| 1 |
Sequenza II for harp (1963) |
Berio: Sequenzas
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| 2 |
Sonata For Flute, Viola And Harp, L. 137:Interlude |
Women play Debussy
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| 3 |
Sérénade, Op. 30, L. 36: I. Allegro |
Albert Roussel Edition
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| 4 |
Danzas Secretas para Arpa y Orquestra: I. Escondida |
Basque Music Collection, Vol. XI
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| 5 |
Sonata For Flute, Viola And Harp, L. 137:Final |
Women play Debussy
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| 6 |
Sonata For Flute, Viola And Harp, L. 137:Final |
Debussy for a Winter Day
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| 7 |
Sonata For Flute, Viola And Harp, L. 137:Interlude |
Debussy for a Winter Day
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| 8 |
Sonata For Flute, Viola And Harp, L. 137:Pastorale |
Women play Debussy
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| 9 |
Sequenza II pour harpe |
Berio, Carter, Donatoni, Holliger & Yun: Solos pour harpe
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| 10 |
Sonata For Flute, Viola And Harp, L. 137:Interlude |
Debussy Summer Nights
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| 11 |
Sérénade, Op. 30, L. 36: II. Andante |
Albert Roussel Edition
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| 12 |
Légende pour harpe et cordes "Conte fantastique d'après le Masque de la mort rouge" |
Debussy: La chute de la maison Usher - Caplet: Le masque de la mort rouge - Schmitt: Le palais hanté
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| 13 |
Sonata For Flute, Viola And Harp, L. 137:Pastorale |
Debussy for a Winter Day
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| 14 |
Sérénade, Op. 30, L. 36: III. Presto |
Albert Roussel Edition
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| 15 |
Sonata For Flute, Viola And Harp, L. 137:Pastorale |
Debussy Summer Nights
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