| 1 |
The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 2 |
The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 3 |
The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 4 |
Asyla, Op. 17: IV |
Modern Classical Music
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| 5 |
The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 6 |
Five Eliot Landscapes Op. 1: II. Virginia |
British Composers - Ades: Life Story
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| 7 |
The Diary of One Who Disappeared, JW V12:No. 22, Andante "Sbohem, rodny kraju" |
20th Century Classics: Leos Janácek
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| 8 |
The Diary of One Who Disappeared, JW V12:No. 7, Con moto "Ztratil jsem kolicek" |
20th Century Classics: Leos Janácek
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| 9 |
The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 10 |
Catch Op. 4 |
British Composers - Ades: Life Story
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| 11 |
Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe |
British Composers - Ades: Life Story
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| 12 |
A Recollection, for Piano, JW VIII32 |
20th Century Classics: Leos Janácek
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| 13 |
Sonata da Caccia, Op.11 (1993): I. Gravement - |
Adès: Living Toys
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| 14 |
The Diary of One Who Disappeared, JW V12:No. 8, Andante "Nehled'te, volecci, tesklivo k uvratim" |
20th Century Classics: Leos Janácek
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| 15 |
The Diary of One Who Disappeared, JW V12:No. 21, Meno mosso "Muj drahy taticku" |
20th Century Classics: Leos Janácek
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| 16 |
The Diary of One Who Disappeared, JW V12:No. 12, Adagio "Tmava olsinka, chladna studanka" |
20th Century Classics: Leos Janácek
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| 17 |
Under Hamelin Hill Op. 6: Preambulum (2 hands) |
British Composers - Ades: Life Story
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| 18 |
The Importance of Being Earnest:Act III: I am Miss Cardew's guardian (Jack, Lady Bracknell, Chasuble) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 19 |
The Origin of the Harp, Op.13 (1994): II. Largo con moto |
Adès: Living Toys
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| 20 |
The Diary of One Who Disappeared, JW V12:No. 16, Adagio "Co jsem to udelal" |
20th Century Classics: Leos Janácek
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| 21 |
The Diary of One Who Disappeared, JW V12:No. 9, Andante "Vita, Janicku" |
20th Century Classics: Leos Janácek
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| 22 |
The Importance of Being Earnest:Act II: And this is what you call Bunburying!? (Jack, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 23 |
The Diary of One Who Disappeared, JW V12:No. 15, Allegro "Moji sivi volci" |
20th Century Classics: Leos Janácek
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| 24 |
The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo |
Adès: Living Toys
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| 25 |
Life story Op. 8b (1990) |
British Composers - Ades: Life Story
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| 26 |
The Importance of Being Earnest:Act II: You are my little cousin Cecily (Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 27 |
Life Story, Op. 8 |
The Best of Thomas Adès
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| 28 |
Chamber Symphony, Op.2:IV |
Adès: Asyla
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| 29 |
Sonatina No. 3 'ad usum infantis': III. Vivace (alla Marcia) |
20th Century Piano Music
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| 30 |
The Importance of Being Earnest:Act II: I wish Uncle Jack would allow (Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 31 |
The Diary of One Who Disappeared, JW V12:No. 2, Con moto "Ta cerna ciganka" |
20th Century Classics: Leos Janácek
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| 32 |
The Importance of Being Earnest:Act II: I had no idea (Gwendolen, Cecily, Jack, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 33 |
The Importance of Being Earnest:Act II: Cecily, ever since I looked (Algernon, Cecily, Merriman) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 34 |
Les Baricades Mistérieuses |
British Composers - Ades: America A Prophecy
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| 35 |
The Diary of One Who Disappeared, JW V12:No. 17, Recitativo "Co komu suzeno" |
20th Century Classics: Leos Janácek
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| 36 |
Come io passo l'estate: V. Il buco dell'Orso |
20th Century Piano Music
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| 37 |
Moderato, for Piano, JW VIII21 |
20th Century Classics: Leos Janácek
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| 38 |
The Importance of Being Earnest:Act I: Miss Fairfax, ever since I met you (Jack, Gwendolen) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 39 |
The Diary of One Who Disappeared, JW V12:No. 18, Adagio "Nedbam ja vcil o nic" |
20th Century Classics: Leos Janácek
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| 40 |
The Diary of One Who Disappeared, JW V12:No. 10, Un poco più mosso "Boze, dalny, nesmrtelny" |
20th Century Classics: Leos Janácek
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| 41 |
The Importance of Being Earnest:Act I: Did you hear what I was playing? (Algernon, Lane, Jack, Choir) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 42 |
The Importance of Being Earnest:Act II: Freude, schöner Gotterfunken (Miss Prism, Cecily, Merriman) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 43 |
...But All Shall Be Well, Op. 10 |
Adès: Asyla
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| 44 |
five Eliot landscape SOP. 1: III. Usk |
British Composers - Ades: Life Story
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| 45 |
the origin of the harp, op.13 (1994): III. SPE TT RA了 |
Adès: Living Toys
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| 46 |
the origin of the harp, op.13 (1994): IV. [untitled] |
Adès: Living Toys
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| 47 |
the diary of one WHO disappeared, JW V12:no. 13, andante "intermezzo erotic哦" |
20th Century Classics: Leos Janácek
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| 48 |
sonata大CAC CIA, op. 11: IV. gala們T |
Porträt-Reihe: Travelling Pieces (Ensemble Modern Presents Saar Berger & Ensemble Modern)
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| 49 |
Album for Kamila Stösslova, JW VIII33:No. 13, Waiting for You! |
20th Century Classics: Leos Janácek
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| 50 |
concerto con從ISO:[dotted crotchet = 116] |
Adès: Asyla
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| 51 |
the importance of being earnest:act II: garden ATT和manor house: Cecily, Cecily! (Miss prism, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 52 |
the importance of being earnest:act i: what should ID哦? (reprise) (Jack, Lady bra CK呢LL) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 53 |
Christ, T和lord, is risen, for piano, JW VIII20 |
20th Century Classics: Leos Janácek
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| 54 |
the importance of being earnest:act III: pretty child! (Lady bra CK呢LL, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 55 |
The Importance of Being Earnest:Act I: Freude, schöner Gotterfunken (Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 56 |
the importance of being earnest:act i: what should ID哦? (Jack, Lady bra CK呢LL) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 57 |
the diary of one WHO disappeared, JW V12:no. 5, adagio "TE在KO Sam IO Re" |
20th Century Classics: Leos Janácek
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| 58 |
Album for Kamila Stösslova, JW VIII33:No. 12, The Golden Ring |
20th Century Classics: Leos Janácek
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| 59 |
the importance of being earnest:act III: what do友think this means (chasuble, Lady bra CK呢LL) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 60 |
five Eliot landscape SOP. 1: i. new Hampshire |
British Composers - Ades: Life Story
|
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| 61 |
the importance of being earnest:act III: Miss prism! (Lady bra CK呢LL, chasuble) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 62 |
the importance of being earnest:act II: you must not laugh ATM E (Cecily, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 63 |
chamber symphony, op.2:i |
Adès: Asyla
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| 64 |
the importance of being earnest:act III: Lady bra CK呢LL (m而日漫, Lady bra CK呢LL, Gwen do了N, Jack, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 65 |
trace的overhead op. 15 (1990): A ether IA |
British Composers - Ades: Life Story
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| 66 |
the diary of one WHO disappeared, JW V12:no. 19, andante "let i str A卡樂體" |
20th Century Classics: Leos Janácek
|
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| 67 |
the importance of being earnest:act i: AU LD Lang sy呢 |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 68 |
the diary of one WHO disappeared, JW V12:no. 20, con moto "MA媽Japan恩酷" |
20th Century Classics: Leos Janácek
|
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| 69 |
the importance of being earnest:act II: he是going to send麼away (Algernon, Cecily, m而日漫) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 70 |
The Diary of One Who Disappeared, JW V12:No. 3, Andante "Svatojanské musky" |
20th Century Classics: Leos Janácek
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| 71 |
the importance of being earnest:act II: Miss Fairfax (m而日漫, Cecily, Gwen do了N) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 72 |
the diary of one WHO disappeared, JW V12:no. 1, andante "PO圖卡拉金色每次乾枯" |
20th Century Classics: Leos Janácek
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| 73 |
under Hamelin hill op. 6: arietta (2 邯鄲市) |
British Composers - Ades: Life Story
|
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| 74 |
Sonata da Caccia, Op.11 (1993): III. Naïvement |
Adès: Living Toys
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| 75 |
concerto con從ISO:i |
Adès: Asyla
|
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| 76 |
sonata大CAC CIA, op.11 (1993): IV. gala們T |
Adès: Living Toys
|
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| 77 |
the importance of being earnest:act III: orchestral Introduction (Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
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| 78 |
the importance of being earnest:act II: Mister worthing! (Miss prism, chasuble, Jack, Cecily, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 79 |
darkness E visible |
British Composers - Ades: Life Story
|
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| 80 |
the importance of being earnest:act III: explosion! (all, Jack, Gwen do了N, chasuble, Miss prism, Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 81 |
the importance of being earnest:act III: twenty-eight years ago (Lady bra CK呢LL, orchestral players) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 82 |
These Premises Are Alarmed |
Adès: Asyla
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| 83 |
Traced overhead Op. 15 (1990): Chori |
British Composers - Ades: Life Story
|
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| 84 |
The Diary of One Who Disappeared, JW V12:No. 6, Allegro "Hajsi, vy sivi volci" |
20th Century Classics: Leos Janácek
|
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| 85 |
Malostransky Palace, for Piano, JW VIII31 |
20th Century Classics: Leos Janácek
|
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| 86 |
The Importance of Being Earnest:Act I: Will you stop!! (Jack, Algernon, Lane, Gwendolen) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 87 |
Concerto Conciso:II - |
Adès: Asyla
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| 88 |
Sonata da Caccia, Op.11 (1993): II. Gayëment - |
Adès: Living Toys
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| 89 |
The Importance of Being Earnest:Act II: Orchestral Interlude |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
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| 90 |
Traced overhead Op. 15 (1990): Sursum |
British Composers - Ades: Life Story
|
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| 91 |
The Importance of Being Earnest:Act I: Lady Bracknell and Miss Fairfax (Lane, Lady Bracknell, Algernon, Gwendolen, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
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| 92 |
The Importance of Being Earnest:Act III: Lady Bracknell (Miss Prism) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
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| 93 |
The Importance of Being Earnest:Act III: Mister Worthing, is Miss Cardew (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
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| 94 |
The Importance of Being Earnest:Act I: Mister Worthing! (Lady Bracknell, Gwendolen, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
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| 95 |
Life Story |
British Composers - Ades: America A Prophecy
|
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| 96 |
The Importance of Being Earnest:Act I: Are your parents living? (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
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| 97 |
Chamber Symphony, Op.2:II |
Adès: Asyla
|
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| 98 |
The Diary of One Who Disappeared, JW V12:No. 4, Andante "Uz mladé vlastuvky" |
20th Century Classics: Leos Janácek
|
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| 99 |
The Diary of One Who Disappeared, JW V12:No. 11, Con moto "Tahne vuna k lesu" |
20th Century Classics: Leos Janácek
|
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| 100 |
Five Eliot Landscapes Op. 1: V. Cape Ann |
British Composers - Ades: Life Story
|
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| 101 |
Under Hamelin Hill Op. 6: Fuga (2-6 hands) |
British Composers - Ades: Life Story
|
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| 102 |
Still sorrowing Op. 7 |
British Composers - Ades: Life Story
|
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| 103 |
The Diary of One Who Disappeared, JW V12:No. 14, Adagio "Slunecko se zdviha" |
20th Century Classics: Leos Janácek
|
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| 104 |
Chamber Symphony, Op.2:III |
Adès: Asyla
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| 105 |
In Remembrance, for Piano, JW VIII9 |
20th Century Classics: Leos Janácek
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