| 2 |
Come Let Us Sound With Melody |
The Very Best of Elizabethan Lute Songs
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| 4 |
Im Fruling, D. 882 |
Great British Tenors
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| 6 |
Songs from the Chinese, Op. 58:No. 2, The Old Lute (Live) |
Julian Bream: Live from Aldeburgh Festival 1958 & 1959
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| 8 |
L'enfance du Christ - Part I, Le Songe d’Hérode: Scene 4 - La Voix Dit Vrai, Seigneur |
Berlioz: Lenfance du Christ
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| 10 |
The Rape of Lucretia, Op. 37, Act II:"This dead hand lets fall" (Cornelius, Junius, Bianca, Lucia, Female Chorus, Male Chorus) |
Benjamin Britten: The Rape of Lucretia
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| 12 |
The Rape of Lucretia, Op. 37, Act I:"Collatinus is politically astute" (Male Chorus, Junius, Collatinus, Tarquinius) |
Benjamin Britten: The Rape of Lucretia
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| 14 |
The Turn Of The Screw, Act II - The Bedroom - Quint - The Piano - Flora - Miles |
The Turn of the Screw
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| 16 |
L'enfance du Christ - Part III, L'arrivée à Sais: Scene 1 - Dans Cette Ville Immense |
Berlioz: Lenfance du Christ
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| 18 |
I Saw My Lady Weeping |
The Very Best of Elizabethan Lute Songs
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| 20 |
concerto Ind major, TW V 42:D6 (A仍然. for flute, guitar & harpsichord): II. allegro [live] |
Julian Bream: Live from Aldeburgh Festival 1958 & 1959
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| 22 |
the rap EOF Lucretia, op. 37, act II:"within this frail c如Cu B Leo flight" (tar qui牛市, female chorus) |
Benjamin Britten: The Rape of Lucretia
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| 24 |
Man is for the Woman Made |
The Very Best of Elizabethan Lute Songs
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| 26 |
Façade: No. 13, Polka (Live) |
Walton: Cello ConcertoFaçade
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| 28 |
L'enfance du Christ - Part I, Le Songe d’Hérode: Prologue - Dans la Crèche, en Ce Temps |
Berlioz: Lenfance du Christ
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| 30 |
rest, sweet nymphs |
The Very Best of Elizabethan Lute Songs
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| 32 |
whether men do laugh or weep |
The Very Best of Elizabethan Lute Songs
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| 34 |
in darkness let med well |
The Very Best of Elizabethan Lute Songs
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| 36 |
come sorrow come |
Songs Of The Lute
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| 38 |
third book EOF songs:no. 9. what if i never speed? (live) |
Julian Bream: Live from Aldeburgh Festival 1958 & 1959
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| 40 |
L'enfance du Christ - Part II, La Fuite en Égypte: Le Repos de la Sainte Famille (The Holy Family At Rest) |
Berlioz: Lenfance du Christ
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| 42 |
Façade: No. 7, Lullaby for Jumbo (Live) |
Walton: Cello ConcertoFaçade
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| 44 |
IT wasa lover and his LA所示 |
Songs Of The Lute
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| 46 |
Façade: No. 5, Through Gilded Trellises (Live) |
Walton: Cello ConcertoFaçade
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| 48 |
act i |
Twelfth Night
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| 50 |
Façade: No. 8, Black Mrs. Behemoth (Live) |
Walton: Cello ConcertoFaçade
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| 52 |
the rap EOF Lucretia, op. 37, act II:"epilogue: IT is all?" (female chorus, male chorus) |
Benjamin Britten: The Rape of Lucretia
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| 54 |
L'enfance du Christ - Parti, Le Songe d'Hérode: Scene 4 - Les Sages de Judée |
Berlioz: Lenfance du Christ
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| 56 |
the rap EOF Lucretia, op. 37, act II:"last night tar qui牛市ravished麼" (Lucretia, col Latin US) |
Benjamin Britten: The Rape of Lucretia
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| 58 |
the rap EOF Lucretia, op. 37, act i:"tar qui牛市does not大熱" (male chorus) |
Benjamin Britten: The Rape of Lucretia
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| 60 |
Façade: Fanfare (Live) |
Walton: Cello ConcertoFaçade
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| 62 |
Façade: No. 1, Hornpipe (Live) |
Walton: Cello ConcertoFaçade
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| 64 |
act II |
Twelfth Night
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| 66 |
Façade: No. 9, Tarantella (Live) |
Walton: Cello ConcertoFaçade
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| 68 |
the rap EOF Lucretia, op. 37, act i:"the oatmeal slippers of sleep" (female chorus, male chorus, tar qui牛市, Bianca, Lucia, Lucretia |
Benjamin Britten: The Rape of Lucretia
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| 70 |
Façade: No. 21, Sir Beelzebub (Live) |
Walton: Cello ConcertoFaçade
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| 72 |
the rap EOF Lucretia, op. 37, act II:"interlude: herein this scene有see" (male chorus, female chorus) |
Benjamin Britten: The Rape of Lucretia
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| 74 |
the turn o佛陀和screw, act II, colloquy安定soliloquy - the bells - Miss Jesse了 - the bedroom |
The Turn of the Screw
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| 76 |
man is fort和woman MA的, Z. 605 |
Music for a Medieval Banquet
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| 78 |
the rap EOF Lucretia, op. 37, act II:"flowers bring to every year" (Lucretia, Bianca) |
Benjamin Britten: The Rape of Lucretia
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| 80 |
the rap EOF Lucretia, op. 37, act i:"their spinning-wheel unwinds" (female chorus, lucre字啊, Bianca, Lucia) |
Benjamin Britten: The Rape of Lucretia
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| 82 |
the rap EOF Lucretia, op. 37, act i:"time treads upon the hands of我們" (female chorus, lucre字啊, Bianca, Lucia) |
Benjamin Britten: The Rape of Lucretia
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| 84 |
Façade: No. 6, Tango-Pasodoble (Live) |
Walton: Cello ConcertoFaçade
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| 86 |
Awake Sweet Love |
Songs Of The Lute
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| 88 |
In Darkness Let Me Dwell |
Songs Of The Lute
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| 90 |
Façade: No. 19, Popular Song (Live) |
Walton: Cello ConcertoFaçade
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| 92 |
Façade: No. 10, A Man from a Far Countree (Live) |
Walton: Cello ConcertoFaçade
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| 94 |
St. John Passion, BWV 245, Part 2: XXXII. Aria, XXXIII. Evangelist, XXXIV. Arioso, XXXV. Aria, XXXVI. Evangelist, XXXVII. Chorale, XXXVIII. Evangelist |
Bach: St. John Passion, BWV 245
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| 96 |
Mistress Mine Well May You Fare |
Songs Of The Lute
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| 98 |
The Rape of Lucretia, Op. 37, Act II:"Lucretia!... What do you want?" (Tarquinius, Lucretia, Female Chorus, Male Chorus) |
Benjamin Britten: The Rape of Lucretia
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| 100 |
The Rape of Lucretia, Op. 37, Act I:"It is an axiom among kings" (Female Chorus) |
Benjamin Britten: The Rape of Lucretia
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