| 1 |
Sicilienne (from Pelléas et Mélisande Op.80) |
The Swan
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| 2 |
Ave Maria, Op. 61 |
The Swan
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| 3 |
Macbeth, Act III: Ove son io? ... Vada in flamme |
Verdi Arias
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| 4 |
2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8:II. Humoresque (Allegretto scherzando) |
The Sound of Scandinavia
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| 5 |
Macbeth, Act III:Ove son io? ... Vada in flamme |
Thomas Hampson: A Portrait (Inspiration)
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| 6 |
Messa di Gloria, Op.posth., Gloria:Gloria in excelsis Deo - Dominus Deus, rex coelestis |
Puccini : Messa di Gloria etc
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| 7 |
Le Trouvère, Act II: Tout est désert....Son regard |
Verdi Arias
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| 8 |
Ecco il luogo....Speme al vecchio from Giovanna d'Arco (Act II) |
Verdi Arias
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| 9 |
Messa di Gloria, Op.posth., Gloria:Gratias agimus tibi |
Puccini : Messa di Gloria etc
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| 10 |
Adagio con variazioni |
The Swan
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| 11 |
Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: II.Sehr langsam und ganz ruhig |
Hindemith: Kammermusik 1-7 & Der Schwanendreher
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| 12 |
Klid Op.68 No.5 |
The Swan
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| 13 |
Suite from the Ballet "Yugen": No. 1, Dance of Men |
100 Best Sensual Classics
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| 14 |
Messa di Gloria, Op.posth., Credo:Crucifuxus etiam pro nobis |
Puccini : Messa di Gloria etc
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| 15 |
Chamber Symphony, Op.2:IV |
Adès: Asyla
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| 16 |
Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: III.quaver equals 184 |
Hindemith: Kammermusik 1-7 & Der Schwanendreher
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| 17 |
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (ChoeursEnfants) |
100 Best Choruses
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| 18 |
Macbeth, Act IV:Perfidi! All'anglo contro me ... Pietà, rispetto, amore |
The Very Best Of Thomas Hampson
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| 19 |
2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8:I. Romanze (Andante con doulo) |
The Sound of Scandinavia
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| 20 |
Messa di Gloria, Op.posth., Sanctus & Benedictus:Benedictus qui venit in nomine Domini |
Puccini : Messa di Gloria etc
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| 21 |
Macbeth, Act IV:Perfidi! All'anglo contro me ... Pietà, rispetto, amore |
Thomas Hampson: A Portrait (Inspiration)
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| 22 |
mess Adi Gloria, op.post和., credo:E tuna M三C他們Catholic AM - |
Puccini : Messa di Gloria etc
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| 23 |
concerto con從ISO:[dotted crotchet = 116] |
Adès: Asyla
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| 24 |
An der schönen, blauen Donau - Walzer Op.314 |
100 Best Wiener Philharmoniker
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| 25 |
Le Trouvère, Act II:Tout est désert....Son regard |
Thomas Hampson: A Portrait (Inspiration)
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| 26 |
mess Adi Gloria, op.post和., sanctus & Benedict US:sanctus dominus deus薩保討回 |
Puccini : Messa di Gloria etc
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| 27 |
Macbeth, Act IV: Perfidi! All'anglo contro me ... Pietà, rispetto, amore |
Verdi Arias
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| 28 |
Oui, je fus bien coupable....Au sein de la puissance (Act III) from Les Vêspres siciliennes |
Verdi Arias
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| 29 |
Macbeth, act III:o VE son IO? ... v Ada inf lam麼 |
The Very Best Of Thomas Hampson
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| 30 |
Chant du Ménestrel |
The Swan
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| 31 |
Kammermusik Nr.6: Lebhaft, wie früher |
20th Century Classics: Paul Hindemith (Volume 2)
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| 32 |
symphony no. 9 in D minor, choral, op. 125: IV. presto - allegro as賽 |
100 Best Classics
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| 33 |
nocturne Ind minor force力量o and orchestra, op.194 |
The Most Relaxing Cello Album
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| 34 |
KA MM而木斯克NR.3: S額HR如何i個U N多個什麼事森勝出REIT恩的vi兒tel - IMG了I沉入Hi跟Z E IT mass - S額HR如何IG |
20th Century Classics: Paul Hindemith (Volume 2)
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| 35 |
chamber symphony, op.2:i |
Adès: Asyla
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| 36 |
mess Adi Gloria, op.post和., Gloria:quit OL裡spec擦他木訥地 - |
Puccini : Messa di Gloria etc
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| 37 |
ECCO米solo AL fine...o VE存儲IOC or (act 1) from I度EF Oscar i |
Verdi Arias
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| 38 |
Le Trouvère, Act II:Tout est désert....Son regard |
The Very Best Of Thomas Hampson
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| 39 |
k裡的op.68 no.5 |
The Most Relaxing Cello Album
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| 40 |
Carmen, WD 31, Act 1: "Avec la garde montante, nous arrivons, nous voilà! "(Chorus) |
100 Best Choruses
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| 41 |
Radetzky Mars吃op. 228 |
50 Best Wiener Philharmoniker
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| 42 |
KA MM而木斯克NR.7: S額HR狼Sam UN的干燥如何IG |
20th Century Classics: Paul Hindemith (Volume 2)
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| 43 |
Après un rêve, Op.7 No.1 |
The Most Relaxing Cello Album
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| 44 |
A樓房inquest OC or SAR O....cent Oleg GIA的Rev二個INI (act III) from IL co RSA RO |
Verdi Arias
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| 45 |
ASC OL他...O得ver但你米誒 (act III) from er那你 |
Verdi Arias
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| 46 |
KA MM而木斯克NR.7: (quaver [=symbol] 比賽 184) |
20th Century Classics: Paul Hindemith (Volume 2)
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| 47 |
concerto con從ISO:i |
Adès: Asyla
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| 48 |
Kammermusik No. 6 for Viola and Chamber Orchestra, Op. 46 No. 1: IV.Lebhaft, wie früher |
Hindemith: Kammermusik 1-7 & Der Schwanendreher
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| 49 |
Kammermusik No. 3 for Cello and 10 Instruments, Op. 36 No. 2: III.Sehr ruhige und gemessen schreitende Viertel - Im gleichen rehigen Zeitmaß - Sehr ru |
Hindemith: Kammermusik 1-7 & Der Schwanendreher
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| 50 |
mess Adi Gloria, op.post和., Gloria:quo你A MTU so路上sanctus |
Puccini : Messa di Gloria etc
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| 51 |
EI覆蓋個...Lin A, pen賽車UN Angelo (act III) from stiff Eli O |
Verdi Arias
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| 52 |
These Premises Are Alarmed |
Adès: Asyla
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| 53 |
Di Provenza il mar...Né rispondi...no, non udrai rimproveri (Act II) |
Verdi Arias
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| 54 |
Concerto Conciso:II - |
Adès: Asyla
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| 55 |
Kammermusik No. 2 for Piano and 12 Instruments, Op. 36 No. 1: Sehr langsame Achtel - Etwa doppelt so schnell - Im ersten Zeitmass (doffelt so langsam) |
Hindemith: Kammermusik 1-7 & Der Schwanendreher
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| 56 |
Nocturne in D Minor for Cello and Orchestra, Op.194 |
The Swan
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| 57 |
Chamber Symphony, Op.2:II |
Adès: Asyla
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| 58 |
Messa di Gloria, Op.posth., Credo:Et expecto resurrectionem - Et vitam venturi saeculi |
Puccini : Messa di Gloria etc
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| 59 |
Kammermusik Nr.2: Sehr langsame Achtel - Etwa doppelt so schnell - Im ersten Zeitmass (doffelt so langsam) |
20th Century Classics: Paul Hindemith (Volume 2)
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| 60 |
Après un rêve, Op.7 No.1 |
The Swan
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| 61 |
Messa di Gloria, Op.posth., Credo:Credo in unum Deum |
Puccini : Messa di Gloria etc
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| 62 |
Sicilienne (from Pelléas et Mélisande Op.80) |
The Most Relaxing Cello Album
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| 63 |
Korean Elegy |
The Swan
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| 64 |
Chamber Symphony, Op.2:III |
Adès: Asyla
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| 65 |
Tradimento....Pareami che sorto....Armata la prima (Act IV) from I masnadieri |
Verdi Arias
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| 66 |
Morning has broken (Bunessan) |
The Ultimate Wedding Collection
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