| AidaAct 1:Mortal, diletto ai Numi |
Lorin Maazel
|
Verdi: Aida |
| Le Sacre du Printemps, Part 2: "The Sacrifice": Glorification of the Chosen One |
The London Symphony Orchestra
|
Classical Revision: Stravinsky |
| Rhapsody On A Theme Of Paganini, Op.43:Variation 2 |
The London Symphony Orchestra
|
Landscapes: Rachmaninoff |
| Carmen, WD 31, Act 2: "Tu devrais décider ton dragon à venir avec nous" (Le Dancaïre, Carmen) |
Lorin Maazel
|
Bizet: Carmen |
| Also sprach Zarathustra Op.30:Einleitung |
Lorin Maazel
|
The 101 Most Essential Classical Music Pieces Ever |
| Háry János Suite:Viennese Musical Clock |
The London Symphony Orchestra
|
Decca Sound: The Analogue Years 1954 – 1968 |
| Carmen Suite, WD 31: II. "Les dragons d'Alcala" |
The London Symphony Orchestra
|
Spanish Fiesta |
| Symphony No. 6 in F Major, Pastoral, Op. 68: Peasants' Merrymaking |
The London Symphony Orchestra
|
Beethoven: Symphonies Nos. 4, 5 & 6 |
| L'heure espagnole, Comédie en un acte, M.52 - Poème de Franc-Nohain:Il n'est pour l'horloger (Scenes XX-XXI) |
Lorin Maazel
|
The Art of Lorin Maazel |
| Béatrice et Bénédict H.138Act 1:"Vous soupirez madame?...Nuit paisible et sereine!" |
The London Symphony Orchestra
|
Shakespeare in Music & Words |
| Tapiola, Op. 112 |
The London Symphony Orchestra
|
Jean Sibelius - Essential Works |
| The Cunning Little Vixen (Příhody lišky Bystroušky), JW I9, Act II: Scene V, Memnesthó anér agathos einai |
The London Symphony Orchestra
|
Janáček: The Cunning Little Vixen, Sinfonietta |
| Per amore |
Andrea Bocelli
|
Bocelli |
| L'Enfant et les sortilèges M.71Deuxième partie:Sauve-toi sotte! Et la cage? La cage? |
Lorin Maazel
|
Ravel: L'enfant et les sortilèges; L'heure espagnole |
| CandideAct I:Candide Begins His Travels - It Must Be Me (Candide's Second Meditation) |
The London Symphony Orchestra
|
Theatre Works on Deutsche Grammophon |
| Symphony No. 92 in G Major, Hob. I:92 - "Oxford Symphony": III. Menuetto: Allegretto |
The London Symphony Orchestra
|
Haydn: Symphonies Nos. 92, 93, &97 - 99 |
| Symphony No.8 In B Minor, D.759 - "Unfinished":2. Andante con moto |
Lorin Maazel
|
The Art of Lorin Maazel |
| Hallelujah |
Andrea Bocelli
|
Songs for Mother's Day |
| L'heure espagnole, Comédie en un acte, M.52:Il n'est pour l'horloger (Scenes XX-XXI) |
The London Symphony Orchestra
|
Ravel Autumn Study Vibes |
| Children's Corner Suite: II. Jimbo's Lullaby |
The London Symphony Orchestra
|
Classics for Children |
| Summer |
The London Symphony Orchestra
|
Melodyphony~Best of Joe Hisaishi~ |
| 12 Contredanses, WoO 14:10. Contredanse - Trio in C Major |
Lorin Maazel
|
Winter Classical: Beethoven |
| You'll Never Walk Alone |
Andrea Bocelli
|
Songs Of Hope And Comfort |
| Snowball, Op. 471 |
The London Symphony Orchestra
|
A Viennese New Year Concert |
| Havanaise For Violin And Orchestra, Op. 83 |
The London Symphony Orchestra
|
Classics for Autumn: Saint-Saëns |
| Valses nobles et sentimentales, M.61:8. Epilogue (Lent) |
The London Symphony Orchestra
|
Ravel: The Complete Edition |
| Le Sacre du Printemps, Part 1: "The Adoration Of The Earth": Ritual of the Rival Tribes |
The London Symphony Orchestra
|
Classical Revision: Stravinsky |
| Herminie, H. 29: "Que Clorinde est heureuse ! " |
The London Symphony Orchestra
|
Berlioz: The Complete Works |
| Marinarello |
Andrea Bocelli
|
Greatest Hits |
| On The Town:No. 10 "Carnegie Hall Pavane" (Live From Barbican Centre, London 1992) |
The London Symphony Orchestra
|
The Leonard Bernstein Collection - Volume 1 - Part 2 |
La Serenata