| 1 |
Nota perdita (D'après Carmina Burana 31) |
Love, Revelry and the Dance in Mediæval Music
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| 2 |
Veritas veritatum (Carmina Burana 21) |
Love, Revelry and the Dance in Mediæval Music
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| 3 |
Dulce solum (Carmina Burana 119) |
Love, Revelry and the Dance in Mediæval Music
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| 4 |
Danxa aurea di Phebo (D'après Carmina Burana 71) |
Love, Revelry and the Dance in Mediæval Music
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| 5 |
Improvisation à la flûte |
Love, Revelry and the Dance in Mediæval Music
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| 6 |
L’avalanche |
Belle et Sébastien (Bande originale du film)
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| 7 |
Celum non animum (Carmina Burana 15) [Deuxième version] |
Love, Revelry and the Dance in Mediæval Music
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| 8 |
Celum non animum (Carmina Burana 15) [Première version] |
Love, Revelry and the Dance in Mediæval Music
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| 9 |
Fas et nefas ambulant (Carmina Burana 19) |
Love, Revelry and the Dance in Mediæval Music
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| 10 |
Veris dulcis in tempore (Carmina Burana 85) |
Love, Revelry and the Dance in Mediæval Music
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| 11 |
Estampie G'en ferai droit, Lucidor et lenior (D'après Carmina Burana 153) |
Love, Revelry and the Dance in Mediæval Music
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| 12 |
Belle et Sébastien |
Belle et Sébastien (Bande originale du film)
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| 13 |
Clauso chrono (Carmina Burana 73) |
Love, Revelry and the Dance in Mediæval Music
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| 14 |
Tempus transit gelidum (Carmina Burana 153) |
Love, Revelry and the Dance in Mediæval Music
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| 15 |
Une chanson d'amour de Kanding |
Le son de soie
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| 16 |
Sic mea fata (Carmina Burana 116) |
Love, Revelry and the Dance in Mediæval Music
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| 17 |
Dananza Gedeonis (D'après Carmina Burana 37) |
Love, Revelry and the Dance in Mediæval Music
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| 18 |
Caterine collaudamus (Carmina Burana 19) |
Love, Revelry and the Dance in Mediæval Music
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