Maes Howe |
Joel Sachs
|
MÁSSON, Á.: KammersinfóniaEljaYmniMaes Howe (Ólafsdóttir, Bjørn-Larsen, Caput Ensemble, Sachs) |
3 Quarter-Tone Pieces:Allegro |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
3 Quarter-Tone Pieces:Largo |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
Bassoon Variations |
Gordon Gottlieb
|
Charles Wuorinen: The Winds |
An Idyll for The Misbegotten |
Gordon Gottlieb
|
Crumb: Idyll for the MisbegottenVox BalaenaeMadrigals |
Set of 5 Take-offs:Song Without (Good) Words |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
Ymni |
Joel Sachs
|
MÁSSON, Á.: KammersinfóniaEljaYmniMaes Howe (Ólafsdóttir, Bjørn-Larsen, Caput Ensemble, Sachs) |
Set of 5:IV. Presto leggiero |
Gordon Gottlieb
Marilyn Dubow
Continuum
Joel Sachs
|
COWELL: Homage to IranPiano PiecesSet of FiveSix Casual DevelopmentsTwo Songs |
In Re Con Moto et al:In Re Con Moto et al, Op. 20 |
Continuum
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
Remembrance |
Continuum
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
Set of 5 Take-offs:The Seen and Unseen? (Sweet and Tough) |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
Sunrise |
Continuum
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
Aeschylus and Sophocles |
Continuum
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
On the Antipodes |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
Set of 5:III. Andante |
Gordon Gottlieb
|
COWELL: Homage to IranPiano PiecesSet of FiveSix Casual DevelopmentsTwo Songs |
Set of 5:V. Vigoroso |
Gordon Gottlieb
Marilyn Dubow
Continuum
Joel Sachs
|
COWELL: Homage to IranPiano PiecesSet of FiveSix Casual DevelopmentsTwo Songs |
Hallowe'en:Hallowe’en |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHallowe'enSunrise |
Heal (2NUTZ Reblap) |
Continuum
|
We Are the Future, Volume II |