| 1 |
Rodelinda - Rodelinda: Atto Terzo:No. 31 Accompagnato: "Fatto inferno è il mio petto" |
Westminster Legacy - The Collector's Edition (Volume 2)
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| 2 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part One: 2. Nun schwanden vor dem heiligen Strahle - Verzweiflung, Wut und Schrecken (Arie mit Ch |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 3 |
Ulysses: No. 5, Epilogue |
Seiber: The Joyce Settings
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| 4 |
Hail bright Cecilia! Z. 328 Ode For St. Cecilia's Day:With rapture of delight |
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day
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| 5 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:3. Credo |
Mass No.14 'Harmoniemesse' in B flat. Hob.XXII14 (1802)
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| 6 |
The Wild Flower's Song |
The Voice of Alexander Young
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| 7 |
Rodelinda - Rodelinda: Atto Terzo:Recitativo: "O falso è Bertarido o fu mendace" |
Westminster Legacy - The Collector's Edition (Volume 2)
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| 8 |
The Seasons: III. Autumn |
Haydn: The Seasons
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| 9 |
The Bracelet |
The Voice of Alexander Young
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| 10 |
The Intruder |
Eight Songs by Li-Po
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| 11 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:Benedictus |
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor (7 CDs)
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| 12 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Two: 19. Der Herr ist groß in seiner Macht (Terzett mit Chor) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 13 |
A Summer Day |
Eight Songs by Li-Po
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| 14 |
The Maiden Blush |
The Voice of Alexander Young
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| 15 |
The Crucifixion: And As Moses Lifted Up the Serpent |
Stainer: The Crucifixion
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| 16 |
Rodelinda:Recitativo: E ben, duca, poss'io all'ardor" |
Westminster Legacy - The Collector's Edition (Volume 2)
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| 17 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Two: 18. In holder Anmut stehn (Terzett) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 18 |
Iolanthe, or The Peer and the Peri: Act I, Nay, tempt me not |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 19 |
Ulysses: No. 4, Nocturne Intermezzo |
Seiber: The Joyce Settings
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| 20 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part One: 12. In vollem Glanze steiget jetzt (Rezitativ) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 21 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part One: 11. Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (Rezitativ) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 22 |
Iolanthe, or The Peer and the Peri: Act II, It may not be |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 23 |
Iolanthe, or The Peer and the Peri: Act I, Iolanthe! |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 24 |
Iolanthe, or The Peer and the Peri: Act I, Good morrow, good mother |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 25 |
The Lodger, Act II Scene 2: "Does Mum Know?" |
Tate: The Lodger
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| 26 |
Rodelinda - Rodelinda: Atto Terzo:No. 26 Aria: "Tra sospetti, affetti e timori" |
Westminster Legacy - The Collector's Edition (Volume 2)
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| 27 |
Jillian of Berry |
The Voice of Alexander Young
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| 28 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Two: 24. Mit Würd' und Hoheit angetan (Arie) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 29 |
The Lodger, Act I Scene 2: "Emma Has Returned to Her Room" |
Tate: The Lodger
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| 30 |
Iolanthe, or The Peer and the Peri: Act I, My Lords, it may not be |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 31 |
The Crucifixion: When Jesus Therefore Saw His Mother |
Stainer: The Crucifixion
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| 32 |
Iolanthe, or The Peer and the Peri: Act I, A shepherd I |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 33 |
Sleep |
The Voice of Alexander Young
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| 34 |
The Curlew - Introduction |
The Voice of Alexander Young
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| 35 |
Iolanthe, or The Peer and the Peri: Act II, He loves! If in the bygone years |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 36 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:Kyrie |
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor (7 CDs)
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| 37 |
Ulysses: No. 3, Obverse Meditations of Involution |
Seiber: The Joyce Settings
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| 38 |
Brown Is My Love |
The Voice of Alexander Young
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| 39 |
The Crucifixion: So Thou Liftest Thy Divine Petition |
Stainer: The Crucifixion
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| 40 |
Iolanthe, or The Peer and the Peri: Act I, Tripping hither, tripping thither |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 41 |
My Life's Delight |
The Voice of Alexander Young
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| 42 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:Gloria |
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor (7 CDs)
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| 43 |
The Crucifixion: The Majesty of the Divine Humiliation (King Ever Glorious!) |
Stainer: The Crucifixion
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| 44 |
Iolanthe, or The Peer and the Peri: Act II, Strephon's a Member of Parliament |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 45 |
St. John Passion, BWV 245 - Part Two:No.34 Arioso (Tenor): " Mein Herz, indem die ganze Welt " |
Mass in B minor, BWV 232
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| 46 |
St. John Passion, BWV 245 - Part Two:No.20Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken" |
Mass in B minor, BWV 232
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| 47 |
Iolanthe, or The Peer and the Peri: Act II, When Britain really ruled the waves |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 48 |
Away to Twiver |
The Voice of Alexander Young
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| 49 |
Iolanthe, or The Peer and the Peri: Act I, The lady of my love |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 50 |
Cantata on Old English texts for soprano, tenor, female voices and instrumental ensemble:Westron Wind |
Cantata on Old English texts
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| 51 |
And Wilt Thou Leave Me Thus |
The Voice of Alexander Young
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| 52 |
The Lodger, Act II Scene 2: "Mr Bunting…it's Something I Ought to Tell You" |
Tate: The Lodger
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| 53 |
The Crucifixion: Processional to Calvary (Fling Wide the Gates) |
Stainer: The Crucifixion
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| 54 |
St. John Passion, BWV 245Part One:No. 12 " Und Hannas sandte ihn gebunden " |
Bach: Matthäus-Passion; Johannes-Passion
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| 55 |
Iolanthe, or The Peer and the Peri: Act II, Love, unrequited, robs me of my rest |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 56 |
The Crucifixion: And When They Were Come |
Stainer: The Crucifixion
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| 57 |
Iolanthe, or The Peer and the Peri: Act I, Of all the young ladies I know |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 58 |
The Lodger, Act II Scene 2: "Late Afternoon of the Following Day" |
Tate: The Lodger
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| 59 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part One: 9. Und die himmlischen Heerscharen verkündigten (Rezitativ) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 60 |
Interlude |
The Voice of Alexander Young
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| 61 |
Yarmouth Fair |
The Voice of Alexander Young
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| 62 |
Iolanthe, or The Peer and the Peri: Act I, Tripping hither tripping thither |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 63 |
The Crucifixion: The Mystery of the Divine Humiliation (Cross of Jesus, Cross of Sorrow) |
Stainer: The Crucifixion
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| 64 |
The Crucifixion: And They Came to a Place Named Gethsemane |
Stainer: The Crucifixion
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| 65 |
Amorosi vassalli |
C.W.Gluck: Alceste [1956] , Vol. 1
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| 66 |
Dream Valley |
The Voice of Alexander Young
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| 67 |
Iolanthe, or The Peer and the Peri: Act II, My Lord, a suppliant at your feet I kneel |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 68 |
Rest, Sweet Nymphs |
The Voice of Alexander Young
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| 69 |
He Hears the Cry of the Sedge |
The Voice of Alexander Young
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| 70 |
3 Fragments from a Portrait of the Artist as a Young Man: No. 3, Lento, sognando |
Seiber: The Joyce Settings
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| 71 |
Elegy |
Seiber: The Joyce Settings
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| 72 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Two: 23. Und Gott schuf den Menschen nach seinem Bilde (Rezitativ) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 73 |
Rodelinda:No. 11 Aria: "Se per te giungo a godere" |
Westminster Legacy - The Collector's Edition (Volume 2)
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| 74 |
Ulysses: No. 2, Meditations of Evolution Increasingly Vaster |
Seiber: The Joyce Settings
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| 75 |
Iolanthe, or The Peer and the Peri: Act II, Though p'r'aps I may incur your blame |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 76 |
Iolanthe, or The Peer and the Peri: Overture di ballo |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 77 |
The Crucifixion: God So Loved the World |
Stainer: The Crucifixion
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| 78 |
Iolanthe, or The Peer and the Peri: Act I, Oh, shameless one, tremble! |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 79 |
The Crucifixion: The Agony (Could Ye Not Watch With Me One Brief Hour?) |
Stainer: The Crucifixion
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| 80 |
The Crucifixion: Father, Forgive Them |
Stainer: The Crucifixion
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| 81 |
Iolanthe, or The Peer and the Peri: Act I, In babyhood upon her lap I lay |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 82 |
Iolanthe, or The Peer and the Peri: Act I, Fare thee well, attractive stranger |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 83 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:Credo |
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor (7 CDs)
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| 84 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Three: 29. Aus Rosenwolken bricht (Rezitativ) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 85 |
Iolanthe, or The Peer and the Peri: Act I, The Law is the true embodiment |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 86 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Three: 34. Singt dem Herren alle Stimmen! (Terzett und Chor) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 87 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:6. Agnus Dei |
Mass No.14 'Harmoniemesse' in B flat. Hob.XXII14 (1802)
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| 88 |
Iolanthe, or The Peer and the Peri: Act I, Loudly let the trumpet bray! |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 89 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:2. Gloria |
Mass No.14 'Harmoniemesse' in B flat. Hob.XXII14 (1802)
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| 90 |
Iolanthe, or The Peer and the Peri: Act II, Oh, foolish fay |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 91 |
Iolanthe, or The Peer and the Peri: Act I, With Strephon for your foe |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 92 |
Iolanthe, or The Peer and the Peri: Act I, Spurn not the nobly born |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 93 |
The Lodger, Act I Scene 1: "There's Young Joe" |
Tate: The Lodger
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| 94 |
Iolanthe, or The Peer and the Peri: Act I, Oh, Chancellor unwary |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 95 |
The Crucifixion: He Made Himself of No Reputation |
Stainer: The Crucifixion
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| 96 |
The Crucifixion: After This, Jesus Knowing All Things Were Now Accomplished |
Stainer: The Crucifixion
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| 97 |
Iolanthe, or The Peer and the Peri: Act I, None shall part us from each other |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 98 |
The Crucifixion: Litany of the Passion |
Stainer: The Crucifixion
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| 99 |
Iolanthe, or The Peer and the Peri: Act I, Good morrow, good lover |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 100 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:5. Benedictus |
Mass No.14 'Harmoniemesse' in B flat. Hob.XXII14 (1802)
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| 101 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part One: 13. Die Himmel erzählen die Ehre Gottes - Dem kommenden Tage sagt es der Tag (Terzett mi |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 102 |
Iolanthe, or The Peer and the Peri: Act I, When I went to the bar as a very young man |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 103 |
Iolanthe, or The Peer and the Peri: Overture |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 104 |
Iolanthe, or The Peer and the Peri: Act I, Go away, madam |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 105 |
Cantata on Old English texts for soprano, tenor, female voices and instrumental ensemble:Ricercar 2 'To-morow shall be' |
Cantata on Old English texts
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| 106 |
Iolanthe, or The Peer and the Peri: Act II, When you're lying awake with a dismal headache |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 107 |
St. John Passion, BWV 245 - Part One:No.10Evangelist, Ancilla, Petrus, Jesus, Servus: "Derselbige Jünger war dem Hohenpriester bekannt&qu |
Mass in B minor, BWV 232
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| 108 |
The Yeomen of the Guard (or, The Merryman and his Maid) (1987 Remastered Version):Overture |
100 Best British Classics
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| 109 |
Iolanthe, or The Peer and the Peri: Act II, In vain to us you plead |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 110 |
Iolanthe, or The Peer and the Peri: Act II, If you go in you're sure to win |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 111 |
Rodelinda - Rodelinda: Atto Secondo:No. 15 Aria: Spietati io vi giurai" |
Symphonie fantastique, Op.14
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| 112 |
Iolanthe, or The Peer and the Peri: Act II, Soon as we may |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 113 |
St. John Passion, BWV 245Part One:No.13: "Ach mein Sinn" |
J.S. Bach: Johannes-Passion BWV 245
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| 114 |
Iolanthe, or The Peer and the Peri: Act II, When all night long a chap remains |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 115 |
Iolanthe, or The Peer and the Peri: Act II, If we're weak enough to tarry |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 2
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| 116 |
Iolanthe, or The Peer and the Peri: Act I, For riches and rank I do not long |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 117 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Three: 33. O glücklich Paar (Rezitativ) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 118 |
The Crucifixion: For the Love of Jesus (All for Jesus, All for Jesus) |
Stainer: The Crucifixion
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| 119 |
The Crucifixion: And One of the Malefactors |
Stainer: The Crucifixion
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| 120 |
Iolanthe, or The Peer and the Peri: Act I, When darkly looms the day |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 121 |
Iolanthe, or The Peer and the Peri: Act I, To you I give my heart |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 122 |
Die Schöpfung, Hob. XXI:2 (Remastered) (Highlights):Part Two: 27. Zu dir, o Herr, blickt alles auf (Terzett) |
Haydn: Die Schöpfung, Hob. XXI:2 (Remastered)
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| 123 |
Iolanthe, or The Peer and the Peri: Act I, My well-loved lord and guardian dear |
Sullivan: Iolanthe, or The Peer and the Peri [1958], Vol. 1
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| 124 |
Rodelinda - Rodelinda: Atto Terzo:Coro: "Dopo la notte oscura" |
Westminster Legacy - The Collector's Edition (Volume 2)
|
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| 125 |
Rodelinda - Rodelinda: Atto Terzo:Recitativo: "Che miro? Amica sorte...Ecco ti innanzi il reo" |
Westminster Legacy - The Collector's Edition (Volume 2)
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| 126 |
St. John Passion, BWV 245 - Part One:No.13Aria (Tenor): "Ach mein Sinn" |
Mass in B minor, BWV 232
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| 127 |
St. John Passion, BWV 245 - Part One:No.12Evangelist, Chorus, Evangelist, Petrus, Servus: " Und Hannas sandte ihn gebunden " |
Mass in B minor, BWV 232
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| 128 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:4. Sanctus |
Mass No.14 'Harmoniemesse' in B flat. Hob.XXII14 (1802)
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| 129 |
The Crucifixion: The Appeal of the Crucified (from the Throne of His Cross) |
Stainer: The Crucifixion
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| 130 |
The Crucifixion: Is It Nothing to You? |
Stainer: The Crucifixion
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| 131 |
The Lodger, Act II Scene 2: "The Lodger Gropes His Way Out of the House" |
Tate: The Lodger
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| 132 |
The Lodger, Act II Scene 2: Epilogue, "When Did You Know Who He Was?" |
Tate: The Lodger
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| 133 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:Agnus Dei |
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor (7 CDs)
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| 134 |
Mass in B Flat - "Harmoniemesse" Hob.XXII:14:Sanctus |
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor (7 CDs)
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| 135 |
The Seasons: IV. Winter |
Haydn: The Seasons
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| 136 |
The Seasons: II. Summer |
Haydn: The Seasons
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| 137 |
The Seasons: I. Spring |
Haydn: The Seasons
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| 138 |
3 Fragments from a Portrait of the Artist as a Young Man: No. 1, Lento |
Seiber: The Joyce Settings
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| 139 |
Fair House of Joy |
The Voice of Alexander Young
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| 140 |
Love's Philosophy |
The Voice of Alexander Young
|
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| 141 |
3 Fragments from a Portrait of the Artist as a Young Man: No. 2, Feroce |
Seiber: The Joyce Settings
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| 142 |
Ulysses: No. 1, The Heaventree |
Seiber: The Joyce Settings
|
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| 143 |
To Daisies |
The Voice of Alexander Young
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| 144 |
The Withering of the Boughs |
The Voice of Alexander Young
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| 145 |
The Night-Piece |
The Voice of Alexander Young
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| 146 |
Julia's Hair |
The Voice of Alexander Young
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| 147 |
Music, When Soft Voices Die |
The Voice of Alexander Young
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| 148 |
With a Man of Leisure |
Eight Songs by Li-Po
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| 149 |
Mockery |
The Voice of Alexander Young
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| 150 |
The Faithless Shepherdess |
The Voice of Alexander Young
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| 151 |
Sigh No More, Ladies |
The Voice of Alexander Young
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| 152 |
The Lover Mourns for the Loss of Love |
The Voice of Alexander Young
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| 153 |
By a Fountainside |
The Voice of Alexander Young
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| 154 |
He Reproves the Curlew |
The Voice of Alexander Young
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| 155 |
Damask Roses |
The Voice of Alexander Young
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| 156 |
The Lover's Maze |
The Voice of Alexander Young
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| 157 |
Sweet-And-Twenty |
The Voice of Alexander Young
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| 158 |
Weep You No More |
The Voice of Alexander Young
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| 159 |
Arab Love Song |
The Voice of Alexander Young
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| 160 |
The Fox |
The Voice of Alexander Young
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| 161 |
Daybreak |
The Voice of Alexander Young
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| 162 |
Pretty Ring Time |
The Voice of Alexander Young
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| 163 |
The Ruin of the Ku-Su Palace |
Eight Songs by Li-Po
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| 164 |
Cherry-Ripe |
The Voice of Alexander Young
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| 165 |
On the City Street |
Eight Songs by Li-Po
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| 166 |
Hail bright Cecilia! Z. 328 Ode For St. Cecilia's Day:In vain the am'rous flute and soft guitar |
Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day
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| 167 |
The Long Departed Lover |
Eight Songs by Li-Po
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| 168 |
Nocturne |
Eight Songs by Li-Po
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| 169 |
Lines Written in Autumn |
Eight Songs by Li-Po
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