIARRINO, A.: Sui poemi concentrici I, II, III (Members of ensemble recherche, Berlin Radio Symphony, Rundel)
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| 62 |
The Spirit of Beings |
Dai Fujikura: Mina
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| 64 |
Axis Mundi |
Liza Lim: Extinction Events and Dawn Chorus
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| 66 |
Paisajes del Placer y de la Culpa: II. Jardín de Seda |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 68 |
Retour an dich |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 70 |
...Nachlese...lll - Es bleibt eine zitternde Bebung |
Jarrell: ...mais les images restent...
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| 72 |
Anamorphoses: VII. Contrapunctus VIII |
Anamorphoses pour ensemble
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| 74 |
Anamorphoses: VIII. Canon in Hypodiapason |
Anamorphoses pour ensemble
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| 76 |
Anamorphoses: III. Contrapunctus IX |
Anamorphoses pour ensemble
|
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| 78 |
Aquitecturas del Silencio |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 80 |
Anamorphoses: VI. Contrapunctus X |
Anamorphoses pour ensemble
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| 82 |
Mina (Live) |
Dai Fujikura: Mina
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| 84 |
Cells (1993) for saxophones & large chamber orchestra |
Donaueschingen Festival 75 Years: 1921 - 1996 (Digitally Remastered)
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