| 1 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene V, "Tell...tell me what you want?" |
Smetana: The Bartered Bride. Opera In 3 Acts
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| 2 |
Sarka: Act I, "Shadows of Departed Souls" |
Fibich: Šárka
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| 3 |
Don Giovanni, ., Act I: "Ecco il birbo che t´ha offesa" (Don Giovanni, Donna Anna, Don Ottavio, Donna Elvíra, Leporello, Masetto, Ze |
Mozart: Don Giovanni
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| 4 |
The Cunning Little Vixen: Act III, Scene VII, "A vixenn's running through the woods..." |
Janacek: The Cunning Little Vixen
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| 5 |
Two Widows, ., Act II, Scene 4: "Halt, Sir!" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Podhajs |
Smetana: The Two Widows. Opera In 2 Acts
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| 6 |
Káťa Kabanová, JW I8:Act I Scene 1 |
JANACEK, L.: Kata Kabanova (Prague National Theatre) (1959)
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| 7 |
Libuse: Act III, Scene 3, "Welcome to us" |
Smetana: Libuse. Festive Opera in 3Acts
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| 8 |
Libuse. Festive Opera in 3 Acts: Act I, Scene II, "I cannot join them" |
Smetana: Libuse. Festive Opera in 3Acts
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| 9 |
The Macropulos Case. Opera in 3 Acts: 8. Act 2 "Since then my life seems" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 10 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene VIII, "Calm down, calm down, dear, calm down" (Terzetto) |
Smetana: The Bartered Bride. Opera In 3 Acts
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| 11 |
Two Widows, ., Act II, Scene 3: "A Poem!" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Podhajský, |
Smetana: The Two Widows. Opera In 2 Acts
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| 12 |
Two Widows, ., Act II, Scene 9: "Ah, What a Surprise" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladisla |
Smetana: The Two Widows. Opera In 2 Acts
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| 13 |
Don Giovanni, ., Act I: "Leporello, ove sei? (Sc. II)" (Don Giovanni, Leporello) |
Mozart: Don Giovanni
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| 14 |
Libuse: Act III, Libuse's prophecy, Picture V |
Smetana: Libuse. Festive Opera in 3Acts
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| 15 |
Don Giovanni, ., Act II: "Crudele! Ah no, mio bene" (Donna Anna) |
Mozart: Don Giovanni
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| 16 |
Mother, ., Scene 2: "Nanka, Fetch Some Water" (Křen, sedlák) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
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| 17 |
Don Giovanni, ., Act I: "Masetto, senti un po!" (Masetto, Zerlina) |
Mozart: Don Giovanni
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| 18 |
Libuse: Act III, Scene 4, "Did she not say that all the power now" |
Smetana: Libuse. Festive Opera in 3Acts
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| 19 |
Mother, ., Scene 5: "Drudge Alone? Aren´t Older Children Nearly Fit for Work?" (Křen, sedlák, Maruša, jeho žena) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
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| 20 |
The Macropulos Case. Opera in 3 Acts: 2. Act 1 "Oh dear, my goodness!" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 21 |
Don Giovanni, ., Act II: "Dunque quello sei tu" (Don Ottavio, Donna Elvíra, Masetto, Zerlina) |
Mozart: Don Giovanni
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| 22 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene IV, "What? He doesn't want her?" (Quartetto) |
Smetana: The Bartered Bride. Opera In 3 Acts
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| 23 |
The Macropulos Case. Opera in 3 Acts: 20. Act 3 "Allow me to inform you gentlemen" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 24 |
Libuse: Act III, Scene 5, "Hail, stronghold of Vysehrad" |
Smetana: Libuse. Festive Opera in 3Acts
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| 25 |
The Macropulos Case. Opera in 3 Acts: 8. Act 1 "Have you any proof of this?" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 26 |
The Kiss: Act 2, Scene 4 - "Ha, ha, Lukáš, you have such troubles with your love!" |
Smetana: The Kiss
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| 27 |
Káťa Kabanová, JW I8:Act II Scene 1 |
JANACEK, L.: Kata Kabanova (Prague National Theatre) (1959)
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| 28 |
The Bartered Bride. Opera in 3 Acts: Act II, Scene III, "You are surely Marenka Krusinova's bridegroom?" (Recitativo) |
Smetana: The Bartered Bride. Opera In 3 Acts
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| 29 |
The Macropulos Case. Opera in 3 Acts: 12. Act 2 "And can you tell me real name of this Ellian?" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 30 |
The Bartered Bride. Opera in 3 Acts: Act II, Scene III, "I know a maiden fair whose love for you is boundless..." (Duetto) |
Smetana: The Bartered Bride. Opera In 3 Acts
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| 31 |
The Macropulos Case. Opera in 3 Acts: 7. Act 2 "Miss Marty, may I" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 32 |
The Bartered Bride. Opera in 3 Acts: Overture |
Smetana: The Bartered Bride. Opera In 3 Acts
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| 33 |
Sarka: Act I, "Oh You Men, You Boastful Vipers!" |
Fibich: Šárka
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| 34 |
Sarka: Act III, "You Hve Led Me and My Men of Arms" |
Fibich: Šárka
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| 35 |
Sarka: Act II, "Hoy! Sisters, Goog Health!" |
Fibich: Šárka
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| 36 |
The Macropulos Case. Opera in 3 Acts: 11. Act 2 "What's that? Did you find something lese there?" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 37 |
Jenufa, ., Act I, Scene 5: "O, My Darling, Števa" (stařenka Buryjovka, Laca Klemeň, nevlastní bratr Števy, vnuk stařenky Buryjy, Šte |
Janáček: Jenufa
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| 38 |
The Tempest, Act II:"Již ruka moje zemdlela" (Prospero, Miranda, Kaliban, Fernando, Alonso, Antonio, Ariel) |
Fibich: The Tempest. Opera in 3 Acts
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| 39 |
Sarka: Act II, "Yes, Indeed, I Hated You!" |
Fibich: Šárka
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| 40 |
Two Widows, ., Act II, Scene 2: "There Is No More Doubt" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladi |
Smetana: The Two Widows. Opera In 2 Acts
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| 41 |
The Bartered Bride. Opera in 3 Acts: Act I, Scene II, "It will then happen like I have been told!" (Recitativo) |
Smetana: The Bartered Bride. Opera In 3 Acts
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| 42 |
Don Giovanni, ., Act II: "Di molte faci il lume" (Donna Elvíra, Leporello) |
Mozart: Don Giovanni
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| 43 |
Two Widows, ., Act II: "Polka (dance) - The Lord God Must Love Us" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské d |
Smetana: The Two Widows. Opera In 2 Acts
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| 44 |
Mother, ., Scene 3: "Aha, It´s Long Journey on Foot" (Křen, sedlák) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
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| 45 |
Mother, ., Scene 7: "You Damned, Lazy Devils!" (Křen, sedlák, Maruša, jeho žena) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
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| 46 |
Don Giovanni, ., Act I: "Fermati scellerato" (Don Giovanni, Donna Elvíra, Zerlina) |
Mozart: Don Giovanni
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| 47 |
Two Widows, ., Act II, Scene 1: "Fine Idea Keeping That Man Here" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské dě |
Smetana: The Two Widows. Opera In 2 Acts
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| 48 |
Don Giovanni, .: "Overture" |
Mozart: Don Giovanni
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| 49 |
Sarka: Act I, "Dead! My Arrow Flew Straight to Its breast!" |
Fibich: Šárka
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| 50 |
The Macropulos Case. Opera in 3 Acts: 14. Act 1 "Emilia!" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 51 |
Sarka: Act I, "Sarko - It's you! - You Too Are Wandering" |
Fibich: Šárka
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| 52 |
Two Widows, ., Act I: "Perhaps He Was Lured Here" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Po |
Smetana: The Two Widows. Opera In 2 Acts
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| 53 |
Don Giovanni, ., Act II: "Sola sola in buio loco" (Donna Anna, Don Ottavio, Donna Elvíra, Leporello, Masetto, Zerlina) |
Mozart: Don Giovanni
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| 54 |
Don Giovanni, ., Act I: "Presto presto pria ch´ei venga" (Masetto, Zerlina) |
Mozart: Don Giovanni
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| 55 |
The Macropulos Case. Opera in 3 Acts: 9. Act 2 "And the next! It that the lot?" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 56 |
The Cunning Little Vixen: Act I, Scene II, The vixen appears as a maiden |
Janacek: The Cunning Little Vixen
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| 57 |
The Macropulos Case. Opera in 3 Acts: 7. Act 1 "Not so fast please" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 58 |
Sarka: Act III, "You Have Led Me and My Men of Arms" |
Fibich: Šárka
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| 59 |
The Cunning Little Vixen: Act II, Scene VI-Change of scene. Summer moonlit night "Goodness me, how handsome he is!" |
Janacek: The Cunning Little Vixen
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| 60 |
Sarka: Act II, Introduction |
Fibich: Šárka
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| 61 |
The Cunning Little Vixen: Act I, Scene II, "You should have followed my example! You shouldn't have tried to run away!" |
Janacek: The Cunning Little Vixen
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| 62 |
The Kiss: Act 3 - "He is here, the shepherd, Your Grace!" |
Dvořák: Kate And The Devil
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| 63 |
Don Giovanni, ., Act II: "Vedrai, carino" (Zerlina) |
Mozart: Don Giovanni
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| 64 |
Don Giovanni, ., Act I: "Don Ottavio, son morta - Or sai chi l´onore" (Donna Anna, Don Ottavio) |
Mozart: Don Giovanni
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| 65 |
The Macropulos Case. Opera in 3 Acts: 13. Act 2 "One moment! What is your price for that anvelope?" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 66 |
Libuse: Act III, Libuse's prophecy, Picture I |
Smetana: Libuse. Festive Opera in 3Acts
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| 67 |
Sarka: Act II, "Woe! Away! Quickly Away!" |
Fibich: Šárka
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| 68 |
The Macropulos Case. Opera in 3 Acts: 1. Overture |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 69 |
Fidelio, ., Act I: "Chorus - Finale" |
Beethoven: Fidelio. Scenes From The Opera
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| 70 |
The Cunning Little Vixen: Act I, Change of scene-The courtyard od the forester lodge, "What a surprise, isn't it Lapak?" |
Janacek: The Cunning Little Vixen
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| 71 |
Sarka: Act III, "Hear Me, Eternal Sky" |
Fibich: Šárka
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| 72 |
The Macropulos Case. Opera in 3 Acts: 10. Act 2 "At last!" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 73 |
Sarka: Act III, "This Is My Work!" |
Fibich: Šárka
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| 74 |
The Macropulos Case. Opera in 3 Acts: 25. Act 3 "I had to get that paper" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 75 |
Two Widows, ., Act I, Scene 6: "Everything Is in Order, Gracious Lady" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, sels |
Smetana: The Two Widows. Opera In 2 Acts
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| 76 |
The Macropulos Case. Opera in 3 Acts: 11. Act 1 "Gone at last!" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 77 |
Don Giovanni, ., Act II: "Eh via, buffone" (Don Giovanni, Leporello) |
Mozart: Don Giovanni
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| 78 |
Two Widows, ., Act I, Scene 7: "Do You Feel No Regret for Your Actions?" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, se |
Smetana: The Two Widows. Opera In 2 Acts
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| 79 |
Jenufa, ., Act III, Scene 10: "Ha - Do You See Them" (Laca Klemeň, nevlastní bratr Števy, vnuk stařenky Buryjy, Kostelnička Buryjovk |
Janáček: Jenufa
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| 80 |
Don Giovanni, ., Act I: "Povera sventurata" (Don Giovanni) |
Mozart: Don Giovanni
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| 81 |
Two Widows, ., Act II, Scene 7: "What´s This, Girl" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav |
Smetana: The Two Widows. Opera In 2 Acts
|
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| 82 |
The Kiss: Act 2, Scene 9 - "It's him! - It's her!" - "The arguments are settled" |
Smetana: The Kiss
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| 83 |
The Cunning Little Vixen: Act II, Scene IV-Change of Scene, "Yes, things will be much better in Stran!" |
Janacek: The Cunning Little Vixen
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| 84 |
The Cunning Little Vixen: Act II, Scene III, Orchestral introduction "Oh!" |
Janacek: The Cunning Little Vixen
|
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| 85 |
The Macropulos Case. Opera in 3 Acts: 29. Act 3 "But my life has come to a stand still" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 86 |
Don Giovanni, ., Act I: "Fin ch´ han dal vino" (Don Giovanni) |
Mozart: Don Giovanni
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| 87 |
Two Widows, ., Act II, Scene 5: "They Are Leaving Together" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, L |
Smetana: The Two Widows. Opera In 2 Acts
|
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| 88 |
Sarka: Act II, "Be It a Chasing Race! Hoyo!" |
Fibich: Šárka
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| 89 |
Don Giovanni, ., Act II: "Leporello! - Signore?" (Don Giovanni, Leporello) |
Mozart: Don Giovanni
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| 90 |
Don Giovanni, ., Act I: "Mi par ch´oggi il demonio si diverta... - Ah ti ritrovo ancor" (Don Giovanni, Donna Anna, Don Ottavio) |
Mozart: Don Giovanni
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| 91 |
Don Giovanni, ., Act I: "Su, svegliatevi, da bravi" (Don Giovanni) |
Mozart: Don Giovanni
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| 92 |
Don Giovanni, ., Act I: "Ho capito, signor, si" (Masetto) |
Mozart: Don Giovanni
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| 93 |
Mother, ., Scene 8: "What Kind of Food Is This?" (Francek - Křenovo dítě z 1. maželství, Vincek + první soused) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
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| 94 |
Mother, ., Scene 1: "Well, Now She´s with God, Poor Soul" (Křen, sedlák, Švagrová) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
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| 95 |
Don Giovanni, ., Act I: "Come mai creder deggio" (Don Ottavio) |
Mozart: Don Giovanni
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| 96 |
The Macropulos Case. Opera in 3 Acts: 24. Act 3 "How could you live for three hundred years?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
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| 97 |
Two Widows, .: "Overture" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Podhajský, Toník, selský h |
Smetana: The Two Widows. Opera In 2 Acts
|
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| 98 |
Libuse: Act III, Scene 2, "He comes! He still remains hidden" |
Smetana: Libuse. Festive Opera in 3Acts
|
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| 99 |
Two Widows, ., Act II: "Overture" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Podhajský, Toník, |
Smetana: The Two Widows. Opera In 2 Acts
|
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| 100 |
Sarka: Act I, "In the Sacred Name" |
Fibich: Šárka
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| 101 |
Sarka: Overture |
Fibich: Šárka
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| 102 |
Libuse. Festive Opera in 3 Acts: Act I, Scene III, The Procession, "The snake is not here" |
Smetana: Libuse. Festive Opera in 3Acts
|
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| 103 |
The Cunning Little Vixen: Act II, Scene VI, "My name is Goldskin" |
Janacek: The Cunning Little Vixen
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| 104 |
The Bartered Bride. Opera in 3 Acts: Act I, Scene II, "While a mother's love means blessing, painful is a stepmother's hate |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 105 |
Don Giovanni, ., Act I: "Notte e giorno faticar" (Don Giovanni, Donna Anna, Komtur, Leporello) |
Mozart: Don Giovanni
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| 106 |
The Macropulos Case. Opera in 3 Acts: 3. Act 2 "Janek come on!" |
Janáček: The Macropulos Case. Opera in 3 Acts
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| 107 |
Sarka: Act III, "Look How Weak I Am" |
Fibich: Šárka
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| 108 |
The Macropulos Case. Opera in 3 Acts: 10. Act 1 "AI'm much obliged" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
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| 109 |
The Macropulos Case. Opera in 3 Acts: 15. Act 1 "D'you know, Gregor, there's something you could give me?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
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| 110 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene II, March of the comedians "We announce to the public" (Recitativo) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 111 |
Mother, ., Scene 7: "You´Re a Thankless Creature" (Křen, sedlák, Maruša, jeho žena) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
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| 112 |
The Tempest, Act III:"Můj čacký hochu - Prospero, Ariel, Fernando, Miranda" (Prospero, Miranda, Kaliban, Fernando, Alonso, Antonio, |
Fibich: The Tempest. Opera in 3 Acts
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| 113 |
The Tempest, Act II:"Tiše, tiše, hoši milí - Kaliban" (Prospero, Miranda, Kaliban, Fernando, Alonso, Antonio, Ariel) |
Fibich: The Tempest. Opera in 3 Acts
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| 114 |
Sarka: Act II, "The Hatred Creeps Like a Dark Shadow" |
Fibich: Šárka
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| 115 |
Libuse: Act III, Scene 1, "Peace is made again between the two brothers" |
Smetana: Libuse. Festive Opera in 3Acts
|
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| 116 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene III, "We shall make a graceful little bear of you..." (Duetto) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 117 |
Don Giovanni, ., Act II: "Eccomi a voi!" (Don Giovanni, Donna Elvíra, Leporello) |
Mozart: Don Giovanni
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| 118 |
Jenufa, ., Act I, Scene 3: "See Here, Jenufa" (stařenka Buryjovka, Jenůfa, schovanka Kostelničky) |
Janáček: Jenufa
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| 119 |
The Bartered Bride. Opera in 3 Acts: Act II, Scene VI, "Come inside, people..." (Finale) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 120 |
Káťa Kabanová, JW I8:Act II Scene 2 |
JANACEK, L.: Kata Kabanova (Prague National Theatre) (1959)
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| 121 |
Two Widows, ., Act II, Scene 1: "When May Comes Calling" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladi |
Smetana: The Two Widows. Opera In 2 Acts
|
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| 122 |
The Macropulos Case. Opera in 3 Acts: 1. Act 2 "Did you ever see such flowers?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
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| 123 |
Mother, ., Scene 8: "Another Day Gone" (Maruša, jeho žena) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
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| 124 |
lib use: act II, scene 5, "from lib use Web ring有greetings" |
Smetana: Libuse. Festive Opera in 3Acts
|
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| 125 |
SAR卡: act III, "look - over there!" |
Fibich: Šárka
|
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| 126 |
the bartered bride. opera in 3 acts: act i, scene V, "come on, girl, lets be Merry..." (finale polka and chorus) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 127 |
Two Widows, ., Act II, Scene 3: "Ah, How Cruelly" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Po |
Smetana: The Two Widows. Opera In 2 Acts
|
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| 128 |
the macro PU Los case. opera in 3 acts: 19. act 3 "Buenos的as, maxi" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
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| 129 |
Mother, ., Scene 1: "May God Console You, Neighbour" (Křen, sedlák, Vincek + první soused, Plačka, Plačka, Druhý soused, Plačka, Pla |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
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| 130 |
SAR卡: act II, "silence reigns all around" |
Fibich: Šárka
|
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| 131 |
Don Giovanni, ., Act I: "Tra quest´arbori celata" (Don Giovanni, Masetto, Zerlina) |
Mozart: Don Giovanni
|
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| 132 |
the macro PU Los case. opera in 3 acts: 28. act 3 "ITS啊great mistake to live so龍!" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
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| 133 |
the bartered bride. opera in 3 acts: act i, scene IV, "here設施coming!" (quartet to) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 134 |
Mother, ., Scene 4: "Hurrah, Hurrah, Hurrah! - Hey, Best Man, Sing a Farewell Song" (Křen, sedlák, Maruša, jeho žena, Otec Marušin, |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
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| 135 |
SAR卡: act III, "where have you brought me, awful treachery?" |
Fibich: Šárka
|
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| 136 |
the bartered bride. opera in 3 acts: act II, scene II, "my-沒有-my mother dear SA-撒-賽大廳哦麼..." |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 137 |
Don Giovanni, ., Act I: "Riposate, vezzose ragazze!" (Don Giovanni, Donna Anna, Don Ottavio, Donna Elvíra, Leporello, Masetto, Zerli |
Mozart: Don Giovanni
|
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| 138 |
mother, .: "overture" |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
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| 139 |
the bartered bride. opera in 3 acts: act i, scene III, "of course, I know Tobias MI查since沒有childhood" (rec IT ATI VO) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 140 |
the bartered bride. opera in 3 acts: act i, scene III, "A Sim saying, my dear fellow..." |
Smetana: The Bartered Bride. Opera In 3 Acts
|
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| 141 |
Don Giovanni, ., act II: "OST A圖啊跟體力是司馬" (Don Giovanni, KO M突然, LE pore了咯) |
Mozart: Don Giovanni
|
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| 142 |
Don Giovanni, ., Act II: "V´e gente alla finestra! ... - Non ci stanchiamo" (Don Giovanni) |
Mozart: Don Giovanni
|
|
| 143 |
SAR卡: act III, "A court of Justice has examined" |
Fibich: Šárka
|
|
| 144 |
Two Widows, ., Act I, Scene 3: "Our Good and Gracious Lady" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, L |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 145 |
the macro PU Los case. opera in 3 acts: 6. act 1 "briefly, could i trouble有TOT El LME" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 146 |
Two Widows, ., Act I, Scene 7: "Graciou Lady, Here Is My Description of the Person" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 147 |
lib use. festive opera in 3 acts: overture |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 148 |
Don Giovanni, ., Act II: "Non mi dir, bell´ idol mio" (Donna Anna) |
Mozart: Don Giovanni
|
|
| 149 |
Two Widows, ., Act II, Scene 5: "Oh, What a Beautiful Day" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, La |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 150 |
the macro PU Los case. opera in 3 acts: 21. act 3 "these Alan的the initials E.M." |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 151 |
Don Giovanni, ., act i: "LA次大熱門拉曼哦" (Don Giovanni, z二李娜) |
Mozart: Don Giovanni
|
|
| 152 |
Don Giovanni, ., act i: "AL fin Siam lib而ATI" (Don Giovanni, z二李娜) |
Mozart: Don Giovanni
|
|
| 153 |
Don Giovanni, ., act i: "lo的GG IO ADO給你pat to" (Don Giovanni, LE pore了咯) |
Mozart: Don Giovanni
|
|
| 154 |
two widows, ., act i, scene 1: "A lovely morning" (Karo李娜, VD OVA) |
Smetana: The Two Widows. Comic Opera In 2 Acts
|
|
| 155 |
Fidelio, ., act i: "pizza RO aria" (pizza RO) |
Beethoven: Fidelio. Scenes From The Opera
|
|
| 156 |
the macro PU Los case. opera in 3 acts: 14. act 2 "not so, Bertie, not so!" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 157 |
Two Widows, ., Act I, Scene 3 - 4: "His Only Redeeming Grace Is - Well, and If He Brings Him Here?" (Mumlal, hajný, Karolína, vdova, |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 158 |
lib use. festive opera in 3 acts: act II, scene i, lib uses marriage, "water the horse snow and wait form E" |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 159 |
the bartered bride. opera in 3 acts: act i, scene IV, "JE你看will not give in..." (rec IT ATI VO) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 160 |
mother, ., scene 6: "overture to scene 6" |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 161 |
the macro PU Los case. opera in 3 acts: 16. act 2 "Y see, Miss Marty" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 162 |
the kiss: act 1, scene 9 - "you should be ashamed! even阿boy would be ashamed" |
Smetana: The Kiss
|
|
| 163 |
the tempest, act III:"overture" (prosper O, Miranda, Kali版, Fernando, Alonso, Antonio, Ariel) |
Fibich: The Tempest. Opera in 3 Acts
|
|
| 164 |
the kiss: act 1, scene 4 - "oh, look! anger, is already stirring up their blood!" - "lets drink no WTO their和AL |
Smetana: The Kiss
|
|
| 165 |
Mother, ., Scene 6: "Rock-a-Bye Baby, My Toneček" (Maruša, jeho žena) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 166 |
Two Widows, ., Act I, Scene 5: "Finally He Let Himself Be Led to Arrest Me" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 167 |
lib use. festive opera in 3 acts: act i, scene i, lib uses judge們T, "you, K ROKS illustrious daughter" |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 168 |
DA LIBOR: act 1 - "oh, 地帶上TT後hear IT, friend, in heavens regions?" |
Best of Smetana
|
|
| 169 |
lib use: act III, lib uses prophecy, "o gods Almighty" |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 170 |
Mother, ., Scene 6: "Rock-a-Bye Baby, My Little Baby-Faced Toneček!" (Maruša, jeho žena, Švagrová) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 171 |
lib use: act III, lib uses prophecy, picture III |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 172 |
SAR卡: act III, "I AM not afraid, O, cold death" |
Fibich: Šárka
|
|
| 173 |
Mother, ., Scene 6: "Has She Gone?" (Francka - dítě z 1. manželství, Nanka - Křenovo dítě z 1. manželství) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 174 |
Mother, ., Scene 2: "Good Morning, Cook!" (Křen, sedlák, Francka - dítě z 1. manželství, Švagr) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 175 |
Two Widows, ., Act I: "Look, Mumlal, Qe´ve Got You Here" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladi |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 176 |
the cunning little vixen: act III, scene VIII-change of scene. int和garden of pas EK是inn "where is有人husband, Mrs. pas EK?& |
Janacek: The Cunning Little Vixen
|
|
| 177 |
the macro PU Los case. opera in 3 acts: 16. act 1 "found IT. we we found IT!" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 178 |
SAR卡: act i, "welcome, mighty pre沒有SL, our ruler!" |
Fibich: Šárka
|
|
| 179 |
Jenufa, ., Act I, Scene 4: "Married They Would All Be" (Laca Klemeň, nevlastní bratr Števy, vnuk stařenky Buryjy, Števa Buryja, nevl |
Janáček: Jenufa
|
|
| 180 |
mother, ., scene 1: "funeral March" |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 181 |
Two Widows, ., Act I: "Look, Mumlal, Qe´ve Got You Here" (Mumlal, hajný) |
Smetana: The Two Widows. Comic Opera In 2 Acts
|
|
| 182 |
the bartered bride. opera in 3 acts: act III, scene II, "oh, oh, oh, oh, that will be lovely..." (rec IT ATI VO) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 183 |
the macro PU Los case. opera in 3 acts: 17. act 3 "well? D有何arm E?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 184 |
lib use: act III, lib uses prophecy, picture II |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 185 |
SAR卡: act i, "arise, v last A!" |
Fibich: Šárka
|
|
| 186 |
the macro PU Los case. opera in 3 acts: 15. act 2 "sleeping了IKEA drunk woman" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 187 |
the bartered bride. opera in 3 acts: act II, scene V, "when有find out for WHO沒有have bought AB日的, 有will sadly return home&去哦 |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 188 |
lib use: act II, scene 3, "he雅呵雅without rest onward" |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 189 |
lib use: act III, lib uses prophecy, picture vi |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 190 |
the macro PU Los case. opera in 3 acts: 12. act 1 "will not" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 191 |
SAR卡: act i, "oh you fainthearted maidens!" |
Fibich: Šárka
|
|
| 192 |
Two Widows, ., Act II, Scene 2: "I Rule Independently" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladisl |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 193 |
the bartered bride. opera in 3 acts: act III, scene VII, "mare N卡mine - are有really so stubborn, dear..." |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 194 |
the macro PU Los case. opera in 3 acts: 4. act 2 "none Ed to runaway!" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 195 |
the bartered bride. opera in 3 acts: act III, scene vi, "oh, what A grief!" |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 196 |
the kiss: act 1, scene 4 - "my dearest!" - "oh, Web惡龍to each other?" |
Smetana: The Kiss
|
|
| 197 |
Mother, ., Scene 4: "The Last Number, Who Still Wants to Dance?" (Křen, sedlák) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 198 |
the bartered bride. opera in 3 acts: act III, scene i, "i...i餐廳get ITO FF沒有, 名漁民的" |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 199 |
the Brandenburg而sin Bohemia, act 1 scene 8:now Atlas T came our time! |
Czech Opera Highlights
|
|
| 200 |
Two Widows, ., Act I: "Perhaps He Was Lured Here" (Karolina, vdova, Anežka, vdova, Ladislav Podhájský, Mumlal, hajný, Toník, selský |
Smetana: The Two Widows. Comic Opera In 2 Acts
|
|
| 201 |
the macro PU Los case. opera in 3 acts: 26. act 3 "because IA Matt和end是of things" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 202 |
Mother, ., Scene 10: "You See, Old Man, They´ve All Left Us" (Křen, sedlák, Maruša, jeho žena) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 203 |
The Bartered Bride. Opera in 3 Acts: Act II, Scene IV, "Now then, my dear man..." |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 204 |
Libuse: Act III, Libuses prophecy, Picture IV |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 205 |
Mother, ., Scene 5: "We´Ve Been Together Two Years Now" (Křen, sedlák, Maruša, jeho žena) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 206 |
The Macropulos Case. Opera in 3 Acts: 13. Act 1 "Now tell me about Ellian Mac Gregor?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 207 |
The Cunning Little Vixen: Act III, Scene IX, "Wasnt I Right? Is it a fairy-tale or is it all true?" |
Janacek: The Cunning Little Vixen
|
|
| 208 |
Mother, ., Scene 1: "Give Her Eternal Rest, O Lord" (Kněz) |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 209 |
The Makropulos Case. Opera in 3 Acts: 30. Act 3 "Why did you come here for that piece of paper?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 210 |
Jenufa, ., Act III, Scene 7: "Mr. Mayor, It´s You They Seek" (Števa Buryja, nevlastní bratr Laca, vnuk stařenky Buryjovky, Rychtář, |
Janáček: Jenufa
|
|
| 211 |
The Macropulos Case. Opera in 3 Acts: 2. Act 2 "Is Miss Marty here?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 212 |
Libuse: Act II, Scene 4, "The work is finished |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 213 |
Jenufa, ., Act III, Scene 6: "May God Grant You" (stařenka Buryjovka, Laca Klemeň, nevlastní bratr Števy, vnuk stařenky Buryjy, Kost |
Janáček: Jenufa
|
|
| 214 |
Sarka: Act II, "The Silver Moon Rises" |
Fibich: Šárka
|
|
| 215 |
Libuse. Festive Opera in 3 Acts: Act II, Scene II, "My uncle bid me to my fathers grave" |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 216 |
Sarka: Act III, "The Time Has Come!" |
Fibich: Šárka
|
|
| 217 |
The Kiss: Act 1, Scene 3 - "Good evening!" - "My brother-in-law Lukáš here" |
Smetana: The Kiss
|
|
| 218 |
The Tempest, Act I:"Ach, prosím otče, bouři začaruj" (Prospero, Miranda, Kaliban, Fernando, Alonso, Antonio, Ariel) |
Fibich: The Tempest. Opera in 3 Acts
|
|
| 219 |
The Tempest, Act II:"Váš trest již začal - Prosperův soud. - závěr 2. děj. - Prospero, Alonso, Antonio, Gonzalo" (Prospero, Miranda, |
Fibich: The Tempest. Opera in 3 Acts
|
|
| 220 |
Libuse. Festive Opera in 3 Acts: Act I, Scene II, Change of scene, "Alas that between sons such confliets" |
Smetana: Libuse. Festive Opera in 3Acts
|
|
| 221 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene IX, "What have you decided, Marenka?" (Finale) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 222 |
The Cunning Little Vixen: Act III, Scene VII, "How many children have we had?" |
Janacek: The Cunning Little Vixen
|
|
| 223 |
Sarka: Act I, "With Grieving Hearts" |
Fibich: Šárka
|
|
| 224 |
Aida, Opera in 4 Acts: Act II, Triumfal Scene, Gloria all Egitto |
Famous Opera Choruses By Verdi, Weber, Wagner, et al.
|
|
| 225 |
Mother, ., Scene 9: "Overture to Scene 9" |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 226 |
The Makropulos Case. Opera in 3 Acts: 23. Act 3 "Will you tell us real name?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 227 |
The Kiss: Act 2, Scene 8 - "Here is Martinkas abode" - "Yes, yes, I forgive you, my boy" |
Smetana: The Kiss
|
|
| 228 |
The Macropulos Case. Opera in 3 Acts: 18. Act 3 "Mister Pruss servants waiting outside" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 229 |
Sarka: Act II, "Halt! We Have Reached Our Goal!" |
Fibich: Šárka
|
|
| 230 |
Two Widows, ., Act I, Scene 1: "A Lovely Morning" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Po |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 231 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene X, "Save yourselves! The bear has got loose!" |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 232 |
Sarka: Act II, "You Are Mine, And No One Will Take You Away!" |
Fibich: Šárka
|
|
| 233 |
The Cunning Little Vixen: Act I, Orchestral Introduction. A Dark, Dry Gorge |
Janacek: The Cunning Little Vixen
|
|
| 234 |
The Bartered Bride. Opera in 3 Acts: Act II, Scene IV, "As I Say, shes lovely, sweet and also rich..." (Recitativo) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 235 |
The Bartered Bride. Opera in 3 Acts: Act I, Scene II, "Should I ever happen to learn something like that about you" (Aria) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 236 |
The Cunning Little Vixen: Act I, Scene I, "There is a storm coming" |
Janacek: The Cunning Little Vixen
|
|
| 237 |
The Macropulos Case. Opera in 3 Acts: 17. Act 1 "Some proof in writing?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 238 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene V, "Make up your mind, Marenka, take your time..." (********) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 239 |
The Bartered Bride. Opera in 3 Acts: Act I, Scene III, "Hes well brought up and decent..." (Terzetto) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 240 |
The Cunning Little Vixen: Act II, Scene V, "Either my centre of gravity is shifting or the earth is turning from west to east" |
Janacek: The Cunning Little Vixen
|
|
| 241 |
Sarka: Act II, "Woe! Help Me!" |
Fibich: Šárka
|
|
| 242 |
The Bartered Bride. Opera in 3 Acts: Act I, Scene I, "Let us rejoice, lets be merry" |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 243 |
The Bartered Bride. Opera in 3 Acts: Act I, Scene II, "Its only true that your past life seems to be veiled in a sort of mystery&am |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 244 |
The Macropulos Case. Opera in 3 Acts: 9. Act 1 "Now listen to me" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 245 |
Mother, ., Scene 9: "Get Up, You! Get Up, You!" (Křen, sedlák, Maruša, jeho žena, Francka - dítě z 1. manželství, Maruša - Křenovo d |
Haba: Mother. Quarter-tone Opera in 10 Scenes
|
|
| 246 |
Two Widows, ., Act II, Scene 6: "When Anything at All Bothers Me" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské dě |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 247 |
The Kiss: Act 2, Scene 1 - "Go on!" |
Smetana: The Kiss
|
|
| 248 |
The Cunning Little Vixen: Act III, Scene VII-Orchestral Introduction. At the Edge of the Forest "When I was a vagabond" |
Janacek: The Cunning Little Vixen
|
|
| 249 |
The Makropulos Case. Opera in 3 Acts: 3. Act 1 "Where's our friend the lawyer?" |
Janáček: The Macropulos Case. Opera in 3 Acts
|
|
| 250 |
The Cunning Little Vixen: Act II, Scene VI, "If you only knew what I have just seen with my own eyes!" |
Janacek: The Cunning Little Vixen
|
|
| 251 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene VIII, "Well, so you are still here, my young man?" (Recitativo) |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 252 |
Sarka: Act II, "Enough Is Said! Time Speeds On!" |
Fibich: Šárka
|
|
| 253 |
Two Widows, ., Act II: "Polka (dance) - The Lord God Must Love Us" |
Smetana: The Two Widows. Comic Opera In 2 Acts
|
|
| 254 |
Two Widows, ., Act II: "I Hereby Bring the Glorious News" (Karolina, vdova, Mumlal, hajný) |
Smetana: The Two Widows. Comic Opera In 2 Acts
|
|
| 255 |
The Kiss: Act 2 - "Everywhere I heard but laments" |
Dvořák: Kate And The Devil
|
|
| 256 |
The Kiss: Act 2 - "Who is it you, brother, carry what does it all mean?" |
Dvořák: Kate And The Devil
|
|
| 257 |
Don Giovanni, ., Act II: "Ferma, perfido, ferma" (Don Ottavio, Donna Elvíra, Masetto, Zerlina) |
Mozart: Don Giovanni
|
|
| 258 |
Two Widows, ., Act II, Scene 8: "Go and Grumble Like a Bear" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 259 |
Don Giovanni, ., Act I: "Non ti fidar, o misera" (Don Giovanni, Donna Anna, Don Ottavio, Donna Elvíra) |
Mozart: Don Giovanni
|
|
| 260 |
Two Widows, ., Act I, Scene 2: "Oh, Good morning, Dearest Causin! - Independently I Rule" (Mumlal, hajný, Karolína, vdova, Anežka, v |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 261 |
Don Giovanni, ., Act II: "Ah, ah, ah, questa é buona" (Don Giovanni, Komtur, Leporello) |
Mozart: Don Giovanni
|
|
| 262 |
Don Giovanni, ., Act II: "L´ultima prova dell´amor mio" (Don Giovanni, Donna Elvíra, Leporello) |
Mozart: Don Giovanni
|
|
| 263 |
Don Giovanni, ., Act II: "Don Giovanni, a cenar teco" (Don Giovanni, Komtur, Leporello) |
Mozart: Don Giovanni
|
|
| 264 |
Don Giovanni, ., Act I: "Manco male é partita (Sc. VIII)" (Don Giovanni, Leporello, Masetto, Zerlina) |
Mozart: Don Giovanni
|
|
| 265 |
Don Giovanni, ., Act II: "Calmatevi, idol mio" (Donna Anna, Don Ottavio) |
Mozart: Don Giovanni
|
|
| 266 |
Two Widows, ., Act II, Scene 6: "Fine! Wonderful!" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav P |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 267 |
Don Giovanni, ., Act I: "Guarda un po´come seppe" (Don Giovanni, Masetto, Zerlina) |
Mozart: Don Giovanni
|
|
| 268 |
Two Widows, ., Act II, Scene 9: "Gracious Lady!" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav Pod |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 269 |
Two Widows, ., Act I, Scene 5: "Will I Wander Here Long" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladi |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 270 |
Don Giovanni, ., Act II: "Amico, che ti par?" (Don Giovanni, Leporello) |
Mozart: Don Giovanni
|
|
| 271 |
Two Widows, ., Act I, Scene 7: "My Ladies, I Beg Your Forgiveness - Ah, See That Hunter There" (Mumlal, hajný, Karolína, vdova, Anež |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 272 |
Don Giovanni, ., Act I: "Batti, batti, o bel Masetto" (Zerlina) |
Mozart: Don Giovanni
|
|
| 273 |
Don Giovanni, ., Act II: "Ahi, ahi! la testa mia!" (Masetto, Zerlina) |
Mozart: Don Giovanni
|
|
| 274 |
Two Widows, ., Act I, Scene 7: "The Prisoner Is at the Door" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 275 |
Don Giovanni, ., Act II: "Deh, vieni alla finestra" (Don Giovanni) |
Mozart: Don Giovanni
|
|
| 276 |
Don Giovanni, ., Act II: "Il mio tesoro intanto" (Don Ottavio) |
Mozart: Don Giovanni
|
|
| 277 |
Don Giovanni, ., Act I: "Bisogna aver coraggio" (Donna Anna, Don Ottavio, Donna Elvíra) |
Mozart: Don Giovanni
|
|
| 278 |
Don Giovanni, ., Act II: "Giá la mensa é preparata" (Don Giovanni, Leporello) |
Mozart: Don Giovanni
|
|
| 279 |
Two Widows, ., Act I, Scene 3: "Good Morning, Gracious Lady" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 280 |
Don Giovanni, ., Act II: "Ah pietá, signori miei" (Leporello) |
Mozart: Don Giovanni
|
|
| 281 |
Don Giovanni, ., Act I: "Ah, chi mi dice mai (Sc. V)" (Don Giovanni, Donna Elvíra, Leporello) |
Mozart: Don Giovanni
|
|
| 282 |
Two Widows, ., Act II: "I Hereby Bring the Glorious News" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Lad |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 283 |
Don Giovanni, ., Act I: "Giovinette, che fate all´amore" (Masetto, Zerlina) |
Mozart: Don Giovanni
|
|
| 284 |
Don Giovanni, ., Act I: "Ah! del padre in periglio - Ma qual mai s´offre, oh Dei - Fuggi, crudele fuggi! (Sc. III)" (Donna Anna, Don |
Mozart: Don Giovanni
|
|
| 285 |
Don Giovanni, ., Act I: "Madamina! Il catalogo e questo" (Leporello) |
Mozart: Don Giovanni
|
|
| 286 |
Don Giovanni, ., Act II: "Zitto! lascia ch´io senta" (Don Giovanni, Masetto) |
Mozart: Don Giovanni
|
|
| 287 |
Don Giovanni, ., Act II: "Metá di voi qua vadano" (Don Giovanni) |
Mozart: Don Giovanni
|
|
| 288 |
Don Giovanni, ., Act I: "In questa forma dunque" (Donna Elvíra) |
Mozart: Don Giovanni
|
|
| 289 |
Don Giovanni, ., Act II: "Ah, si segua il suo passo" (Don Ottavio) |
Mozart: Don Giovanni
|
|
| 290 |
Don Giovanni, ., Act I: "Orsú, spicciati presto (Sc. IV)" (Don Giovanni, Leporello) |
Mozart: Don Giovanni
|
|
| 291 |
Don Giovanni, ., Act II: "Ah! Taci, ingiusto core" (Don Giovanni, Donna Elvíra, Leporello) |
Mozart: Don Giovanni
|
|
| 292 |
Don Giovanni, ., Act I: "Fuggi il traditor" (Donna Elvíra) |
Mozart: Don Giovanni
|
|
| 293 |
Don Giovanni, ., Act II: "Ah! Dove e il perfido (Scena ultima)" (Donna Anna, Don Ottavio, Donna Elvíra, Leporello, Masetto, Zerlina) |
Mozart: Don Giovanni
|
|
| 294 |
Two Widows, ., Act II, Scene 3: "To Move Your Heart" (Mumlal, hajný, Karolína, vdova, Anežka, vdova, Lidunka, selské děvče, Ladislav |
Smetana: The Two Widows. Opera In 2 Acts
|
|
| 295 |
Don Giovanni, ., Act I: "Chi e la? - Stelle! Che vedo?" (Don Giovanni, Donna Elvíra, Leporello) |
Mozart: Don Giovanni
|
|
| 296 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene IV, "No, no, I don't believe..." |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 297 |
Káťa Kabanová, JW I8:Act III Scene 1 |
JANACEK, L.: Kata Kabanova (Prague National Theatre) (1959)
|
|
| 298 |
Sarka: Act I, "Our God Eternal, Ruler of the Light" |
Fibich: Šárka
|
|
| 299 |
Káťa Kabanová, JW I8:Act III Scene 2 |
JANACEK, L.: Kata Kabanova (Prague National Theatre) (1959)
|
|
| 300 |
The Bartered Bride. Opera in 3 Acts: Act II, Scene I, Furiant |
Smetana: The Bartered Bride. Opera In 3 Acts
|
|
| 301 |
Rusalka, ., Act II: "White Blossoms All along the Road" (Vodník) |
Dvořák: Rusalka
|
|
| 302 |
Káťa Kabanová, JW I8:Act I Scene 2 |
JANACEK, L.: Kata Kabanova (Prague National Theatre) (1959)
|
|
| 303 |
Rusalka, ., Act I: "Beautiful Vision, Delightful" (Vodník, Princ) |
Dvořák: Rusalka
|
|
| 304 |
Rusalka, ., Act III: "Uprooted and Banished" (Rusalka) |
Dvořák: Rusalka
|
|
| 305 |
The Bartered Bride. Opera in 3 Acts: Act III, Scene IV, "Oh, dear me, dear me!" (Recitativo) |
Smetana: The Bartered Bride. Opera In 3 Acts
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