| 1 |
Cardillac - (1926)Act 3:"Gegen mich hatte er diesen Abend.." - "Wach auf! Wir wissen alles und lieben dich wie nie" |
Hindemith - Legendary Recordings
|
|
| 2 |
"De temporum fine comoedia":"Gott, schenk uns Wahrsagung" |
Karajan - 1970s, Vol. 2
|
|
| 3 |
Hoffmanns Erzählungen:Er hat 'ne Puppe von Tragant |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 4 |
Piano Concerto in C, Op.14:RondoAllegretto |
Piano Concerto in C, Op.14 - Piano Concerto in E flat Op.25
|
|
| 5 |
Tristan (1973) Preludes For Piano, Tapes And Orchestra:4. Tristan's Folly |
Hans Werner Henze Great Recordings
|
|
| 6 |
Six German Dances, K.600:No.1 in C |
Mozart: A Musical Landscape
|
|
| 7 |
Hoffmanns Erzählungen, 2. Act Schöne Nacht, du Liebesnacht |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 8 |
"De temporum fine comoedia":"Gott schenk uns Wahrsagung" |
"De temporum fine comoedia"
|
|
| 9 |
Wesendonck-lieder:Stehe still! |
Wesendonck Lieder; Overtures
|
|
| 10 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Mozart Moods
|
|
| 11 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Music for Walking: Mozart
|
|
| 12 |
Carmen, Act IV: "Wie? Du liebst mich nicht mehr?" (José, Chorus, Carmen) |
Bizet: Carmen
|
|
| 13 |
Hoffmanns Erzählungen, Act 3:Sie entfloh, die Taube, so minnig |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 14 |
Coro For Voices And Instruments:31. "Spin Colours SpinEl diá palido se asoma" |
Berio: Coro
|
|
| 15 |
Cardillac - (1926)Act 3:"Des Himmels Huld will,.." - "Höre ich, was ich höre?" - "Die Kraft war übermensc |
Hindemith - Legendary Recordings
|
|
| 16 |
"De temporum fine comoedia":"Cho - neuso gar hapanta kai" |
"De temporum fine comoedia"
|
|
| 17 |
Carmen, Act II: "Tazen will ich zu eurer Ehr'" (Carmen, Remendado) |
Bizet: Carmen
|
|
| 18 |
Coro For Voices And Instruments:28. "El diá oscila rodeado" - XXIX. "Hinach yafà raayatí" |
Berio: Coro
|
|
| 19 |
Carmen, Act II: "Entracte" |
Bizet: Carmen
|
|
| 20 |
Concerto for Piano and Orchestra No. 17 In G Major, KV. 453: Allegro |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 21 |
Hoffmanns Erzählungen:Ich seh man feiert Feste |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 22 |
Carmen, Act II: "Nein, du liebst mich nicht!" (Carmen, Frasquita, Remendado) |
Bizet: Carmen
|
|
| 23 |
Carmen, Act I: "Lasse das Fragen" (José) |
Bizet: Carmen
|
|
| 24 |
Symphony No. 9 in E Minor Op.95 : III. Molto vivace |
Antonin Dvorak: Symphony No. 9 from the New World & Cello Concerto Op. 104
|
|
| 25 |
Vesperae solennes de confessore, KV 339: Beatus vir |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 26 |
Hoffmanns Erzählungen:Epilogue. Intermezzo |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 27 |
Hoffmanns Erzählungen:Gefahren bannt man ohne Müh |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 28 |
Hoffmanns Erzählungen:Ich bin's Coppelius! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 29 |
Carmen, Act II: "Euren Gruss kann ich wohl erwidern" (Escamillo) |
Bizet: Carmen
|
|
| 30 |
Vier Lieder:Venus mater Op. 11, No. 4 |
Wesendonck Lieder; Overtures
|
|
| 31 |
Carmen, Act III: "Ich sprach, dass ich furchtlos mich fühle" (Micaëla, Escamillo) |
Bizet: Carmen
|
|
| 32 |
Hoffmanns Erzählungen:Du wirst nicht mehr singen? |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 33 |
Four German Dances, K.602:3. In C "Die Leierer" |
Music for Walking: Mozart
|
|
| 34 |
Four German Dances, K.602:3. In C "Die Leierer" |
Classical for Cleaning: Mozart
|
|
| 35 |
"De temporum fine comoedia":"Upote maepote..." |
"De temporum fine comoedia"
|
|
| 36 |
Symphony No. 9 in E Minor Op.95 : I. Adagio - Allegro Molto |
Antonin Dvorak: Symphony No. 9 from the New World & Cello Concerto Op. 104
|
|
| 37 |
Tannhäuser:Overture |
Wesendonck Lieder; Overtures
|
|
| 38 |
"De temporum fine comoedia":"Con sublima spiritualità" |
"De temporum fine comoedia"
|
|
| 39 |
Carmen, Act II: "Du Schöne, ein Wort" (Escamillo) |
Bizet: Carmen
|
|
| 40 |
"De temporum fine comoedia":"Kyrie Kyrie Kyrie" |
"De temporum fine comoedia"
|
|
| 41 |
Six German Dances, K.600:No.1 in C |
In the Key of Mozart
|
|
| 42 |
"De temporum fine comoedia":"Angor timor horror terror" |
"De temporum fine comoedia"
|
|
| 43 |
Coro For Voices And Instruments:23. "Pousse l'herbe et fleurit la fleur" - XXIV. Oh issaIch sehe TautropfenKomm in meine N? |
Berio: Coro
|
|
| 44 |
Piano Concerto in E flat, Op.25:RondoAllegretto |
Piano Concerto in C, Op.14 - Piano Concerto in E flat Op.25
|
|
| 45 |
Carmen, Act I: "Bleibe da" (José, Micaela) |
Bizet: Carmen
|
|
| 46 |
Coro For Voices And Instruments:22. "Je m'en vais où ma pensée s'en va" |
Berio: Coro
|
|
| 47 |
Carmen, Act III: "Mische! Hebe!" (Frasquita, Mercédès) |
Bizet: Carmen
|
|
| 48 |
Cardillac - (1926)Act 2:Mag Sonne leuchten |
Hindemith - Legendary Recordings
|
|
| 49 |
Hoffmanns Erzählungen:Unglücksel'ges Kind |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 50 |
Six German Dances, K.600:No.1 in C |
Mozart Winter Nights
|
|
| 51 |
Cardillac - (1926)Act 1:Vorspiel |
Hindemith - Legendary Recordings
|
|
| 52 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Some Mozart
|
|
| 53 |
Symphony No.39 in E flat, K.543:3. Menuetto (Allegretto) |
Classical Legends: Mozart
|
|
| 54 |
"De temporum fine comoedia":"Unus solus deus ab aeterno" |
Karajan - 1970s, Vol. 2
|
|
| 55 |
"De temporum fine comoedia":"Pasin, pasin homu" |
Karajan - 1970s, Vol. 2
|
|
| 56 |
Symphony No.39 in E flat, K.543:3. Menuetto (Allegretto) |
Mozart Winter Nights
|
|
| 57 |
Vesperae solennes de confessore, KV 339: Laudate Dominum |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 58 |
Six German Dances, K.600:No.1 in C |
Classical Legends: Mozart
|
|
| 59 |
Hoffmanns Erzählungen:Ja geht! Der Kampf mag beginnen! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 60 |
Symphony No. 1 In E Falt major, KV. 16: Presto (Bonus) |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 61 |
Carmen, Act II: "Holla, Carmen!" (Zuniga) |
Bizet: Carmen
|
|
| 62 |
"De temporum fine comoedia":"Heis - Heis - theos estin" |
"De temporum fine comoedia"
|
|
| 63 |
Hoffmanns Erzählungen:Nicht mehr singen! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 64 |
Cello Concerto in B Minor Op.104 : I. Allegro |
Antonin Dvorak: Symphony No. 9 from the New World & Cello Concerto Op. 104
|
|
| 65 |
Carmen, Act I: "Was ist dort geschehen?" (Zuniga, Chorus, Jose) |
Bizet: Carmen
|
|
| 66 |
Cardillac - (1926)Act 2:Mag Mondlicht leuchten |
Hindemith - Legendary Recordings
|
|
| 67 |
Piano Concerto in C, Op.14:Allegro maestoso |
Piano Concerto in C, Op.14 - Piano Concerto in E flat Op.25
|
|
| 68 |
"De temporum fine comoedia":"Nicht Satanas der Widersacher" |
"De temporum fine comoedia"
|
|
| 69 |
Coro For Voices And Instruments:30. "El diá palido se asoma" |
Berio: Coro
|
|
| 70 |
"De temporum fine comoedia":"Mundus terrenus" |
"De temporum fine comoedia"
|
|
| 71 |
Hoffmanns Erzählungen:Habe Brillen |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 72 |
Wesendonck-lieder:Schmerzen |
Wesendonck Lieder; Overtures
|
|
| 73 |
"De temporum fine comoedia":"Omne genus daemoniorum" |
"De temporum fine comoedia"
|
|
| 74 |
Hoffmanns Erzählungen:Ach, mein Kind! Meine Tochter! Antonia! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 75 |
Carmen, Act IV: "Ha, sie nacht! Es ist die Quadrille!" (Chorus, Zuniga, Mercedes) |
Bizet: Carmen
|
|
| 76 |
Six German Dances, K.600:No.1 in C |
Some Mozart
|
|
| 77 |
Carmen, Act I: "Hier der Befehl" (Zuniga) |
Bizet: Carmen
|
|
| 78 |
Coro For Voices And Instruments:2. "Venid a ver" |
Berio: Coro
|
|
| 79 |
Four German Dances, K.602:3. In C "Die Leierer" |
Mozart: A Musical Genius
|
|
| 80 |
"De temporum fine comoedia":"Pasin pasin homu" |
"De temporum fine comoedia"
|
|
| 81 |
Four German Dances, K.602:3. In C "Die Leierer" |
Mozart Winter Nights
|
|
| 82 |
Hoffmanns Erzählungen:Bei Gott, dacht ich es doch; |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 83 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Morning Motivation with Mozart
|
|
| 84 |
Six German Dances, K.600:No.1 in C |
Morning Motivation with Mozart
|
|
| 85 |
Hoffmanns Erzählungen:Tag und Nacht vierteil' ich mich |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 86 |
Carmen, Act III: "Ich bin Escamillo" (Escamillo, Jose) |
Bizet: Carmen
|
|
| 87 |
Tristan (1973) Preludes For Piano, Tapes And Orchestra:1. Prologue |
Hans Werner Henze Great Recordings
|
|
| 88 |
Coro For Voices And Instruments:15. "Komm in meine N?he" - XVI. "Today is mine" |
Berio: Coro
|
|
| 89 |
Symphony No.39 In E Flat, K.543:3. Menuetto (Allegretto) |
In the Key of Mozart
|
|
| 90 |
Carmen, Act III: "Lasst seh'n, was für mich übrigblieb" (Carmen) |
Bizet: Carmen
|
|
| 91 |
Carmen, Act III: "Hier ruht ihr ein Stündchen aus" (Dancaire) |
Bizet: Carmen
|
|
| 92 |
"De temporum fine comoedia":"Opse theu g'aleusi myloi" |
Karajan - 1970s, Vol. 2
|
|
| 93 |
Symphony No. 9 in E Minor Op.95 : II. Largo |
Antonin Dvorak: Symphony No. 9 from the New World & Cello Concerto Op. 104
|
|
| 94 |
Piano Concerto in E flat, Op.25:Andante espressivo |
Piano Concerto in C, Op.14 - Piano Concerto in E flat Op.25
|
|
| 95 |
Wesendonck-lieder:Träume |
Wesendonck Lieder; Overtures
|
|
| 96 |
"De temporum fine comoedia":"Omne genus daemoniorum" |
Karajan - 1970s, Vol. 2
|
|
| 97 |
Coro For Voices And Instruments:3. "Your Eyes Are Red" - IV. "Venid a ver" - V. "Your Eyes Are Red&qu |
Berio: Coro
|
|
| 98 |
Tristan (1973) Preludes For Piano, Tapes And Orchestra:5. Adagio - Burla I (Valse) - Burla II (alla turca) - Ricercare I - Burla III (Marcia) - Ricerc |
Hans Werner Henze Great Recordings
|
|
| 99 |
Cardillac - (1926)Act 1:"Über euch allen, die Ordnung.." "Zur Tagesarbeit!" |
Hindemith - Legendary Recordings
|
|
| 100 |
Six German Dances, K.600:No.1 in C |
Classical for Cleaning: Mozart
|
|
| 101 |
Vesperae solennes de confessore, KV 339: Confitebor |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 102 |
Hoffmanns Erzählungen:Olympia, ja sie schläft! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 103 |
Hoffmanns Erzählungen:Leuchte, heller Spiegel mir |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 104 |
Six German Dances, K.600:No.1 in C |
Mozart: A Musical Genius
|
|
| 105 |
Die Meistersinger von Nürnberg:Prelude |
Wesendonck Lieder; Overtures
|
|
| 106 |
Coro For Voices And Instruments:9. "I Have Made A Song" - X. "Venid a ver la sangre por las calles" - XI. &quo |
Berio: Coro
|
|
| 107 |
"De temporum fine comoedia":"Kyrie, Kyrie, Kyrie" |
Karajan - 1970s, Vol. 2
|
|
| 108 |
"De temporum fine comoedia":"Pater peccavi" |
"De temporum fine comoedia"
|
|
| 109 |
"De temporum fine comoedia":"Heis - Heis - theos estin" |
Karajan - 1970s, Vol. 2
|
|
| 110 |
Four German Dances, K.602:3. In C "Die Leierer" |
In the Key of Mozart
|
|
| 111 |
"De temporum fine comoedia":"Nicht Satanas, der Widersacher" |
Karajan - 1970s, Vol. 2
|
|
| 112 |
Coro For Voices And Instruments:12. "Venid a ver la sangre" - XIII. "Wake Up Woman Rise Up Woman" - XIV. " |
Berio: Coro
|
|
| 113 |
Four German Dances, K.602:3. In C "Die Leierer" |
Great Composers: Mozart
|
|
| 114 |
"De temporum fine comoedia":"Pater peccavi" |
Karajan - 1970s, Vol. 2
|
|
| 115 |
Piano Concerto in C, Op.14:Adagio |
Piano Concerto in C, Op.14 - Piano Concerto in E flat Op.25
|
|
| 116 |
"De temporum fine comoedia":"Wi irren wir hin, verloren, verlassen" |
Karajan - 1970s, Vol. 2
|
|
| 117 |
Six German Dances, K.600:No.1 in C |
Great Composers: Mozart
|
|
| 118 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Classical for Cleaning: Mozart
|
|
| 119 |
Vesperae solennes de confessore, KV 339: Laudate pueri |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 120 |
Symphony No. 1 In E Falt major, KV. 16: Allegro (Bonus) |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 121 |
Coro For Voices And Instruments:6. "Venid a ver la sangre por las calles" - VII "Wake up woman rise up woman" |
Berio: Coro
|
|
| 122 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Mozart Winter Nights
|
|
| 123 |
Coro For Voices And Instruments:1. "Today Is Mine"-Wake Up Woman Rise Up Woman |
Berio: Coro
|
|
| 124 |
Symphony No.39 In E Flat, K.543:3. Menuetto (Allegretto) |
Mozart: A Musical Genius
|
|
| 125 |
Six German Dances, K.600:No.1 in C |
Mozart Study Music
|
|
| 126 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
In the Key of Mozart
|
|
| 127 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Mozart Study Music
|
|
| 128 |
Vesperae solennes de confessore, KV 339: Dixit Dominus |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 129 |
"De temporum fine comoedia":"Vae, vae ibunt, ibunt" |
Karajan - 1970s, Vol. 2
|
|
| 130 |
Coro For Voices And Instruments:21. "Mirad mi casa muerta" |
Berio: Coro
|
|
| 131 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Mozart: A Musical Landscape
|
|
| 132 |
Four German Dances, K.602:3. In C "Die Leierer" |
Mozart Moods
|
|
| 133 |
Vesperae solennes de confessore, KV 339: Magnificat |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 134 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Classical Legends: Mozart
|
|
| 135 |
Coro For Voices And Instruments:25. "Oh isselo in altoKomm in meine N?he" - "XXVI. "Come Ascend The Ladder&quo |
Berio: Coro
|
|
| 136 |
Piano Concerto in E flat, Op.25:Allegro con brio |
Piano Concerto in C, Op.14 - Piano Concerto in E flat Op.25
|
|
| 137 |
Coro For Voices And Instruments:8. "Venid a ver la sangre por las calles" |
Berio: Coro
|
|
| 138 |
"De temporum fine comoedia":"Vae, vae, portae inferi" |
Karajan - 1970s, Vol. 2
|
|
| 139 |
"De temporum fine comoedia":"Cho - neuso gar hapanta kai" |
Karajan - 1970s, Vol. 2
|
|
| 140 |
Symphony No. 1 In E Falt major, KV. 16: Andante (Bonus) |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 141 |
Tristan (1973) Preludes For Piano, Tapes And Orchestra:2. Lament |
Hans Werner Henze Great Recordings
|
|
| 142 |
Cardillac - (1926)Act 2:"Der Wagen wartet."- "Gib für andre Küsse das Ver- sprechen mir zurück" |
Hindemith - Legendary Recordings
|
|
| 143 |
Tristan (1973) Preludes For Piano, Tapes And Orchestra:3. Preludes and Variations |
Hans Werner Henze Great Recordings
|
|
| 144 |
Six German Dances, K.600:No.1 in C |
Music for Walking: Mozart
|
|
| 145 |
Symphony No.39 in E flat, K.543:3. Menuetto (Allegretto) |
Classical for Cleaning: Mozart
|
|
| 146 |
Tristan (1973) Preludes For Piano, Tapes And Orchestra:6. Epilogue |
Hans Werner Henze Great Recordings
|
|
| 147 |
"De temporum fine comoedia":"Wann endet die Zeit?" |
Karajan - 1970s, Vol. 2
|
|
| 148 |
"De temporum fine comoedia":"Mundus, terrenus" |
Karajan - 1970s, Vol. 2
|
|
| 149 |
"De temporum fine comoedia":"Upote, maepote..." |
Karajan - 1970s, Vol. 2
|
|
| 150 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Great Composers: Mozart
|
|
| 151 |
"De temporum fine comoedia":"Angor, timor, horror, terror" |
Karajan - 1970s, Vol. 2
|
|
| 152 |
Four German Dances, K.602:3. In C "Die Leierer" |
Mozart Study Music
|
|
| 153 |
Concerto for Piano and Orchestra No. 17 In G Major, KV. 453: Andante |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 154 |
Concerto for Piano and Orchestra No. 17 In G Major, KV. 453: Allegretto |
Wolfgang Amadeus Mozart : Vesperae solennes de confessore, Piano concerto No. 17 (Köln 1953-1956)
|
|
| 155 |
Four German Dances, K.602:3. In C "Die Leierer" |
Classical Legends: Mozart
|
|
| 156 |
Six German Dances, K.600:No.5 in G (Trio: Der Kanarienvogel) |
Mozart: A Musical Genius
|
|
| 157 |
Cardillac - (1926)Act 3:Stimme des Alten drang mir ins Blut |
Hindemith - Legendary Recordings
|
|
| 158 |
Cardillac - (1926)Act 2:"Dies ist das Rechte!" - "Warum streichelt ihr Gold," |
Hindemith - Legendary Recordings
|
|
| 159 |
Cardillac - (1926)Act 1:Pantomime (Duet For 2 Flutes) |
Hindemith - Legendary Recordings
|
|
| 160 |
Coro For Voices And Instruments:17. "Pousse l'herbe e fleurit la fleur" - XVIII. "Go My Strong CharmVenid a ver&am |
Berio: Coro
|
|
| 161 |
Symphony No.39 in E flat, K.543:3. Menuetto (Allegretto) |
Mozart Moods
|
|
| 162 |
Six German Dances, K.600:No.1 in C |
Mozart Moods
|
|
| 163 |
Cardillac - (1926)Act 2:"Ich begehre das Schönste" - "Schon hüllt der Abend.." |
Hindemith - Legendary Recordings
|
|
| 164 |
Cardillac - (1926)Act 3:"Meine Lippen auf die Wunde" - "Fluche ihm nicht!" |
Hindemith - Legendary Recordings
|
|
| 165 |
Cardillac - (1926)Act 1:Waagschalen dieser Welt! |
Hindemith - Legendary Recordings
|
|
| 166 |
Cardillac - (1926)Act 3:"Vermöchte jener Winz'ge das Gewaltige zu fassen?" - Nichts Gewaltiges war, nur feiger Mord |
Hindemith - Legendary Recordings
|
|
| 167 |
Cardillac - (1926)Act 3:Trinker, kommt zum Rausch des Bluts! |
Hindemith - Legendary Recordings
|
|
| 168 |
Cardillac - (1926)Act 2:Was ich erschuf, ist würdig eines Königs |
Hindemith - Legendary Recordings
|
|
| 169 |
Cardillac - (1926)Act 2:"Säure ist mein Genosse" - "Unter allen seid ihr..." |
Hindemith - Legendary Recordings
|
|
| 170 |
Cardillac - (1926)Act 1:Mörder! Mörder! Verborgen! Wo? |
Hindemith - Legendary Recordings
|
|
| 171 |
Cardillac - (1926)Act 1:"Wer ging vorbei?""Nicht ganz Hephästus war's" |
Hindemith - Legendary Recordings
|
|
| 172 |
Cardillac - (1926)Act 2:Mein Geliebter kommt |
Hindemith - Legendary Recordings
|
|
| 173 |
Cardillac - (1926)Act 1:Die Zeit vergeht, Rose zerfiel |
Hindemith - Legendary Recordings
|
|
| 174 |
Cardillac - (1926)Act 3:"Verjagt sei aller Schrecken" - "Hängend am Abgrund!" |
Hindemith - Legendary Recordings
|
|
| 175 |
Carmen, Act III: "Hier in der Felsenschlucht" (Micaëla) |
Bizet: Carmen
|
|
| 176 |
Carmen, Act I: "Scnell herbeigestürmt, wie's Wetter" (Chorus, Micaela, Morales) |
Bizet: Carmen
|
|
| 177 |
Vier Lieder:Immer leider wird mein Schlummer Op. 2, No. 6 |
Wesendonck Lieder; Overtures
|
|
| 178 |
Carmen, Act IV: "Nur zwei Quartos!" (Chorus) |
Bizet: Carmen
|
|
| 179 |
Carmen, Act I: "Eilen wir herbei" (Chorus, Morales) |
Bizet: Carmen
|
|
| 180 |
Carmen, Act III: "Doch täusch' ich mich nicht" (Micaëla, Escamillo, Jose) |
Bizet: Carmen
|
|
| 181 |
Vier Lieder:Sonst Op. 15, No. 4 |
Wesendonck Lieder; Overtures
|
|
| 182 |
Wesendonck-lieder:Der Engel |
Wesendonck Lieder; Overtures
|
|
| 183 |
"De temporum fine comoedia":"Wi irren wir hin verloren verlassen" |
"De temporum fine comoedia"
|
|
| 184 |
Hoffmanns Erzählungen:Schlemihl! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 185 |
Cello Concerto in B Minor Op.104 : III. Allegro moderato |
Antonin Dvorak: Symphony No. 9 from the New World & Cello Concerto Op. 104
|
|
| 186 |
"De temporum fine comoedia":"Opse theu g'aleusi myloi" |
"De temporum fine comoedia"
|
|
| 187 |
Carmen, Act II: "Sag, wen erwartest du?" (Dancaire, Remendado) |
Bizet: Carmen
|
|
| 188 |
Carmen, Act IV: "Liebst du mich treu und innig" (Escamillo) |
Bizet: Carmen
|
|
| 189 |
Carmen, Act II: "Ein Hoch, ein Hoch dem Torrero!" (Chorus) |
Bizet: Carmen
|
|
| 190 |
Carmen, Act I: "Ha, sie kommt!" (Chorus, Morales, Jose) |
Bizet: Carmen
|
|
| 191 |
Carmen, Act III: "Ach, die Zöllner sind das hier" (Frasquita, Mercédès, Carmen) |
Bizet: Carmen
|
|
| 192 |
"De temporum fine comoedia":"Vae vae ibunt ibunt" |
"De temporum fine comoedia"
|
|
| 193 |
"De temporum fine comoedia":"Wann endet die Zeit?" |
"De temporum fine comoedia"
|
|
| 194 |
Hoffmanns Erzählungen:Sprichst du auch wahr? |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 195 |
Carmen, Act II: "Hier an dem Herzen treu geborgen" (José, Carmen) |
Bizet: Carmen
|
|
| 196 |
Hoffmanns Erzählungen:Ha, wie in meiner Seel entbrennet süße Wonne |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 197 |
"De temporum fine comoedia":"Vae vae portae inferi" |
"De temporum fine comoedia"
|
|
| 198 |
Carmen, Act IV: "Entracte" |
Bizet: Carmen
|
|
| 199 |
Hoffmanns Erzählungen:He! Du da! Auf ein Wort, mein Sohn! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 200 |
Carmen, Act III: "Nur mutig die Schlucht hinab" (Chorus) |
Bizet: Carmen
|
|
| 201 |
Carmen, Act I: "Draussen am Wall von Sevilla" (Carmen, Jose) |
Bizet: Carmen
|
|
| 202 |
Carmen, Act IV: "Du bist's?" (Carmen, Mercedes, Frasquita) |
Bizet: Carmen
|
|
| 203 |
Carmen, Act III: "Ich hole dich heim" (Micaëla, Dancaire) |
Bizet: Carmen
|
|
| 204 |
Hoffmanns Erzählungen:Teurer Engel! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 205 |
Hoffmanns Erzählungen, 1. Act Overture |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 206 |
Carmen, Act I: "Ja, du kommst von der Mutter!" (José, Carmen) |
Bizet: Carmen
|
|
| 207 |
Cello Concerto in B Minor Op.104 : II. Adagio ma non troppo |
Antonin Dvorak: Symphony No. 9 from the New World & Cello Concerto Op. 104
|
|
| 208 |
Vier Lieder:Verrat Op. 2, No. 7 |
Wesendonck Lieder; Overtures
|
|
| 209 |
Carmen, Act I: "Diese Menge, im Gedränge" (Chorus) |
Bizet: Carmen
|
|
| 210 |
Hoffmanns Erzählungen:Hörst du es tönen mit süßer Melodie |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 211 |
Wesendonck-lieder:Im Treibhaus |
Wesendonck Lieder; Overtures
|
|
| 212 |
Carmen, Act I: "Ja, die Liebe hat bunte Flüge!" (Carmen) |
Bizet: Carmen
|
|
| 213 |
Hoffmanns Erzählungen:Ach, endlich sind sie fort! |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 214 |
Hoffmanns Erzählungen:Du wagst es die Mutter anzurufen? |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 215 |
Hoffmanns Erzählungen:Was hast du? |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 216 |
Hoffmanns Erzählungen:Wohlan, nur Mut und Vertrauen |
Hoffmanns Erzählungen (Hoffmanns Tales) Sung in German
|
|
| 217 |
Carmen, Act II: "Ins Quartier? Zum Appell?" (Carmen, Fransquita) |
Bizet: Carmen
|
|
| 218 |
Carmen, Act I: "Carmen, sieh wir alle folgen dir!" (Chorus) |
Bizet: Carmen
|
|
| 219 |
Carmen, Act I: "Tralalalala" (Carmen, Zuniga) |
Bizet: Carmen
|
|
| 220 |
Carmen, Act II: "Ich hab' ein Geschäft vorzuschlagen" (Dancaire, Frasquita) |
Bizet: Carmen
|
|
| 221 |
Carmen, Act III: "Halt' ein! Halt' ein, josé" (Carmen, Escamillo) |
Bizet: Carmen
|
|
| 222 |
Carmen, Act I: "Prelude" |
Bizet: Carmen
|
|
| 223 |
Symphony No. 9 in E Minor Op.95 : IV. Allegro con fuoco |
Antonin Dvorak: Symphony No. 9 from the New World & Cello Concerto Op. 104
|
|
| 224 |
Carmen, Act III: "Entracte" |
Bizet: Carmen
|
|
| 225 |
Carmen, Act II: "Was ist Zigeuners höchste Lust" (Carmen, Jose) |
Bizet: Carmen
|
|
| 226 |
"De temporum fine comoedia":"Unus solus deus ab aeterno" |
"De temporum fine comoedia"
|
|