| 1 |
Baa Baa Black Sheep:Act III Scene 3: The Spring Running: Ah, Grey Wolf (Mowgli, Baloo, Akela, Ka, Bagheera, Grey Wolf) |
BERKELEY, M.: Baa Baa Black Sheep
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| 2 |
Ave Maria |
The Very Best of Lesley Garrett
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| 3 |
Symphony No. 2:II. Lento assai |
WALTON, W.: Symphony No. 2Viola Concerto (Tomter, English Northern Philharmonia, Daniel)
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| 4 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 4: My faithful daughters, I know that some among you already have heard (Chaplain, Car |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 5 |
AdaptionHooke's LawSchemes |
The Rules (A BBC Recording)
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| 6 |
You Want More (Original Mix) |
Darkness
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| 7 |
Fantasia on British Sea Songs:II. Tom Bowling |
Rule Britannia: Last Night of the Proms
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| 8 |
Viola Concerto:I. Andante comodo - con spirito |
WALTON, W.: Symphony No. 2Viola Concerto (Tomter, English Northern Philharmonia, Daniel)
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| 9 |
The Golden River, Op. 16:II. Little Gluck: Allegretto |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
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| 10 |
Concerto fantasia:I. Quasi cadenza - Adagio, molto espressivo |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
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| 11 |
Some Enchanted Evening [South Pacific] |
Music Of The Night - The Ultimate Musicals Album
|
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| 12 |
Sinfonia Concertante:II. Andante comodo |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
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| 13 |
Pavane, Idyll and Bacchanal:III. Bacchanal: Allegro, molto vivace, e con fuoco |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
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| 14 |
Les nuits d'été, Op. 7: Absence |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
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| 15 |
Falling for You |
Retrotek Vol. 2
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| 16 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 2: Prelude |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 17 |
Baa Baa Black Sheep:Act I Scene 4: The Education of Mowgli: I will feed him (Mother Wolf, Father Wolf, Ka, Baloo, Bagheera, Grey Wolf, Mowgli, Chorus) |
BERKELEY, M.: Baa Baa Black Sheep
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| 18 |
Pavane, Idyll and Bacchanal:II. Idyll: Moderato, con grazia |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
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| 19 |
A Sticky Mess |
Retrotek, Vol. 4
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| 20 |
In the Summer |
In the Summer
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| 21 |
Les illuminations, Op. 18: Départ |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
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| 22 |
Rodgers: Oh! What a beautiful mornin' [Oklahoma!] |
Thank You For Everything
|
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| 23 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 4: Would you be so kind as to raise my pillow? (Prioress, Mother Marie of the Incarnati |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 24 |
Fantasia on British Sea Songs:III. Jack's the Lad |
Rule Britannia: Last Night of the Proms
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| 25 |
Moving (Original Mix) |
Darkness
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| 26 |
Think |
Retrotek Vol. 3
|
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| 27 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 1: What are you doing? (Mother Marie, Blanche) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 28 |
Gary's Trance |
Retrotek Vol. 2
|
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| 29 |
Rigoletto: Caro nome |
Operatunity - The Winners
|
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| 30 |
Stabat Mater: Stabat Mater dolorosa |
The Very Best of Lesley Garrett
|
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| 31 |
Variations on a Theme by Hindemith:Var. II: Allegramente |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
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| 32 |
Belshazzar's Feast: Babylon was a great city |
WALTON: Belshazzar's FeastCrown Imperial
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| 33 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 1: Interlude: Sister Gerald, we have to warn the priest as soon as possible (Prioress |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 34 |
Les illuminations, Op. 18: Being Beauteous |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
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| 35 |
Do Something |
Retrotek, Vol. 4
|
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| 36 |
The Joy Luck Club - Andantiino |
100 Best Film Classics
|
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| 37 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 3: Prelude |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 38 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 4: Prelude |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 39 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 2: My dear daughters, I don't need to remind you (Madame Lidoine, Mother Mari |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 40 |
Concerto fantasia:IV. Finale: Epilogue: Adagio, molto espressivo |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
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| 41 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 1: Blanche, your poor brother was so very impatient for your return (Marquis, Blanche d |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 42 |
Variations on a Theme by Hindemith:Var. V: Andante con moto |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
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| 43 |
Stratus Fear |
Retrotek Vol. 3
|
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| 44 |
Norma, Act I: Casta Diva! |
Operatunity - The Winners
|
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| 45 |
Rusalka: Song to the Moon |
The Very Best of Lesley Garrett
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| 46 |
In The Dark (Original Mix) |
Darkness
|
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| 47 |
Variations on a Theme by Hindemith:Var. I: Vivace |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
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| 48 |
Orb and Sceptre |
Rule Britannia: Last Night of the Proms
|
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| 49 |
Elgar: Sea Pictures, Op. 37: II. In Haven (Capri) |
MER(S)
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| 50 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 4: But what will become of you? (Blanche, Chaplain, Sister Mathilde, Constance, Mother |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 51 |
Variations on a Theme by Hindemith:Var. VII: Lento molto |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
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| 52 |
Stabat Mater:Stabat Mater dolorosa |
100 Best Relaxing Classics
|
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| 53 |
I was glad when they said unto me, Op. 51, "Psalm 122":I was glad when they said unto me (Psalm 122), Op. 51 |
Rule Britannia: Last Night of the Proms
|
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| 54 |
Belshazzar's Feast: Praise |
WALTON: Belshazzar's FeastCrown Imperial
|
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| 55 |
Violin Concerto "The Leeds":2. Adagio (Calma) |
My England - A Collection of Timeless English Concertos
|
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| 56 |
Violin Concerto "The Leeds":1. Allegro assai |
My England - A Collection of Timeless English Concertos
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| 57 |
Roses in the Attic |
Retrotek Vol. 2
|
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| 58 |
Jerusalem |
Rule Britannia: Last Night of the Proms
|
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| 59 |
Elijah Op.70 MWV A25Part 1:"For He shall give His angels charge" |
Sleep: 111 Pieces Of Classical Music For Bedtime
|
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| 60 |
Turandot, Act 1: Signore, ascolta! (Liù) |
The Very Best of Lesley Garrett
|
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| 61 |
Variations on a Theme by Hindemith:Var. III: Larghetto |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
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| 62 |
The Wednesday Song |
Retrotek Vol. 3
|
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| 63 |
Symphony No. 2:I. Allegro molto |
WALTON, W.: Symphony No. 2Viola Concerto (Tomter, English Northern Philharmonia, Daniel)
|
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| 64 |
Baa Baa Black Sheep:Act II Scene 2: Akela Misses His Kill: Free (Mowgli, Wolves, Akela, Shere Khan, Baloo, Ka, Bagheera, Mother Wolf, Father Wolf, Gre |
BERKELEY, M.: Baa Baa Black Sheep
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| 65 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 1: Dear father, there is no incident so small of unimportant (Blanche, Marquis) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 66 |
The Talented Mr. Ripley - Stabat Mater Dolorosa |
100 Best Film Classics
|
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| 67 |
Violin Concerto "The Leeds":3. Allegro con brio |
My England - A Collection of Timeless English Concertos
|
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| 68 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 3: Interlude: It is done. The have been condemned (Chaplain, Mother Marie) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 69 |
Ascent |
Retrotek Vol. 3
|
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| 70 |
Symphony No. 1, "A Sea Symphony":I. Song for all Seas, all Ships |
VAUGHAN WILLIAMS: Symphony No. 1, "A Sea Symphony"
|
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| 71 |
The Golden River, Op. 16:III. The King of the Golden River: Allegro, alla burla |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
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| 72 |
Madama Butterfly Lib. Giacosa and Illica: Un bel dì vedremo |
Operatunity - The Winners
|
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| 73 |
Belshazzar's Feast: If I forget thee, O Jerusalem |
WALTON: Belshazzar's FeastCrown Imperial
|
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| 74 |
Les illuminations, Op. 18: Parade |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
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| 75 |
Crown Imperial |
Rule Britannia: Last Night of the Proms
|
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| 76 |
Running Barefoot in Gravel |
Retrotek, Vol. 4
|
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| 77 |
Rumoar (Original Mix) |
Darkness
|
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| 78 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 2: Do not believe this comfortable chair (Madame de Croissy, Blanche) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
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| 79 |
Rigoletto, Act 1, Scene 2: Caro nome |
Operatunity - The Winners
|
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| 80 |
Variations on an Original Theme, Op. 36 "Enigma": IX (Adagio) "Nimrod" |
The Wedding Album
|
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| 81 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 4: My sisters, our Reverend Mother is coming (Mother Jeanne, Blanche, Crowd) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
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| 82 |
Concerto fantasia:II. Scherzo: Molto vivace - |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
|
| 83 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 2: My daughter, the outside world often questions (Prioress, Blanche) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 84 |
Rodgers: Some Enchanted Evening [South Pacific] |
American Classics (2 CDs)
|
|
| 85 |
Viola Concerto:II. Vivo, con molto preciso |
WALTON, W.: Symphony No. 2Viola Concerto (Tomter, English Northern Philharmonia, Daniel)
|
|
| 86 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 1: There is only one vote against (Mother Marie, Sister Mathilde, Constance, Chaplain |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 87 |
Baa Baa Black Sheep:Act III Scene 2: Letting in the Jungle: I knew that you would come. (Messua, Mowgli, Man, Akela, Ka, Baloo, Grey Wolf, Bagheera, M |
BERKELEY, M.: Baa Baa Black Sheep
|
|
| 88 |
Les illuminations, Op. 18: Antique |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 89 |
Fantasia on British Sea Songs:VII. Rule Britannia |
Rule Britannia: Last Night of the Proms
|
|
| 90 |
Variations on an Original Theme, Op. 36 "Enigma":IX (Adagio) 'Nimrod' |
For Queen & Country
|
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| 91 |
La Wally: Ebben?...Ne andrò lontana |
Operatunity - The Winners
|
|
| 92 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 4: Prelude |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 93 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 4: Monsieur Javelinot, you must know it's customary in all our Houses (Priores |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 94 |
Falling Up |
Retrotek, Vol. 4
|
|
| 95 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 1: Interlude: Dear Sister, I'm afraid that our cross is just a bit too big (C |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
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| 96 |
Belshazzar's Feast: Then sing aloud to God |
WALTON: Belshazzar's FeastCrown Imperial
|
|
| 97 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 2: Ave Maria (Mother Marie, Carmelites, Prioress) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 98 |
Les illuminations, Op. 18: Marine |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 99 |
Transforming PatternsSuperpositionFamilies and Cliques |
The Rules (A BBC Recording)
|
|
| 100 |
3 Pieces:III. Humoresque: Vivace con brio |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
|
| 101 |
Fantasia on British Sea Songs:Fantasia on British Sea Songs: VII. Rule Britannia |
SVEN GORAN ERIKSSONS - Klassiska Favoriter
|
|
| 102 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 1: Where is Blanche? (Chevalier de la Force, Marquis de la Force) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 103 |
Echoes & ResonanceGravitationFor Remembrance |
The Rules (A BBC Recording)
|
|
| 104 |
Fantasia on British Sea Songs:I. The Saucy Arethusa |
Rule Britannia: Last Night of the Proms
|
|
| 105 |
Turnpike Symphony |
Turnpike Symphony
|
|
| 106 |
Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" (Land of Hope and Glory):Coronation Ode, Op. 44: No. 7. Land of Hop |
Rule Britannia: Last Night of the Proms
|
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| 107 |
Les nuits d'été, Op. 7: Au cimetière - Clair de lune |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
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| 108 |
Le Nozze di Figaro, '(The) Marriage of Figaro' K492, ACT 3: Dove sono |
Operatunity - The Winners
|
|
| 109 |
Tam o' Shanter, Op. 51:Tam O'Shanter Overture, Op. 51 |
Rule Britannia: Last Night of the Proms
|
|
| 110 |
Viola Concerto:III. Allegro moderato |
WALTON, W.: Symphony No. 2Viola Concerto (Tomter, English Northern Philharmonia, Daniel)
|
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| 111 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 4: Someone is ringing the bell! (Constance, Sister Mathilde, Crowd, Chaplain, Carmelit |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 112 |
Kinda Happy |
Retrotek Vol. 2
|
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| 113 |
White Christmas:Orchestrated by Robert Russell Bennett (+1988) |
The Sound of Christmas With The Stars (Classic FM: The Full Works)
|
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| 114 |
Variations on a Theme by Hindemith:Finale: Allegro molto |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 115 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 3: Compose yourself, Sister Blanche (Mother Marie, Blanche) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 116 |
Baa Baa Black Sheep:Act I Scene 2: In the House of Desolation: Punch. Punch. Where are your manner? (Father, Punch, Mother, Judy, Auntirosa, Harry, Ca |
BERKELEY, M.: Baa Baa Black Sheep
|
|
| 117 |
Gary's Ballad |
Retrotek Vol. 3
|
|
| 118 |
The Pirates of Penzance (or, The Slave of Duty), Act I: Poor wand'ring one |
Operatunity - The Winners
|
|
| 119 |
Variations on a Theme by Hindemith:Coda: A tempo primo |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 120 |
If I Loved You [Carousel] |
Love Moods - The Most Romantic Classics
|
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| 121 |
"White Christmas" |
100 Christmas Masterworks
|
|
| 122 |
Variations on a Theme by Hindemith:Var. IX: Maestoso |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 123 |
Après un rêve (After a Dream) |
The Very Best of Lesley Garrett
|
|
| 124 |
Samson HWV57: Let the bright Seraphim |
Operatunity - The Winners
|
|
| 125 |
Les nuits d'été, Op. 7: Le spectre de la rose |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 126 |
Shock Treatment |
Retrotek, Vol. 4
|
|
| 127 |
Military March No. 1 in D Major, Op. 39, "Pomp and Circumstance" (Land of Hope and Glory) |
SVEN GORAN ERIKSSONS - Klassiska Favoriter
|
|
| 128 |
Symphony No. 1, "A Sea Symphony":IV. The Explorers: Grave e molto adagio |
VAUGHAN WILLIAMS: Symphony No. 1, "A Sea Symphony"
|
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| 129 |
Elijah Op.70 MWV A25Part 1:"Help Lord! Wilt Thou quite destroy us?" |
The 101 Most Essential Classical Music Pieces Ever
|
|
| 130 |
Baa Baa Black Sheep:Act II Scene 1: The Ways of Man: Little brother, how often must I tell you? (Bagheera, Mowgli) |
BERKELEY, M.: Baa Baa Black Sheep
|
|
| 131 |
Fantasia on British Sea Songs:VI. See the Conquering Hero |
Rule Britannia: Last Night of the Proms
|
|
| 132 |
Cuatro Madrigales amatorios: De los álamos vengo, madre |
The Very Best of Lesley Garrett
|
|
| 133 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 3: And what of Sister Blanche? (Constance, Prioress, Sister Mathilde) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 134 |
Stabat Mater in F Minor, P. 77: I. "Stabat Mater dolorosa" (Soprano, Alto) |
100 Best Relaxing Classics
|
|
| 135 |
Belshazzar's Feast: The trumpeters and pipers are silent |
WALTON: Belshazzar's FeastCrown Imperial
|
|
| 136 |
Baïlèro |
Autumn In The Park
|
|
| 137 |
Baa Baa Black Sheep:Act III Scene 1: Black Sheep: Apple Charlotte (Judy, Punch, Auntirosa, Harry, Akela, Ka, Bagheera, Grey Wolf) |
BERKELEY, M.: Baa Baa Black Sheep
|
|
| 138 |
Pointman |
Retrotek Vol. 2
|
|
| 139 |
Turandot, Act I: Signore, ascolta! |
Operatunity - The Winners
|
|
| 140 |
A Thrilling Life |
Retrotek, Vol. 4
|
|
| 141 |
Hypnosis 137 |
Retrotek, Vol. 4
|
|
| 142 |
3 Pieces:II. Intermezzo: Vivace, molto leggiero |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
|
| 143 |
Variations on a Theme by Hindemith:Var. VIII: Vivacissimo |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 144 |
Concerto fantasia:IV. Finale: Allegro, molto ritmico e risoluto - |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
|
| 145 |
Orb and Sceptre |
WALTON: Belshazzar's FeastCrown Imperial
|
|
| 146 |
Baa Baa Black Sheep:Act II Scene 3: A Death in the House: You're a liar (Harry, Captain, Punch, Auntirosa, Judy, Villagers) |
BERKELEY, M.: Baa Baa Black Sheep
|
|
| 147 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 2: It's you! (Blanche, Mother Marie, A Woman's Voice) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 148 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 1: Interlude: Fellow citizens, we congratulate you all (Officer) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 149 |
Canon XConjunction FallaciesFacebook Etiquette |
The Rules (A BBC Recording)
|
|
| 150 |
Rusalka: Song to the Moon |
Operatunity - The Winners
|
|
| 151 |
Driving Home |
Retrotek Vol. 3
|
|
| 152 |
Pavane, Idyll and Bacchanal:I. Pavane: Andante |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
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| 153 |
Die Dreigroschenoper: Moritat von Mackie Messer |
Bad Boys
|
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| 154 |
Wd-40 |
Retrotek Vol. 3
|
|
| 155 |
Le Nozze di Figaro, '(The) Marriage of Figaro' K492, ACT 4: Deh vieni |
Operatunity - The Winners
|
|
| 156 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 3: My daughters, we have almost come to the end of our first night in prison (Priores |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 157 |
Variations on a Theme by Hindemith:Tema: Andante con moto |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 158 |
3 Pieces:I. Elegy: Lento, molto tranquillo |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
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| 159 |
Les illuminations, Op. 18: Royauté |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
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| 160 |
King Arthur |
Retrotek Vol. 3
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| 161 |
Baa Baa Black Sheep:Act I Scene 1: A Passage from India: Punch! Punch! Punch! (Judy, Punch, Meeta, Bhini, Salaam-Captain, Father, Mother) |
BERKELEY, M.: Baa Baa Black Sheep
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| 162 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 2: Interlude: What is going on? (Prioress, Constance, Mother Marie) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 163 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 3: Prelude |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 164 |
Les illuminations, Op. 18: Phrase |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
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| 165 |
Take Me Back |
Retrotek Vol. 2
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| 166 |
Fantasia on British Sea Songs:IV. Farewell ye Spanish Ladies |
Rule Britannia: Last Night of the Proms
|
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| 167 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 3: Oh no, not more beans! (Constance, Blanche) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 168 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 4: Salve Regina, Mater misericordiae (Prioress, Mother Jeanne, Sister Mathilde, Const |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 169 |
So Deep is the Night (Tristesse) |
The Very Best of Lesley Garrett
|
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| 170 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 1: Her poor imagination always flies from one (Marquis, Chevalier, Blanche, Thierry) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 171 |
Les nuits d'été, Op. 7: L'île inconnue |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
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| 172 |
"White Christmas" |
The Classic Christmas Album
|
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| 173 |
Le nozze di Figaro, Acte II: Aria:Porgi amor |
Operatunity - The Winners
|
|
| 174 |
LinesAutonomySolitude |
The Rules (A BBC Recording)
|
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| 175 |
The Golden River, Op. 16:I. South West Wind Esquire: Molto energico |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
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| 176 |
Concerto fantasia:III. Improvisation: Quasi cadenza - Lento |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
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| 177 |
Sinfonia Concertante:III. Allegro molto |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
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| 178 |
Headache (Shepard Tone) |
Retrotek, Vol. 4
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| 179 |
Baa Baa Black Sheep:Act II Scene 4: In the Village: What is it? (Villagers, Priest, Messua, Grey Wolf, Mowgli, Baldeo, Others) |
BERKELEY, M.: Baa Baa Black Sheep
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| 180 |
Hänsel und Gretel, ACT 2: Abends will ich schlafen gehn (Evening Hymn) |
Operatunity - The Winners
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| 181 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 3: The Tribunal of the Revolution declares that the former sisters of the Order of Ca |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
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| 182 |
Carmen, Act 3: Air: Je dis que rien ne m'épouvante (Micaëla) |
Operatunity - The Winners
|
|
| 183 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 3: Blanche, why do you behave like this? (Chevalier, Blanche) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 184 |
Variations on an Original Theme, Op. 36 "Enigma": IX (Adagio) "Nimrod" |
The Last Night of the Proms: The Ultimate Collection
|
|
| 185 |
Belshazzar's Feast: Thus in Babylon |
WALTON: Belshazzar's FeastCrown Imperial
|
|
| 186 |
Les nuits d'été, Op. 7: Villanelle |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 187 |
Symphony No. 1, "A Sea Symphony":III. Scherzo: The Waves |
VAUGHAN WILLIAMS: Symphony No. 1, "A Sea Symphony"
|
|
| 188 |
Vi(v)a!, ouverture pour orchestre |
La grâce exilée | Concertos
|
|
| 189 |
Knoxville, Summer of 1915, Op. 24 |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 190 |
Les illuminations, Op. 18: Villes |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 191 |
Pink Eye |
Retrotek, Vol. 4
|
|
| 192 |
If music be the food of love Z3791 |
The Very Best of Lesley Garrett
|
|
| 193 |
Oh! What a beautiful mornin' [Oklahoma!] |
The Classical Voice: A Celebration of the Classical Voice
|
|
| 194 |
Carmen, WD 31Act 1:Près des remparts de Séville |
Opera dinner
|
|
| 195 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 4: Open the door, open the door now! (Voice from the Crowd, Mother Marie, First Commis |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 196 |
Fantasia on British Sea Songs:V. Home Sweet Home |
Rule Britannia: Last Night of the Proms
|
|
| 197 |
Belshazzar's Feast: Thus spake Isaiah |
WALTON: Belshazzar's FeastCrown Imperial
|
|
| 198 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 4: You may get up, my child (Prioress, Blanche, Monsieur Javelinot) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 199 |
Heliotropic |
Retrotek Vol. 2
|
|
| 200 |
Johannesburg Festival Overture |
WALTON, W.: Symphony No. 2Viola Concerto (Tomter, English Northern Philharmonia, Daniel)
|
|
| 201 |
Clear & Focused |
Retrotek Vol. 2
|
|
| 202 |
Pitfall |
Retrotek, Vol. 4
|
|
| 203 |
Spitfire Prelude and Fugue |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 204 |
Take Me (Original Mix) |
Feels Like Summer
|
|
| 205 |
Variations on a Theme by Hindemith:Var. IV: Moto perpetuo - Con slancio |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 206 |
Chants d'Auvergne (arr. Joseph Canteloube): Baïlèro |
The Very Best of Lesley Garrett
|
|
| 207 |
The Tempest: Where the bee sucks |
The Very Best of Lesley Garrett
|
|
| 208 |
Chants d'Auvergne (arr. Joseph Canteloube): Chut, chut (IV4) |
The Very Best of Lesley Garrett
|
|
| 209 |
Così fan tutte K588, Act 1, Scene 2: Terzettino: Soave sia il vento (DorabellaDon AlfonsoFiordiligi) |
The Very Best of Lesley Garrett
|
|
| 210 |
Sure on This Shining Night (James Agee) |
The Very Best of Lesley Garrett
|
|
| 211 |
Suite: Dido's Lament |
The Very Best of Lesley Garrett
|
|
| 212 |
Les illuminations, Op. 18: Fanfare |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 213 |
Belshazzar's Feast: And in that same hour |
WALTON: Belshazzar's FeastCrown Imperial
|
|
| 214 |
Look At The Sky (Original Mix) |
Look At The Sky
|
|
| 215 |
Morning Dirge |
Retrotek Vol. 2
|
|
| 216 |
Sinfonia Concertante:I. Maestoso - Allegro spiritoso |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 217 |
Spitfire Prelude and Fugue |
SVEN GORAN ERIKSSONS - Klassiska Favoriter
|
|
| 218 |
Crown Imperial |
WALTON: Belshazzar's FeastCrown Imperial
|
|
| 219 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 2: What has driven you here? (Prioress, Blanche) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 220 |
Les nuits d'été, Op. 7: Sur les lagunes - Lamento |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 221 |
Le nozze di Figaro, Acte III: Duettino:Canzonetta sull`aria |
Operatunity - The Winners
|
|
| 222 |
Fantasia on British Sea Songs:II. Tom Bowling |
SEA IN MUSIC (THE)
|
|
| 223 |
Lakmé: Viens, Mallika...Sous le dôme épais (Flower Duet) |
Operatunity - The Winners
|
|
| 224 |
Feels Like Summer (Original Mix) |
Feels Like Summer
|
|
| 225 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 2: Prelude |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 226 |
Variations on an Original Theme, Op. 36, "Enigma":Enigma Variations, Op. 36, No. 9, "Nimrod" |
Rule Britannia: Last Night of the Proms
|
|
| 227 |
Baa Baa Black Sheep:Act I Scene 3: At the Council Rock: I am Shere Khan (Shere Khan, Mother Wolf, Father Wolf, Akela, Baloo, Bagheera, Wolves, Others) |
BERKELEY, M.: Baa Baa Black Sheep
|
|
| 228 |
Symphony No. 1, "A Sea Symphony":II. On the Beach at Night, alone |
VAUGHAN WILLIAMS: Symphony No. 1, "A Sea Symphony"
|
|
| 229 |
Les illuminations, Op. 18: Interlude |
Barber: Knoxville, Summer of 1915, Op. 24 - Berlioz: Les nuits d'été, Op. 7 - Britten: Les illuminations, Op. 18
|
|
| 230 |
Baa Baa Black Sheep:Act III Scene 4: Return: Punch! Punch! My poor boy. (Mother, Punch) |
BERKELEY, M.: Baa Baa Black Sheep
|
|
| 231 |
Some Enchanted Evening [South Pacific] |
The Classical Voice: A Celebration of the Classical Voice
|
|
| 232 |
The Golden River, Op. 16:IV. The Golden River: Andante, molto tranquillo |
BAINTON, E.L.: Concerto fantasia3 PiecesPavane, Idyll and BacchanalThe Golden River (BBC Philharmonic, Daniel)
|
|
| 233 |
Dialogues des Carmelites, FP 159 (Sung in English):Act II Scene 1: Qui Lazarum resuscitasti a monumento foetidum (Constance, Blanche) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 234 |
March - A History of the English-speaking Peoples:March for 'A History of the English Speaking Peoples' |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 235 |
Squishy |
Retrotek Vol. 3
|
|
| 236 |
Dialogues des Carmelites, FP 159 (Sung in English):Act I Scene 4: Please inform your sisters they will have no chance to see the Reverend (Mother Mari |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 237 |
Baa Baa Black Sheep:Act I: Prelude |
BERKELEY, M.: Baa Baa Black Sheep
|
|
| 238 |
Darkness to Light |
Darkness to Light
|
|
| 239 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 3: My daughters, I wanted to save you (Prioress) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 240 |
Dialogues des Carmelites, FP 159 (Sung in English):Act III Scene 1: Father, speak to them (Mother Marie, Chaplain, Mother Jeane, Sister Mathilde) |
POULENC: Carmelites (The) (Dialogues des Carmelites) (Sung in English)
|
|
| 241 |
Variations on a Theme by Hindemith:Var. VI: Scherzando |
WALTON: Spitfire Prelude and FugueSinfonia ConcertanteHindemith Variations
|
|
| 242 |
Symphony No. 2:III. Passacaglia: Tema - Risoluto |
WALTON, W.: Symphony No. 2Viola Concerto (Tomter, English Northern Philharmonia, Daniel)
|
|
| 243 |
Extasy (Original Mix) |
Extasy
|
|
| 244 |
Berlin: "White Christmas" |
Christmas Gala With The Stars
|
|
| 245 |
Welcome to My World |
Retrotek Vol. 3
|
|
| 246 |
A Minute (Original Mix) |
Feels Like Summer
|
|
| 247 |
Just a Minute |
Retrotek Vol. 2
|
|