The Importance of Being Earnest:Act II: I had no idea (Gwendolen, Cecily, Jack, Algernon) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
The Importance of Being Earnest, Act II: Orchestral Interlude (Live) |
Barbara Hannigan
|
Gerald Barry: The Importance of Being Earnest (Live) |
Scene 4 |
Barbara Hannigan
|
Writing to Vermeer |
Der Engel der Geschichte: III Teil, Hoffnung |
EXPERIMENTALSTUDIO des SWR, Freiburg
|
Der Engel der Geschichte |
The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Les Otages: For Orchstra |
EXPERIMENTALSTUDIO des SWR, Freiburg
|
Der Engel der Geschichte |
The Importance of Being Earnest, Act II: You Must Not Laugh at Me (Live) |
Barbara Hannigan
|
Gerald Barry: The Importance of Being Earnest (Live) |
Trois Autres Mélodies: Les fleurs |
Barbara Hannigan
|
Erik Satie: Socrate |
Io, frammento da Prometeo (1981): Chorus, Bass Flute, Contrabass Clarinet |
EXPERIMENTALSTUDIO des SWR, Freiburg
|
Das atmende Klarsein |
Das atmende Klarsein (19801983): Chorus ('hier sein') |
EXPERIMENTALSTUDIO des SWR, Freiburg
|
Das atmende Klarsein |
Hymne |
Barbara Hannigan
|
Erik Satie: Socrate |
Trois Mélodies: Sylvie |
Barbara Hannigan
|
Erik Satie: Socrate |
DifferenzWiederholung 7 |
EXPERIMENTALSTUDIO des SWR, Freiburg
|
Donaueschinger Musiktage 2002 |
Hum |
EXPERIMENTALSTUDIO des SWR, Freiburg
|
Donaueschinger Musiktage 2002 |
The Importance of Being Earnest:Act II: Cecily, ever since I looked (Algernon, Cecily, Merriman) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Socrate: Portrait de Socrate |
Barbara Hannigan
|
Erik Satie: Socrate |
Scene 5 |
Barbara Hannigan
|
Writing to Vermeer |
Scene 3 |
Barbara Hannigan
|
Writing to Vermeer |
The Importance of Being Earnest:Act II: You are my little cousin Cecily (Algernon, Cecily) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
The Importance of Being Earnest:Act II: I wish Uncle Jack would allow (Cecily) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Let Me Tell You, Pt. III: I Know You Are There |
Barbara Hannigan
|
H. Abrahamsen: Let Me Tell You |
Scene 1 |
Barbara Hannigan
|
Writing to Vermeer |
Der Engel der Geschichte: I. Teil, Zerfall |
EXPERIMENTALSTUDIO des SWR, Freiburg
|
Der Engel der Geschichte |
Konzert für Klavier, Orchester und Electronics |
EXPERIMENTALSTUDIO des SWR, Freiburg
|
Donaueschinger Musiktage 2001 |
Correspondances - For Soprano And Orchestra:1. Gong (I) |
Barbara Hannigan
|
Esa-Pekka Salonen Great Recordings |
The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian (Live) |
Barbara Hannigan
|
Gerald Barry: The Importance of Being Earnest (Live) |
Let Me Tell You, Pt. II: Now I Do Not Mind |
Barbara Hannigan
|
H. Abrahamsen: Let Me Tell You |
The Importance of Being Earnest:Act II: Freude, schöner Gotterfunken (Miss Prism, Cecily, Merriman) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Barbara Hannigan
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Correspondances - For Soprano And Orchestra:2. Danse cosmique |
Barbara Hannigan
|
Esa-Pekka Salonen Great Recordings |