| Silent Woods for Cello and Orchestra in D-Flat Major, Op. 68 No. 5 |
Lorin Maazel
|
Yo-Yo Ma plays Concertos, Sonatas and Suites |
| Harold en Italie Op.16:4. Orgie de brigands (Allegro frenetico - Adagio - Allegro Tempo I) |
Lorin Maazel
|
The Berlioz Experience |
| 8 Slavonic Dances, Op. 46, B. 83: II. Dumka in E minor (Allegretto scherzando - Allegro vivo) |
Lorin Maazel
|
Dvorak: Slavonic Dances Opp. 46 & 72 |
| 12 Contredanses, WoO 14:10. Contredanse - Trio in C Major |
Lorin Maazel
|
Winter Classical: Beethoven |
| ToscaAct 1:"E sempre lava!...Angelus Domini nuntiavit Mariae...Che fai?" |
Lorin Maazel
|
Puccini: Tosca |
| Symphony No.6 In F Op.68 - Pastoral:4. Gewitter Sturm (Allegro) |
Lorin Maazel
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El amor brujo |
| Falstaff:Act II: C'e a Windsor una dama (Ford, Falstaff) |
Lorin Maazel
|
VERDI, G.: Falstaff [Opera] (Berry, Zancanaro, Araiza, Zednik, Gahmlich, Mazzola, Lorengar, Vienna State Opera Chorus and Orchestra, Maazel) |
| I Capuleti e i Montecchi: Act Two: Ah!... Qual sospiro! |
Lorin Maazel
|
Bellini: I Capuleti e i Montecchi |
| Carmen, WD 31, Act 2: "Tu devrais décider ton dragon à venir avec nous" (Le Dancaïre, Carmen) |
Lorin Maazel
|
Bizet: Carmen |
| 12 Contredanses WoO 14:No. 4 |
Lorin Maazel
|
El amor brujo |
| Symphony No.8 In B Minor, D.759 - "Unfinished":2. Andante con moto |
Lorin Maazel
|
The Art of Lorin Maazel |
| Beethoven - Fidelio - Abscheulicher Wo eilst du hin |
Lorin Maazel
|
Maazel: Beethoven - Fidelio |
| L'Enfant et les sortilèges M.71Deuxième partie:Sauve-toi sotte! Et la cage? La cage? |
Lorin Maazel
|
Ravel: L'enfant et les sortilèges; L'heure espagnole |
| Symphony No. 3 in D Minor (Highlights):If. Im alten Marschtempo (Allegro moderato) |
Lorin Maazel
|
Mahler: Symphony No. 3 in D Minor & Kindertotenlieder |
| Act I: Carmen, sur tes pas nous nous pressons tous; Dialogue |
Lorin Maazel
|
Classical 111 |
| L'Enfant et les sortilèges, M.71Première partie:Bébé a été sage? |
Lorin Maazel
|
Ravel: The Complete Edition |
| Piano Concerto No.2 in C Minor, Op.18:1. Moderato |
Lorin Maazel
|
Rachmaninov: Complete Symphonies & Piano Concertos (Collectors Edition) |
| I Capuleti e i Montecchi:Act I Scene 2: Si, fuggire (Romeo, Giulietta) |
Lorin Maazel
|
BELLINI, V.: Capuleti e i Montecchi (I) [Opera] (Cossotto, Pastori, Gavarini, Vinco, RAI Chorus and Symphony Orchestra, Maazel) (1958) |
| Also sprach Zarathustra Op.30:Einleitung |
Lorin Maazel
|
The 101 Most Essential Classical Music Pieces Ever |
| R. Strauss: Also sprach Zarathustra, Op.30 - Einleitung |
Lorin Maazel
|
Happy Father's Day |
| Spartacus: Variation Aegina-Bacchanalia |
Lorin Maazel
|
30 Great Conductors - Lorin Maazel, Vol. 17 |
| 12 Contredanses, WoO 14:10. Contredanse - Trio in C Major |
Lorin Maazel
|
Driving with Beethoven |
| Luisa MillerAct 2:L'ara o l'avello apprestami |
Lorin Maazel
|
Luisa MillerAct 2 |
| Grande Messe des Morts, Op. 5 (Requiem):9. Sanctus |
Lorin Maazel
|
Ultimate Berlioz |
| 8 Slavonic Dances, Op. 46, B. 83: II. Dumka in E minor (Allegretto scherzando - Allegro vivo) |
Lorin Maazel
|
100 Best Adagios |
| Messa da Requiem (Highlights):II. Dies irae: Confutatis maledictis |
Lorin Maazel
|
Verdi: Messa da Requiem |
| L'heure espagnole, Comédie en un acte, M.52 - Poème de Franc-Nohain:Il n'est pour l'horloger (Scenes XX-XXI) |
Lorin Maazel
|
The Art of Lorin Maazel |
| Music for The Royal Fireworks, HWV351:La Réjouissance |
Lorin Maazel
|
Classical Hits: Handel |
| AidaAct 1:Mortal, diletto ai Numi |
Lorin Maazel
|
Verdi: Aida |
| 12 Contredanses, WoO 14:7. Contredanse in E Major |
Lorin Maazel
|
Driving with Beethoven |
Symphony No.28 In C, K.200:4. Presto