| 1 |
Or vien ça vien mamie Perrette |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 2 |
Sarabrand |
The Art of the Lute
|
|
| 3 |
Les arts florissants, H. 487, Scene 1:Amour du ciel (2) |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 4 |
Pavan, P 18 |
The Art of the Lute
|
|
| 5 |
Toccata VI |
The Art of the Lute
|
|
| 6 |
Sir John Souch his Galliard, P 26 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 7 |
"Che farala, che dirala" |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 8 |
Intabolatura de lauto: Reueillez moy |
Da Milano: Intabolatura de lauto
|
|
| 9 |
Ballet |
Lord Herbert of Cherbury's Lute Book
|
|
| 10 |
Toccata arpeggiata |
The Art of the Lute
|
|
| 11 |
Sonata in G Minor, BWV 1001: I. Adagio |
The Art of the Lute
|
|
| 12 |
Pavan of the Composition of Mee and Castle Island |
Lord Herbert of Cherbury's Lute Book
|
|
| 13 |
The Bear's Dance |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 14 |
Mr. John Langtons Pavan |
Seaven Teares - Music of John Dowland
|
|
| 15 |
Come Away, P 60 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 16 |
In te Domine speravi |
Marco Dall'Aquila: Pieces for Lute
|
|
| 17 |
M. George Whitehead his Almand |
Seaven Teares - Music of John Dowland
|
|
| 18 |
Lachrimae, or Seaven Teares: Lachrimae Verae |
Seaven Teares - Music of John Dowland
|
|
| 19 |
La Pomponazza |
Italian Renaissance Dances Vol. 2
|
|
| 20 |
Lord Strang's March, P 65 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 21 |
Mon pere si ma marie |
Francesco da Milano: Il divino
|
|
| 22 |
Pavin (arr. Dowland) |
Dowland: Complete Lute Works, Vol. 5
|
|
| 23 |
Ricercar (6) |
Marco Dall'Aquila: Pieces for Lute
|
|
| 24 |
A Dump |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 25 |
Prelude |
Lord Herbert of Cherbury's Lute Book
|
|
| 26 |
Fantasia (63) |
Francesco da Milano: Il divino
|
|
| 27 |
Mostrav' in ciel |
Italian Renaissance Dances Vol. 2
|
|
| 28 |
La Chacona |
Nicolas Vallet: Le secret des muses
|
|
| 29 |
Partita in E Major, BWV 1006a: I. Prelude |
Bach: Lute Works, Vol. I
|
|
| 30 |
Fantasie |
Nicolas Vallet: Le secret des muses
|
|
| 31 |
Suzanna Galliard, P 91 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 32 |
Partita in E Major, BWV 1006a: VI. Gigue |
The Art of the Lute
|
|
| 33 |
Lachrimae, or Seaven Teares: Lachrimae Tristes |
Seaven Teares - Music of John Dowland
|
|
| 34 |
Old Simon the King |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 35 |
Chi passa per sta strada |
Melchior Neusidler: Lute Music
|
|
| 36 |
Galliarde IV |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 37 |
Fantasia (58) |
Francesco da Milano: Il divino
|
|
| 38 |
Courante 'Son adieu' |
Lord Herbert of Cherbury's Lute Book
|
|
| 39 |
La jeune fillette' |
Lord Herbert of Cherbury's Lute Book
|
|
| 40 |
Sorrow stay |
Seaven Teares - Music of John Dowland
|
|
| 41 |
Fa una canzone senza note nere |
Italian Renaissance Dances Vol. 2
|
|
| 42 |
Filou' |
The Art of the Lute
|
|
| 43 |
Another Division on a Ground by Mr. John Banister |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 44 |
Recercar |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 45 |
Partita in E Major, BWV 1006a: IV. Minuet I & II |
Bach: Lute Works, Vol. I
|
|
| 46 |
Courante sur le Courante de Perrichon |
The Art of the Lute
|
|
| 47 |
Suite in A Minor, BWV 995: I. Prelude - Très Vite |
The Art of the Lute
|
|
| 48 |
Chacogne |
The Art of the Lute
|
|
| 49 |
Up tails all |
Robin Hood - Elizabethan Ballad Settings
|
|
| 50 |
Reveillez moy |
Francesco da Milano: Il divino
|
|
| 51 |
Sonata in G Minor, BWV 1001: IV. Presto |
The Art of the Lute
|
|
| 52 |
Tocha tocha la Canella |
Marco Dall'Aquila: Pieces for Lute
|
|
| 53 |
Mr. Dowland's Midnight, P 99 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 54 |
A Fancy, P 6 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 55 |
The Shoemaker's Wife. A Toy (P 58) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 56 |
Orlando sleepeth, P 61 |
The Art of the Lute
|
|
| 57 |
Sellenger's Round |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 58 |
Another Division on a Ground By Mr. P. B. |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 59 |
La couronne de fleurs, H. 486:Scene 2: Puisque Flore en ces lieux nous convie (Roselie, Bergeres) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 60 |
Une Jeune Fillette |
Nicolas Vallet: Le secret des muses
|
|
| 61 |
Fin de galliarde |
Daniel Bacheler: The Bachelar's Delight
|
|
| 62 |
Fantasia Duodecima |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 63 |
La jeune fillette' |
The Art of the Lute
|
|
| 64 |
Galliard |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 65 |
"De tous bien playne" |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 66 |
La couronne de fleurs, H. 486:Scene 2: Recitative: Des Heros fabuleux que la Grece a chantes (Hyacinthe, All) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 67 |
Forlorne Hope Fancye (P 2) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 68 |
Courante 'Son adieu' |
The Art of the Lute
|
|
| 69 |
Lachrimae (P 15) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 70 |
Sir John Langton, his Pavin (P 14) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 71 |
Fantasie I de Guyterne |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 72 |
A Piece Without Title, P.51 |
The Art of the Lute
|
|
| 73 |
Saltarello settimo |
The Art of the Lute
|
|
| 74 |
"O mia ciecha e dura sorte" |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 75 |
Donne impresteme il vostro burato da buratare la mia farina |
Marco Dall'Aquila: Pieces for Lute
|
|
| 76 |
Una Giga de Corelli |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 77 |
Kapsberger |
The Art of the Lute
|
|
| 78 |
Tarantelas |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 79 |
Canario |
The Art of the Lute
|
|
| 80 |
Captaine Digorie Piper his Galliard (P 19) (Bonus Track) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 81 |
Laudato Dio |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 82 |
Lachrimae, or Seaven Teares: Lachrimae Coactae |
Seaven Teares - Music of John Dowland
|
|
| 83 |
Fantasia prima |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 84 |
Saltarello 'La Traditora' No. 3 |
Marco Dall'Aquila: Pieces for Lute
|
|
| 85 |
The Frogg Galliard, P 23 & 23a |
The Art of the Lute
|
|
| 86 |
Fantasia (40) |
Francesco da Milano: Il divino
|
|
| 87 |
Payssanos |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 88 |
Dove son quei fieri occhi? (Chilesotti Lutebook) |
Italian Renaissance Dances Vol. 2
|
|
| 89 |
My Lord Wilobies Welcom Home, P 66a |
Dowland: Complete Lute Works, Vol. 4
|
|
| 90 |
Fantasia nona |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 91 |
Pioverin |
Marco Dall'Aquila: Pieces for Lute
|
|
| 92 |
Gaillarde "La Milanoise" |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 93 |
Captaine Digorie Piper his Galiard |
Seaven Teares - Music of John Dowland
|
|
| 94 |
A Jig, P 78 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 95 |
Pastyme with good Companie |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 96 |
"Malor me bat" |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 97 |
M. Giles Hobies Galiard, P 29 |
The Art of the Lute
|
|
| 98 |
Fantasia (56) |
Francesco da Milano: Il divino
|
|
| 99 |
Pavane "La Romanesque" |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 100 |
Les plaisirs de Versailles, H. 480, Scene 4:Pour vous apaiser donc |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 101 |
Pomo |
Marco Dall'Aquila: Pieces for Lute
|
|
| 102 |
"Non ti spiaqua l'ascoltar" |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 103 |
Fantasia 21 |
Melchior Neusidler: Lute Music
|
|
| 104 |
Les plaisirs de Versailles, H. 480, Scene 3:J'ai des confitures liquides |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 105 |
Partita in E Major, BWV 1006a: I. Prelude |
The Art of the Lute
|
|
| 106 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 1: Affreux tourments (Ixion, Tantale, Titye) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 107 |
Mrs Winter's Jump(P 55) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 108 |
La couronne de fleurs, H. 486:Scene 2: Recitative: Louis fait a nos temps, par ses faits inouis (Mirtil, All) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 109 |
Suite in A Minor, BWV 995: IV. Sarabande |
The Art of the Lute
|
|
| 110 |
Captain Digorie Piper his Galliard, P 19 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 111 |
Bouree d'Avignon |
Nicolas Vallet: Le secret des muses
|
|
| 112 |
A Coye Joye, P 80 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 113 |
Que voulez-vous dire de moi |
Francesco da Milano: Il divino
|
|
| 114 |
Gaillarde du comte ***** |
Nicolas Vallet: Le secret des muses
|
|
| 115 |
Fantasia |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 116 |
Mrs Cliftons Allmaine, P 53 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 117 |
Las Penas |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 118 |
Trenchmore |
Robin Hood - Elizabethan Ballad Settings
|
|
| 119 |
La Princesse |
Nicolas Vallet: Le secret des muses
|
|
| 120 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 3: Souviens-toi du larcin (Orphee) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 121 |
Der Dorisanen Dantz mit Hupffauff |
Melchior Neusidler: Lute Music
|
|
| 122 |
La Guamina |
Italian Renaissance Dances Vol. 2
|
|
| 123 |
I saw my Lady weepe |
Seaven Teares - Music of John Dowland
|
|
| 124 |
Susane un jour |
The Art of the Lute
|
|
| 125 |
Jácaras por la E |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 126 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 2: Cessez, cessez, fameux coupables (Orphee) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 127 |
Io visans |
Italian Renaissance Dances Vol. 2
|
|
| 128 |
Suite in A Minor, BWV 995: II. Allemande |
Bach: Lute Works, Vol. I
|
|
| 129 |
A Pavin (P 18) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 130 |
Toccata 1a |
The Art of the Lute
|
|
| 131 |
L'avignonne |
Nicolas Vallet: Le secret des muses
|
|
| 132 |
Semper Dowland semper dolens, P 9 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 133 |
Les plaisirs de Versailles, H. 480, Scene 2:Ah! Que cette chute |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 134 |
Les plaisirs de Versailles, H. 480, Scene 3:D'un vin délicieux |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 135 |
La Cara Cossa Nos. 1, 2, 11 & 6 |
Marco Dall'Aquila: Pieces for Lute
|
|
| 136 |
C'est à grand tort |
Marco Dall'Aquila: Pieces for Lute
|
|
| 137 |
Ricercar (8) |
Francesco da Milano: Il divino
|
|
| 138 |
Fantasia (39) |
Francesco da Milano: Il divino
|
|
| 139 |
Prelude |
The Art of the Lute
|
|
| 140 |
La pierre philosophale, H. 501: II. Ce bel âge |
Charpentier: Actéon, Orphée descendant aux enfers & La pierre philosophale
|
|
| 141 |
Hunsdon House |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 142 |
Saltarello quarto |
The Art of the Lute
|
|
| 143 |
La descente d'Orphee aux enfers, H. 488:Act I Scene 1: Ruisseau qui dans ce beau sejour (Enone, Arethuze) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 144 |
Tu discois que je mourroye |
Francesco da Milano: Il divino
|
|
| 145 |
Ricercar secondo from Il secondo libro |
Melchior Neusidler: Lute Music
|
|
| 146 |
Mistresse Nichols Almand |
Seaven Teares - Music of John Dowland
|
|
| 147 |
La couronne de fleurs, H. 486:Scene 3: Bien que, pour etaler les Vertus immortelles (Flore, Pan) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 148 |
Mrs Vauxes Gigge, P 57 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 149 |
Flow my teares |
Seaven Teares - Music of John Dowland
|
|
| 150 |
All'Arm', All'Arm' |
Italian Renaissance Dances Vol. 2
|
|
| 151 |
Saltarello detto Trivella |
Italian Renaissance Dances Vol. 2
|
|
| 152 |
Fantasia (7) |
Marco Dall'Aquila: Pieces for Lute
|
|
| 153 |
Occhi, fonti del core |
Il Zazzerino - Music of Jacopo Peri
|
|
| 154 |
Onder de Lindegröne |
Nicolas Vallet: Le secret des muses
|
|
| 155 |
Toccata V |
The Art of the Lute
|
|
| 156 |
Almaine |
The Art of the Lute
|
|
| 157 |
Nun lob mein Seel den herren, Psalm 103 |
Melchior Neusidler: Lute Music
|
|
| 158 |
Preludium, P 98 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 159 |
Intabolatura de lauto: Fantasia No. 64 |
Da Milano: Intabolatura de lauto
|
|
| 160 |
La descente d'Orphee aux enfers, H. 488:Overture |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 161 |
Daniells Jigge |
Daniel Bacheler: The Bachelar's Delight
|
|
| 162 |
Courante sur le Courante de Perrichon |
Lord Herbert of Cherbury's Lute Book
|
|
| 163 |
Sweet Robyne (P 70) (Bonus Track) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 164 |
Suite in A Minor, BWV 995: III. Courante |
Bach: Lute Works, Vol. I
|
|
| 165 |
The King of Denmarks Galiard |
Seaven Teares - Music of John Dowland
|
|
| 166 |
Fantasie VIII |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 167 |
Les arts florissants, H. 487, Scene 5:O paix si longtemps desiree (2) |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 168 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 3: Euridice n'est plus (Orphee) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 169 |
Les arts florissants, H. 487, Scene 4:Parais dans ta beauté première |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 170 |
Fantasia XXV |
The Art of the Lute
|
|
| 171 |
Ricercar (10) |
Francesco da Milano: Il divino
|
|
| 172 |
En me revenant |
Lord Herbert of Cherbury's Lute Book
|
|
| 173 |
Les arts florissants, H. 487:Overture |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 174 |
Ballo detto il Conte Orlando |
The Art of the Lute
|
|
| 175 |
What if a Day, P 79 |
The Art of the Lute
|
|
| 176 |
Marionas por la B |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 177 |
La Rosée du moys de may |
Marco Dall'Aquila: Pieces for Lute
|
|
| 178 |
The Shoemakers Wife, a Toy, P 58 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 179 |
Les arts florissants, H. 487, Scene 2:Sa gloire est un supplice |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 180 |
Forlorne Hope fancye, P 3 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 181 |
A Fancy, P.5 |
The Art of the Lute
|
|
| 182 |
Bergamasca |
The Art of the Lute
|
|
| 183 |
Captayne Pipers Galliard, P 88 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 184 |
Fantasia (83) |
Francesco da Milano: Il divino
|
|
| 185 |
O s'io potessi donna |
Melchior Neusidler: Lute Music
|
|
| 186 |
Dowlands first galliard, P 22 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 187 |
Toccata 5a |
The Art of the Lute
|
|
| 188 |
Tom Scarlett |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 189 |
La Sarabande espagnolle |
Nicolas Vallet: Le secret des muses
|
|
| 190 |
The Right Honourable the Lady Cliftons Spirit (P 45) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 191 |
Grabe |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 192 |
Fy Nay, Prithee John! |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 193 |
Fantasie III |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 194 |
O bone Jesu |
Francesco da Milano: Il divino
|
|
| 195 |
The Frog Galliard, P 23 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 196 |
Sweet Robyne, P 70 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 197 |
Fantasie |
Daniel Bacheler: The Bachelar's Delight
|
|
| 198 |
Soet Robbert |
Nicolas Vallet: Le secret des muses
|
|
| 199 |
A Paven to Delight |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 200 |
A Galliard, P 82 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 201 |
A Fancy (P 5) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 202 |
Saltarello 'La Traditora' No. 2 |
Marco Dall'Aquila: Pieces for Lute
|
|
| 203 |
Piva |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 204 |
Fantasia nona |
The Art of the Lute
|
|
| 205 |
Sarabande |
|
|
| 206 |
Ciachone |
The Art of the Lute
|
|
| 207 |
Onques amour |
Italian Renaissance Dances Vol. 2
|
|
| 208 |
King of Denmark, his Galliard, P 40 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 209 |
Douce mémoire |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 210 |
A Galliard on "Walsingham", P 31 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 211 |
Sonata in G Minor, BWV 1001: IV. Presto |
Bach: Lute Works, Vol. I
|
|
| 212 |
M. Giles Hobies Galiard |
Seaven Teares - Music of John Dowland
|
|
| 213 |
Io vorrei pur fuggir (Chilesotti Lutebook) |
Italian Renaissance Dances Vol. 2
|
|
| 214 |
Fantasia XIV |
The Art of the Lute
|
|
| 215 |
Lachrimae, or Seaven Teares: Lachrimae Antiquae Novae |
Seaven Teares - Music of John Dowland
|
|
| 216 |
Les arts florissants, H. 487, Scene 2:Renversons le ciel |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 217 |
La descente d'Orphee aux enfers, H. 488:Act I Scene 3: Recitative:Ne tourne point, mon fils (Apollon, Orphee) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 218 |
Sonata in G Minor, BWV 1001: II. Fuga - Allegro |
The Art of the Lute
|
|
| 219 |
La Cadena |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 220 |
Almaine |
Daniel Bacheler: The Bachelar's Delight
|
|
| 221 |
Cara mia dolce stella |
Melchior Neusidler: Lute Music
|
|
| 222 |
Faronell's Division on a Ground |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 223 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 3: Je ne viens point ici (Orphee) - Pauvre amant (Proserpine, Chorus) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 224 |
Saltarello sesto |
The Art of the Lute
|
|
| 225 |
Courante La Vallette |
Nicolas Vallet: Le secret des muses
|
|
| 226 |
Canzone a quattro di Gioseppe Guami |
The Art of the Lute
|
|
| 227 |
Suite in A Minor, BWV 995: II. Allemande |
The Art of the Lute
|
|
| 228 |
Il Marchese di Saluzzo |
Marco Dall'Aquila: Pieces for Lute
|
|
| 229 |
Omnino Galliard |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 230 |
Ballet |
The Art of the Lute
|
|
| 231 |
The Right Honourable The Lord Viscount Lisle, his Galliard, P 38 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 232 |
Otros canarios |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 233 |
Collard's Ground |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 234 |
Un gai bergier |
Melchior Neusidler: Lute Music
|
|
| 235 |
Pavane II |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 236 |
Ricercar (5) |
Marco Dall'Aquila: Pieces for Lute
|
|
| 237 |
Joseph lieber Joseph mein |
Melchior Neusidler: Lute Music
|
|
| 238 |
Toccata 1 |
The Art of the Lute
|
|
| 239 |
Volta |
Daniel Bacheler: The Bachelar's Delight
|
|
| 240 |
Galliarde I |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 241 |
Les arts florissants, H. 487, Scene 3:Fille de la nuit éternelle |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 242 |
L'eccho [Dieu qui conduis] |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 243 |
Les arts florissants, H. 487, Scene 2:Bruit effroyable |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 244 |
Beschaffens glück ist unversammpt |
Melchior Neusidler: Lute Music
|
|
| 245 |
Semper Dowland semper dolens (P 9) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 246 |
Recercar quinto |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 247 |
Fantasia sopra 'la Canzon degli Ucelli' |
The Art of the Lute
|
|
| 248 |
My Ladie Riches Galyerd, P 43a |
The Art of the Lute
|
|
| 249 |
Partita in E Major, BWV 1006a: II. Loure |
Bach: Lute Works, Vol. I
|
|
| 250 |
Mellancoly Galliard, P 25 |
The Art of the Lute
|
|
| 251 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 3: Tu ne la perdras point, helas (Orphee) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 252 |
Galliarde III |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 253 |
Almande |
Dowland: Complete Lute Works, Vol. 5
|
|
| 254 |
Chromatica Pavana |
Robin Hood - Elizabethan Ballad Settings
|
|
| 255 |
Galliard, P 104 |
The Art of the Lute
|
|
| 256 |
Susane un jour |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 257 |
Il est bel et bon |
Marco Dall'Aquila: Pieces for Lute
|
|
| 258 |
Fantasia (30) |
Francesco da Milano: Il divino
|
|
| 259 |
Saltarello sesto |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 260 |
Gaillarde |
Nicolas Vallet: Le secret des muses
|
|
| 261 |
Villanella (Chilesotti Lutebook) |
Italian Renaissance Dances Vol. 2
|
|
| 262 |
Folias Ytalianas |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 263 |
Zarambeques |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 264 |
Fantasie (P 1a) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 265 |
Mignarda, P 34 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 266 |
Passacalles por la E |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 267 |
Vignon vignetta |
Francesco da Milano: Il divino
|
|
| 268 |
Stingo, or The Oyle of Barly |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 269 |
A Fancy, P 7 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 270 |
Fantasia sopra Susane un jour |
The Art of the Lute
|
|
| 271 |
Galliard, P 35 |
The Art of the Lute
|
|
| 272 |
Anchor che co'l partire David Douglass: Divisions on "Anchor che co'l partire" |
Italian Renaissance Dances Vol. 2
|
|
| 273 |
Spagna |
The Da Vinci Collection: Music of the Renaissance
|
|
| 274 |
Walsingham (P 67) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 275 |
La Mia Barbara (P 95) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 276 |
Home again, market is done |
Robin Hood - Elizabethan Ballad Settings
|
|
| 277 |
The Lady Laitons Almone, P 48 |
The Art of the Lute
|
|
| 278 |
Suite in A Minor, BWV 995: III. Courante |
The Art of the Lute
|
|
| 279 |
Les arts florissants, H. 487, Scene 5:Charmante paix |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 280 |
Fandango |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 281 |
La descente d'Orphee aux enfers, H. 488:Act I Scene 1: Recitative: Soutiens-moi, chere Enone (Euridice, Orphee, Chorus) - Orphee, adieu, je m |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 282 |
Fantasia Quinta |
The Art of the Lute
|
|
| 283 |
Fantasia Quinta |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 284 |
La descente d'Orphee aux enfers, H. 488:Act I Scene 1: Compagnes fideles (Euridice) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 285 |
Sir Thomas Monson, his Pavin |
Dowland: Complete Lute Works, Vol. 5
|
|
| 286 |
Et in terra pax |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 287 |
Pavana Lachrimae |
Dowland: Complete Lute Works, Vol. 5
|
|
| 288 |
Wolsey's Wilde |
Robin Hood - Elizabethan Ballad Settings
|
|
| 289 |
Almain, P 49 |
The Art of the Lute
|
|
| 290 |
Fantasia (9) |
Marco Dall'Aquila: Pieces for Lute
|
|
| 291 |
La couronne de fleurs, H. 486:Overture |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 292 |
Galliard to Lachrimae, P 46 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 293 |
Une Jeune Fillette, P 93 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 294 |
Galliard |
Robin Hood - Elizabethan Ballad Settings
|
|
| 295 |
The Spanish Pavane |
Robin Hood - Elizabethan Ballad Settings
|
|
| 296 |
Ricercar (15) |
Marco Dall'Aquila: Pieces for Lute
|
|
| 297 |
Fantasia (28) |
Francesco da Milano: Il divino
|
|
| 298 |
Ricercar secondo from Il primo libro |
Melchior Neusidler: Lute Music
|
|
| 299 |
Buckinghames branle |
Robin Hood - Elizabethan Ballad Settings
|
|
| 300 |
Galliard, P 76 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 301 |
Intabolatura de lauto: Fantasia No. 21 |
Da Milano: Intabolatura de lauto
|
|
| 302 |
Intabolatura de lauto: Ricercar No. 4 (Fantasia) |
Da Milano: Intabolatura de lauto
|
|
| 303 |
A Downe |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 304 |
Will yow walke the woods soe wylde |
Robin Hood - Elizabethan Ballad Settings
|
|
| 305 |
Herr gott nun sey gepreyset |
Melchior Neusidler: Lute Music
|
|
| 306 |
Mayster Pypers Pavyn, P 8 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 307 |
Sir John Smith his Almain, P 47 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 308 |
Robin Hoode |
Robin Hood - Elizabethan Ballad Settings
|
|
| 309 |
Les arts florissants, H. 487, Scene 1:Dans la noble ardeur |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 310 |
Ancor che col partire |
Melchior Neusidler: Lute Music
|
|
| 311 |
Lady Clifton's Spirit, P 45 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 312 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 3: Recitative: Quel charme imperieux (Pluton, Proserpine) - Courage Orphee (Chorus) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 313 |
Galliard, P 27 |
The Art of the Lute
|
|
| 314 |
Lachrimae, or Seaven Teares: Lachrimae Antiquae |
Seaven Teares - Music of John Dowland
|
|
| 315 |
Les Pantalons |
Nicolas Vallet: Le secret des muses
|
|
| 316 |
M Buctons Galiard |
Seaven Teares - Music of John Dowland
|
|
| 317 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 3: Recitative: Je cede, je me rends (Pluton) - Recitative: Amour, brulant Amour (Orphee) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 318 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 4: Vous partez donc, Orphee (Chorus, Ixion, Tantale, Titye) - Entree des Fantomes |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 319 |
Fantasia (App. 31) |
Francesco da Milano: Il divino
|
|
| 320 |
Gagliarda in tre modi |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 321 |
Sarabrand |
Lord Herbert of Cherbury's Lute Book
|
|
| 322 |
Queene Elizabeth, her Galliard, P 41 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 323 |
Moll Peatly, or The Old Marinett |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 324 |
Pavana |
Marco Dall'Aquila: Pieces for Lute
|
|
| 325 |
Filou' |
Lord Herbert of Cherbury's Lute Book
|
|
| 326 |
Farewell (P 3) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 327 |
Tu dormi, e 'l dolce sonno |
Il Zazzerino - Music of Jacopo Peri
|
|
| 328 |
Gagliarda 12a |
The Art of the Lute
|
|
| 329 |
Fantasie La Mendiante |
Nicolas Vallet: Le secret des muses
|
|
| 330 |
Fantasia sopra 'la Canzon degli Ucelli' |
Lord Herbert of Cherbury's Lute Book
|
|
| 331 |
Saltarello del predetto ballo |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 332 |
A Canzonetta |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 333 |
Galliard upon a Galliard |
Lord Herbert of Cherbury's Lute Book
|
|
| 334 |
Sir John Smith, his Almain (P 47) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 335 |
Boerinneken |
Nicolas Vallet: Le secret des muses
|
|
| 336 |
Saltarello secondo |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 337 |
Squires Galliard |
Dowland: Complete Lute Works, Vol. 5
|
|
| 338 |
Conde Claros |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 339 |
En me revenant |
The Art of the Lute
|
|
| 340 |
Fantasia (38) |
Francesco da Milano: Il divino
|
|
| 341 |
Nous bergiers |
Marco Dall'Aquila: Pieces for Lute
|
|
| 342 |
La couronne de fleurs, H. 486:Scene 2: Recitative: Lorsqu'un torrent enfle par un soudain orage (Amaranthe, All) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 343 |
Sir Henry Guilforde his Almaine |
Dowland: Complete Lute Works, Vol. 2
|
|
| 344 |
Anthony Pavyn |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 345 |
Passingmeasures Pavin |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 346 |
Pass'e mezzo e saltarello |
Melchior Neusidler: Lute Music
|
|
| 347 |
Fantasia XXV |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 348 |
The most sacred Queene Elizabeth, her Galliard (P 41) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 349 |
Chacogne |
Lord Herbert of Cherbury's Lute Book
|
|
| 350 |
Intabolatura de lauto: Ricercar No. 5 |
Da Milano: Intabolatura de lauto
|
|
| 351 |
My Lady Hunnsdon's Puffe (P 54) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 352 |
Intabolatura de lauto: Fantasia No. 40 |
Da Milano: Intabolatura de lauto
|
|
| 353 |
The Mock Glory of the West |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 354 |
Partita in E Major, BWV 1006a: III. Gavotte en Rondeaux |
Bach: Lute Works, Vol. I
|
|
| 355 |
Pass'e mezzo in tre modi |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 356 |
Ballo Tedesco (Chilesotti Lutebook) |
Italian Renaissance Dances Vol. 2
|
|
| 357 |
Galliard upon a Galliard |
The Art of the Lute
|
|
| 358 |
Partita in E Major, BWV 1006a: V. Bourée |
Bach: Lute Works, Vol. I
|
|
| 359 |
Suite in A Minor, BWV 995: V. Gavotte I & II en Rondeaux |
The Art of the Lute
|
|
| 360 |
Courante sur 'J'avois brisè mes fers' |
Lord Herbert of Cherbury's Lute Book
|
|
| 361 |
Poi che pato per te (Anon. Bottegari Lutebook) |
Italian Renaissance Dances Vol. 2
|
|
| 362 |
Canarios |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 363 |
Walsingham |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 364 |
Suite in A Minor, BWV 995: VI. Gigue |
Bach: Lute Works, Vol. I
|
|
| 365 |
Uccidimi, dolore |
Il Zazzerino - Music of Jacopo Peri
|
|
| 366 |
Frais et galliard (Arr. Molinaro) |
The Art of the Lute
|
|
| 367 |
Fantasia prima |
The Art of the Lute
|
|
| 368 |
The Queenes Galliard, P 97 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 369 |
Saltarello primo |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 370 |
Capitain Candishe his Galyard, P 21 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 371 |
Allemande fortune helas pourquoy |
Nicolas Vallet: Le secret des muses
|
|
| 372 |
Corrente 1a |
The Art of the Lute
|
|
| 373 |
Intabolatura de lauto: O bone Yhesu |
Da Milano: Intabolatura de lauto
|
|
| 374 |
Fantasia XIV |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 375 |
Galiarda |
Robin Hood - Elizabethan Ballad Settings
|
|
| 376 |
Fantasie II "de Guyterne" |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 377 |
Ricercar (5) |
Francesco da Milano: Il divino
|
|
| 378 |
Farwell, P 3 |
The Art of the Lute
|
|
| 379 |
Les arts florissants, H. 487, Scene 1:Que mes divins concerts |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 380 |
Gagliarda detta Tamburin (Chilesotti Lutebook) |
Italian Renaissance Dances Vol. 2
|
|
| 381 |
Gaillarde Piemontoise |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 382 |
Pavin |
The Art of the Lute
|
|
| 383 |
A Pavin By Mr. Johnsonn |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 384 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 2: Quelle touchante voix, quelle douce harmonie (Ixion, Tantale, Titye) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 385 |
Johney Cock Thy Beaver: A Scotch Tune to a Ground |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 386 |
Gagliarda in quattro modi |
The Art of the Lute
|
|
| 387 |
Praeludium |
Nicolas Vallet: Le secret des muses
|
|
| 388 |
A Galliard |
Daniel Bacheler: The Bachelar's Delight
|
|
| 389 |
John com Kisse me now |
Robin Hood - Elizabethan Ballad Settings
|
|
| 390 |
Ricercar (51) |
Francesco da Milano: Il divino
|
|
| 391 |
Mistris Whittes Thinge, P 50 |
The Art of the Lute
|
|
| 392 |
La couronne de fleurs, H. 486:Scene 1: Marche des Bergers |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 393 |
Las je my plains |
Francesco da Milano: Il divino
|
|
| 394 |
Les plaisirs de Versailles, H. 480, Scene 3:Venez, dieu des festins |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 395 |
Gagliarda 10a |
The Art of the Lute
|
|
| 396 |
Lachrimae, or Seaven Teares: Lachrimae Amantis |
Seaven Teares - Music of John Dowland
|
|
| 397 |
Martin menoit |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 398 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 2: Les Fantomes |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 399 |
Padoana belissima |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 400 |
Slaep soete slaep |
Nicolas Vallet: Le secret des muses
|
|
| 401 |
La couronne de fleurs, H. 486:Scene 2: Prelude pour animer les bergers au combat |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 402 |
Calata ala spagnola ditto terzetti |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 403 |
The Right Honourable Robert, Earl of *****, his Galliard (P 42a) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 404 |
Corrente 7a |
The Art of the Lute
|
|
| 405 |
Fantasia (3) |
Francesco da Milano: Il divino
|
|
| 406 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 3: Prelude - Recitative: Que cherche en mon palais (Pluton) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 407 |
Pourquoy allez vous seullette |
Francesco da Milano: Il divino
|
|
| 408 |
Ricercar (19) |
Marco Dall'Aquila: Pieces for Lute
|
|
| 409 |
Go from my windowe, P 64 |
The Art of the Lute
|
|
| 410 |
Les plaisirs de Versailles, H. 480, Scene 1:Que tout cede aux douceurs |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 411 |
La descente d'Orphee aux enfers, H. 488:Act II Scene 2: Je ne refuse point le secours (Orphee) - Il n'est rien aux Enfers (Chorus) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 412 |
Loth to Departe, P 69 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 413 |
Pavin |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 414 |
Ballo detto il Conte Orlando |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 415 |
Dowlands Galliard, P 20 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 416 |
Toccata III |
The Art of the Lute
|
|
| 417 |
Sonata in G Minor, BWV 1001: I. Adagio |
Bach: Lute Works, Vol. I
|
|
| 418 |
Gagliarda 4a |
The Art of the Lute
|
|
| 419 |
Le jeune filette |
Daniel Bacheler: The Bachelar's Delight
|
|
| 420 |
As I went to Walsingham |
Dowland: Complete Lute Works, Vol. 2
|
|
| 421 |
Mrs Whites Nothing, P 56 |
The Art of the Lute
|
|
| 422 |
Come heavy sleepe |
Seaven Teares - Music of John Dowland
|
|
| 423 |
Fantasia ottava |
The Art of the Lute
|
|
| 424 |
Tra le lagrime e i sospiri |
Il Zazzerino - Music of Jacopo Peri
|
|
| 425 |
The Right honourable Robert, Earl of *****, his Galliard, P 42a |
Dowland: Complete Lute Works, Vol. 4
|
|
| 426 |
Danza (Chilesotti Lutebook) |
Italian Renaissance Dances Vol. 2
|
|
| 427 |
Più non amo e più non ardo (Bottegari Lutebook) |
Italian Renaissance Dances Vol. 2
|
|
| 428 |
Galliard |
Daniel Bacheler: The Bachelar's Delight
|
|
| 429 |
Mistris Norrishis Delight, P 77 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 430 |
The Gathering Of Pescodes |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 431 |
La Cara Cossa No. 10 |
Marco Dall'Aquila: Pieces for Lute
|
|
| 432 |
Se tu parti da me |
Il Zazzerino - Music of Jacopo Peri
|
|
| 433 |
A Galliard [upon a galliard by Daniel Bachelar], P 28 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 434 |
The Frog Galliard (P 23a) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 435 |
A Fancy, P 73 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 436 |
Fantasia terza |
The Art of the Lute
|
|
| 437 |
Mrs Vaux's Gigge (P 57) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 438 |
Fantasia (64) |
Francesco da Milano: Il divino
|
|
| 439 |
Hasellwoods Galliard, P 84 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 440 |
Courante de Mars |
Nicolas Vallet: Le secret des muses
|
|
| 441 |
Prelude |
Daniel Bacheler: The Bachelar's Delight
|
|
| 442 |
Dowland's Adew for Master Oliver Cromwell, P 13 |
Dowland: Complete Lute Works, Vol. 3
|
|
| 443 |
The Lady Russells Paven, P 17 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 444 |
"Tientalora," Balletto da ballare |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 445 |
M. Nicholas Gryffith his Galiard |
Seaven Teares - Music of John Dowland
|
|
| 446 |
Fantasia super ancor che col partire |
Melchior Neusidler: Lute Music
|
|
| 447 |
The Duke Of Somersettes Dompe |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 448 |
Les plaisirs de Versailles, H. 480, Scene 2:Qu'elle finisse donc |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|
| 449 |
Spagna seconda |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 450 |
La couronne de fleurs, H. 486:Scene 2: Recitative: La foudre menacant qui perce avec fureur (Forestan, All) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 451 |
Sonata in G Minor, BWV 1001: III. Siciliana |
The Art of the Lute
|
|
| 452 |
Fantasia sopra Susane un jour |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 453 |
Lusty Gallant |
Robin Hood - Elizabethan Ballad Settings
|
|
| 454 |
La couronne de fleurs, H. 486:Scene 3: Belles fleurs, tous les ans (Roselie, Amaranthe, All) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 455 |
Mrs Vaux Galliarde, P 32 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 456 |
The Galliarde to delighte |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 457 |
Can she excuse, P 42 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 458 |
Mignarda (P 34) (Bonus Track) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 459 |
Mounsieurs Almanie |
Daniel Bacheler: The Bachelar's Delight
|
|
| 460 |
Mounsieur's Almaine |
Dowland: Complete Lute Works, Vol. 2
|
|
| 461 |
Lachrimae, or Seaven Teares: Lachrimae Gementes |
Seaven Teares - Music of John Dowland
|
|
| 462 |
Sonata in G Minor, BWV 1001: II. Fuga - Allegro |
Bach: Lute Works, Vol. I
|
|
| 463 |
Prelude |
Nicolas Vallet: Le secret des muses
|
|
| 464 |
Gagliarda 1a |
The Art of the Lute
|
|
| 465 |
La Volta |
Robin Hood - Elizabethan Ballad Settings
|
|
| 466 |
Allegro |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 467 |
A Fancy, P 72 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 468 |
Intabolatura de lauto: Mon per si ma marie |
Da Milano: Intabolatura de lauto
|
|
| 469 |
La Jota |
Jácaras! - 18th Century Spanish Baroque Guitar Music of Santiago de Murcia
|
|
| 470 |
Ricercar (13) |
Francesco da Milano: Il divino
|
|
| 471 |
Fantasia ottava |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 472 |
La couronne de fleurs, H. 486:Scene 3: Quittez, quittez Bergers, ce dessein temeraire (Pan, All) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 473 |
Fantasia |
Melchior Neusidler: Lute Music
|
|
| 474 |
I Cannot keepe my wyfe at howme |
Robin Hood - Elizabethan Ballad Settings
|
|
| 475 |
Suite in A Minor, BWV 995: V. Gavotte I & II en Rondeaux |
Bach: Lute Works, Vol. I
|
|
| 476 |
My Lady Hunnsdon's Puffe, P 54 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 477 |
La Seraphine |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 478 |
Fantasie XIX |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 479 |
La descente d'Orphee aux enfers, H. 488:Act I Scene 1: Qu'il se croira fortune (Daphne, Euridice, Chorus) – Recitative: L'o |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 480 |
Suite in A Minor, BWV 995: VI. Gigue |
The Art of the Lute
|
|
| 481 |
Greene-Sleeves |
English Country Dances - 17th Century Music from the Publications of John Playford
|
|
| 482 |
The Erle of Darbies Galiard, P 44 |
Dowland: Complete Lute Works, Vol. 5
|
|
| 483 |
Pass'e mezzo in sei modi |
Simone Molinaro: Fantasie, Canzoni e balli
|
|
| 484 |
La descente d'Orphee aux enfers, H. 488:Act I Scene 1: Inventons mille jeux divers (Daphnee, Chorus) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 485 |
Pavana alla venetiana |
Alla Venetiana - Early 16th Century Venetian Lute Music
|
|
| 486 |
Corrente 2a |
The Art of the Lute
|
|
| 487 |
Philip's Dump |
The Royal Lewters - Music of Henry VIII and Elizabeth I's Favourite Lutenists
|
|
| 488 |
Fantasie IX |
Rippe: Works for lute 'Un perfaict sonneur de Leut'
|
|
| 489 |
Farwell [An "In Nomine"], P 4 |
Dowland: Complete Lute Works, Vol. 2
|
|
| 490 |
Fantasia (66) |
Francesco da Milano: Il divino
|
|
| 491 |
Fantasie |
The Art of the Lute
|
|
| 492 |
Mrs Winters Jumpp, P 55 |
The Art of the Lute
|
|
| 493 |
Galliard, P 30 |
The Art of the Lute
|
|
| 494 |
Pavana Dowlandi Angli [Mylius #2] |
Dowland: Complete Lute Works, Vol. 5
|
|
| 495 |
La descente d'Orphee aux enfers, H. 488:Act I Scene 2: Recitative: Lache amant, pourrais-tu survivre (Orphee) |
CHARPENTIER, M.-A.: Couronne de fleurs (La)La descente d'Orphée aux enfers (Boston Early Music Festival Chorus and Orchestra, O'Dett
|
|
| 496 |
A Fancy (P 6) |
My favorite Dowland (Bonus Tracks Version)
|
|
| 497 |
Guillemette |
Nicolas Vallet: Le secret des muses
|
|
| 498 |
A Fantasia, P 71 |
Dowland: Complete Lute Works, Vol. 4
|
|
| 499 |
My Lord Willobies wellcome home, P 66 |
The Art of the Lute
|
|
| 500 |
Les plaisirs de Versailles, H. 480, Scene 2:Quel objet importun |
Charpentier: Les plaisirs de Versailles, H. 480 & Les arts florissants, H. 487
|
|