| What Next? |
Hilary Summers
|
Elliott Carter: What next - ASKO Concerto |
| Le Marteau sans Ma?tre:Commentaire I de "Bourreaux de solitude" |
Hilary Summers
|
Le Marteau sans Maître |
| Le Marteau sans Ma?tre:Commentaire III de "Bourreaux de solitude" |
Hilary Summers
|
Le Marteau sans Maître |
| The Importance of Being Earnest:Act I: Did you hear what I was playing? (Algernon, Lane, Jack, Choir) |
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| So Long & Thanks For All The Fish (Soundtrack) |
Hilary Summers
|
The Hitchhiker's Guide To The Galaxy |
| Le Marteau sans Ma?tre:Après "L'Artisanat furieux" |
Hilary Summers
|
Le Marteau sans Maître |
| Le Marteau sans Ma?tre:"Bel édifice et les pressentiments" double |
Hilary Summers
|
Le Marteau sans Maître |
| Le Marteau sans Ma?tre:"L'Artisanat furieux" |
Hilary Summers
|
Le Marteau sans Maître |
| The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: Explosion! (All, Jack, Gwendolen, Chasuble, Miss Prism, Algernon, Cecily) |
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act II: Garden at the Manor House: Cecily, Cecily! (Miss Prism, Cecily) |
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Le Marteau sans Ma?tre:"Bel édifice et les pressentiments" version première |
Hilary Summers
|
Le Marteau sans Maître |
| Dérive 1 |
Hilary Summers
|
Le Marteau sans Maître |
| Le Marteau sans Ma?tre:"Bourreaux de solitude" |
Hilary Summers
|
Le Marteau sans Maître |
| The Importance of Being Earnest:Act II: Freude, schöner Gotterfunken (Miss Prism, Cecily, Merriman) |
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Dérive 2 |
Hilary Summers
|
Le Marteau sans Maître |
| Le Marteau sans Ma?tre:Avant "l'Artisanat furieux" |
Hilary Summers
|
Le Marteau sans Maître |
| The Importance of Being Earnest:Act III: Lady Bracknell (Miss Prism) |
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
Hilary Summers
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Israel in Ägypten, Act 2: So dachte der Feind |
Hilary Summers
|
Handel-Mendelssohn: Israel in Ägypten |
| Le Marteau sans Ma?tre:Commentaire II de "Bourreaux de solitude" |
Hilary Summers
|
Le Marteau sans Maître |
Le Marteau sans Ma?tre:Avant "l'Artisanat furieux"