Maria di Venosa:Part I Scene 7: Ballroom in the Palace of the Viceroy of Naples - Ball |
Francesco d'Avalos
|
D'AVALOS: Maria di Venosa |
Variations Sonata for Violin & Piano in D Major, WoO 22: II. Var. III. Rasch und leicht |
Othmar Schoeck
Ursula Bagdasarjanz
|
Schoeck: Variations Sonata, Op. 22 - Violin Sonata, Op. 16 - Violin Sonata, Op. 46 |
Variations Sonata for Violin & Piano in D Major, WoO 22: II. Var. IV. Breiter, aber fliessend |
Othmar Schoeck
Ursula Bagdasarjanz
|
Schoeck: Variations Sonata, Op. 22 - Violin Sonata, Op. 16 - Violin Sonata, Op. 46 |
Notturno, Op. 47: II. Presto |
Othmar Schoeck
|
Schoeck: Notturno, Op. 47 – Barber: Dover Beach, Op. 3 & Durey: Chansons Basques, Op. 23 |
Maria di Venosa:Part II Scene 8: A balcony of the Palace of the Viceroy during the ball, and the beach beneath it - |
Francesco d'Avalos
|
D'AVALOS: Maria di Venosa |
Trommelschläge, Op. 26 |
Othmar Schoeck
|
Othmar Schoeck: Chorwerke |
Maria di Venosa:Part II Scene 7: Ballroomn in the Palace of the Viceroy - Continuation of the last scene of Part I - |
Francesco d'Avalos
|
D'AVALOS: Maria di Venosa |
Maria di Venosa:Part II Scene 14: Castle at Gesualdo - Room of Carlo Gesualdo - Night - Sequel to the first scene - Death of Carlo Gesualdo |
Francesco d'Avalos
|
D'AVALOS: Maria di Venosa |
Maria di Venosa:Part II Scene 12: A forest - Hunt - |
Francesco d'Avalos
|
D'AVALOS: Maria di Venosa |
Maria di Venosa:Part II Scene 10: A tavern - |
Francesco d'Avalos
|
D'AVALOS: Maria di Venosa |
Violin Concerto "Quasi Una Fantasia" for Violin & Orchestra in B-Flat Major, Op. 21: III. Allegro con spirito |
Othmar Schoeck
Francesco d'Avalos
Radiorchestra Lugano
|
Schoeck: Violin Concerto, Op. 21 - Glasunov: Violin Concerto, Op. 82 |
Variations Sonata for Violin & Piano in D Major, WoO 22: III. Schnelle Viertel |
Othmar Schoeck
Ursula Bagdasarjanz
|
Schoeck: Variations Sonata, Op. 22 - Violin Sonata, Op. 16 - Violin Sonata, Op. 46 |
Die Drei,Op. No. 39 |
Othmar Schoeck
|
Othmar Schoeck: Chorwerke |
Notturno, Op. 47: V. Rasch und kräftig |
Othmar Schoeck
|
Schoeck: Notturno, Op. 47 – Barber: Dover Beach, Op. 3 & Durey: Chansons Basques, Op. 23 |
Festlicher Hymnus Op. 64 |
Othmar Schoeck
|
Schoeck: Festlicher Hymnus Op. 64, Overture to William Ratcliff - Widmer: Concerto for piano, percussion and orchestra - Brunner: Partita for piano an |
Wegelied, Op. 24 |
Othmar Schoeck
|
Othmar Schoeck: Chorwerke |
Gestutzte Eiche, Op. 67b |
Othmar Schoeck
|
Othmar Schoeck: Chorwerke |
Notturno, Op. 47: I. Ruhig |
Othmar Schoeck
|
Schoeck: Notturno, Op. 47 – Barber: Dover Beach, Op. 3 & Durey: Chansons Basques, Op. 23 |
Violin Concerto "Quasi Una Fantasia" for Violin & Orchestra in B-Flat Major, Op. 21: I. Allegretto |
Othmar Schoeck
Francesco d'Avalos
Radiorchestra Lugano
Ursula Bagdasarjanz
|
Schoeck: Violin Concerto, Op. 21 - Glasunov: Violin Concerto, Op. 82 |
Einkehr, Op. 69 No. 2 |
Othmar Schoeck
|
Othmar Schoeck: Chorwerke |
Sommernacht Op.58 for String Orchestra (Pastorales Intermezzo für Streichorchester) |
Othmar Schoeck
|
Shostakovich, Kokkonen, Martin, Schoeck: Meister des XX. Jahrhunderts |
Maria di Venosa:Part I Scene 5: Music room in the Castle at Venosa - |
Francesco d'Avalos
|
D'AVALOS: Maria di Venosa |