| Symphony No.9 In E Flat Op.70:4. Largo (Live At Symphony Hall, Boston2015) |
Boston Symphony Orchestra
|
Shostakovich under Stalin's Shadow - Symphonies Nos. 5, 8 & 9; Suite from "Hamlet" (Live) |
| Daphnis et Chloé M. 57Première partie:Scène - Lent - Moins lent - Très libre |
Boston Symphony Orchestra
|
Ravel: Daphnis et Chloe, Valses nobles et sentimentales |
| Images for Orchestra, L. 122:2. Ibéria: II. Les parfums de la nuit |
Boston Symphony Orchestra
|
Debussy: Images pour orchestre, L. 122 |
| Symphonie sur un Chant Montagnard Français, Op.25:I. Assez lent |
Charles Munch
|
D'Indy: Symphonie sur un Chant Montagnard Français, Op. 25 & Franck: Variations symphoniques & Mozart: Piano Concerto No.21 |
| Concerto in G Minor for Organ, Strings and Timpani |
Charles Munch
|
Un siècle de musique française |
| Violin Concerto in D Major, Op. 35, TH 59:III. Finale. Allegro vivacissimo (Live) |
Charles Munch
|
Zino Francescatti, Vol. 3 (Live) |
| Daphnis et Chloé M. 57Troisième partie - Lever du jour:Scène |
Boston Symphony Orchestra
|
Ravel: Daphnis et Chloe, Valses nobles et sentimentales |
| Pavane pour une infante défunte M. 19 |
Boston Symphony Orchestra
|
Classics On Line - Volume 4 |
| Express Abstractionism:IV. the sun, or: the moon, or: Mondrian |
Boston Symphony Orchestra
|
Orchestral Music - ANDRES, T.NATHAN, E.SHEPHERD, S.TSONTAKIS, G. (Boston Symphony Commissions) (A. Nelsons) |
| Pelléas et Mélisande (Suite), Op. 80:1. Prélude |
Charles Munch
|
Classical Study: Fauré |
| Prokofiev: Romeo And Juliet, Op.64Act 1 - 13. Dance Of The Knights |
Boston Symphony Orchestra
|
Happy Father's Day |
| Symphony No. 4 "Poème de l'extase":Allegro molto - Leggierissimo - Volando - Maestoso |
Boston Symphony Orchestra
|
Milestones of a Legendy Conductor: Pierre Monteux, Vol. 5 |
| Valses nobles et sentimentales, M.61:6. Assez vif |
Boston Symphony Orchestra
|
Valses nobles et sentimentales, M.61 |
| Symphony No. 3 in G Minor, Op. 42, L. 53: IV. Allegro con spirito |
Charles Munch
|
Albert Roussel Edition |
| Pictures at an Exhibition (arr. M. Ravel for orchestra):II. Il vecchio castello |
Boston Symphony Orchestra
|
MUSSORGSKY: Pictures at an ExhibitionRAVEL: Bolero (Koussevitzky) (1930-1947) |
| Symphony No. 3 in C Minor, Op. 78: II. Allegro moderato - Presto - Maestoso - Allegro |
Charles Munch
Boston Symphony Orchestra
|
The Very Best Organ Music |
| Scheherazade, Op. 35:III. The Young Prince and the Young Princess |
Boston Symphony Orchestra
|
Milestones of a Legendary Conductor: Erich Leinsdorf, Vol. 7 |
| Hungarian Folk TunesUngarische Volksweisen |
Charles Munch
|
Milestones of a Violin Legend - Szigeti Joseph, Vol. 9 |
| Bacchus et Ariane (Ballet Suite No. 2):The Immortalizing Kiss |
Charles Munch
|
Un siècle de musique française |
| Roméo et Juliette, Op. 17, "Symphonie Dramatique": IV. Love Scene - Serene Night - The Capulets' Garden - The Young Capulet |
Charles Munch
Boston Symphony Orchestra
|
15 Berlioz Playlist |
| Romeo And Juliet, Op.64Act 1:13. Dance Of The Knights |
Boston Symphony Orchestra
|
Driving: 111 Pieces Of Classical Music For The Road |
| Symphony No.6 in D minor, Op.104:4. Allegro molto |
Boston Symphony Orchestra
|
Symphony No.7 in C, Op.105 |
| Suite in F Major, Op. 33, L. 39: II. Sarabande |
Charles Munch
|
Albert Roussel Edition |
| Symphony No. 5 in C Minor:IV. Allegro |
Boston Symphony Orchestra
|
The Best of Beethoven |
| Serenade in C Major for Strings, Op. 48, TH 48:III. Elegy - Larghetto elegiaco |
Boston Symphony Orchestra
|
Tchaikovsky: Serenade for String Orchestra, Op. 48, TH 48 - Barber: Adagio for Strings, Op. 11 - Elgar: Introduction and Allegro, Op. 47 |
| Violin Concerto in E Minor, Op. 64, MWV O14:IIa. Andante |
Charles Munch
|
Milestones of a Legend: Jascha Heifetz, Vol. 1 |
| Daphnis et Chloè, M. 57: Scene 2: The orgiastic dance of the pirates |
Charles Munch
|
Ravel:Daphnes et Chloé |
| Kindertotenlieder:Oft denk' ich, sie sind nur ausgegangen |
Boston Symphony Orchestra
|
Mahler: Lieder eines fahrenden Gesellen & Kindertotenlieder |
Symphony for Organ No. 5 in F Minor, Op. 42, No. 1: V. Toccata