| Z809: I. AdagioCanzona |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
| Chanson d’Ophélie: de Shakespeare, Op. 28: No. 3, Chanson d’Ophélie |
Carolyn Sampson
|
Reason in Madness |
| Z810: I. [Allegro] Largo |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
| Overture to Jephtha: Menuet |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
| Z804: I. Grave - Largo |
The King's Consort
|
PurcellTen Sonatas in Four Parts |
| Who calls my parting soul from death (from Esther) |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
| Diminution |
Robert King
|
September |
| Gretchen im Zwinger, D. 564, "Gretchens Bitte" (completed by B. Britten) |
Carolyn Sampson
|
A Soprano's Schubertiade |
| 3 Zweistimmige Lieder, Op. 43: No. 3, Schön Blümelein |
Carolyn Sampson
|
Lost Is My Quiet |
| St. Matthew Passion, BWV 244, Pt. 2:No. 46, Wie wunderbarlich ist doch diese Strafe |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| 6 Zweistimmige Lieder, Op. 63: No. 6, Maiglöckchen und die Blümelein, MWV J 7 |
Carolyn Sampson
|
Lost Is My Quiet |
| St. Matthew Passion, BWV 244, Pt. 2:No. 44, Befiehl du deine Wege |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| Miserere, S. 120 for Soprano, Chorus and Continuo |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Overture to Samson: Menuetto |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
| St. Matthew Passion, BWV 244, Pt. 2:No. 57, Komm, süßes Kreuz, so will ich sagen |
Carolyn Sampson
|
J.S. Bach: St. Matthew Passion, BWV 244 |
| De Profondis, S. 23: "Quia apud te propitiatio" (Trio) |
The King's Consort
|
Delalande: De Profundis & Grands Motets |
| Idiosyncratic |
Robert King
|
September |
| Premiere Lecon de Tenebres: Viae Sion lugent |
The King's Consort
|
Couperin - Trois Leçons de Ténèbres |
| Mein Herze schwimmt im Blut, BWV 199: VII. Recitativo "Ich lege mich in diese Wunden" |
Carolyn Sampson
|
Bach: Cantata, BWV 199 |
| Welcome as the dawn of day (from Solomon) |
Carolyn Sampson
|
Your Tuneful Voice: Handel Oratorio Arias |
| Arise, my Muse : And since the time's distress |
The King's Consort
|
Purcell - Birthday Odes for Queen Mary |
| A Carol of Christmas Morning |
Carolyn Sampson
|
From 5 Continents: Choral Music & Songs |
| Die schone Galathee (The Beautiful Galatea):Scene 7: Galathee kehrt in Pygmalions Atelier zuruck (Narrator, Ganymed, Galathee, Mydas) |
Marianne Beate Kielland
|
SUPPE, F. von: Beautiful Galatea (The) [Operetta] |
| All the Days of Christmas |
Carolyn Sampson
|
From 5 Continents: Choral Music & Songs |
| Prolong |
Robert King
|
September |
| Dido and Aeneas, Z.626, Act III: "When I am laid in Earth" (Dido's Lament) |
The King's Consort
Robert King
|
Henry Purcell: Essential Works |
| Dietro l'orme fugaci, HWV 105 "Armida abbandonata":V. Venti, fermate, si |
The King's Consort
|
Abbandonata: Handel's Italian Cantatas |
| Au pays où se fait la guerre |
Carolyn Sampson
|
Reason in Madness |
| Drei Lieder der Ophelia, Op.67:6 Lieder, Op. 67, TrV 238 (Excerpts): No. 1, Wie erkenn ich mein Treulieb vor andern nun? |
Carolyn Sampson
|
Reason in Madness |
Troisième Leçon de Ténèbres: Omnis populis ejus gemens