| Sinfonia in C Major, Wq. 1823, H. 659:I. Allegro assai |
Hartmut Haenchen
Carl Philipp Emanuel Bach Chamber Orchestra
|
BACH, C.P.E.: Sinfonias (Carl Philipp Emanuel Bach Chamber Orchestra, Haenchen) |
| Concerto for Flute and Bassoon in G major: III. Allegretto |
Eckart Königstedt
|
MOZART, W.A.: Flute Concerto No. 2QUANTZ, J.J.: Concerto for Flute and BassoonSTAMITZ, C.: Flute Concerto, Op. 29 (Tast, Walter, Konigstedt) |
| Concerto for 2 Oboes and Bassoon in E flat major: Concerto for 2 Oboes and Bassoon in E flat major |
Andreas Lorenz
|
Baroque Trumpet Concertos - FaschZelenka.Graun TelemannVivaldiPisendelQuantz |
| Concerto for Trumpet, Bassoon and Strings: II. Molto adagio - Allegro pesante |
Eckart Königstedt
|
Hindemith: Symphony "Mathis der Maler", Concerto for Trumpet, Bassoon and Strings, Nobilissima Visione, Symphony in E-Flat Major &am |
| Die Zauberflöte, K.620Act 1:"Der Vogelfänger bin ich ja" |
Sebastian Weigle
|
Autumnal Mozart |
| Horn Concerto No. 1 in D Major, K. 412:I. Allegro |
Sebastian Weigle
|
MOZART, W.A.: Horn Concertos - K. 412, 417, 447, 495TELEMANN, G.P.: Ouverture (Suite) in F MajorFIALA, J.: Concerto for 2 Horns (Weigle) |
| Stabat mater: Duet: Fac, ut ardeat cor meum |
Hartmut Haenchen
Carl Philipp Emanuel Bach Chamber Orchestra
|
Giovanni Battista Pergolesi: Stabat materSalve regina (Kowalski) |
| Die letzten Leiden des Erlösers, Wq. 233: No. 13, "Muster der Geduld und Liebe" |
Hartmut Haenchen
Carl Philipp Emanuel Bach Chamber Orchestra
|
C.P.E. Bach: Die letzten Leiden des Erlösers, Wq. 233 |
| Oboe d'amore Concerto in A major, BWV 1055: I. — |
Andreas Lorenz
|
Oboe and Oboe d'amore Concertos - Johann Sebastian BachAntonio VivaldiGeorg Philipp TelemannJohann Georg PisendelJohann Wilhelm Hertel |
| Die letzten Leiden des Erlösers, Wq. 233: No. 8, "Der Jünger, der den Heiligen verriet" |
Hartmut Haenchen
Carl Philipp Emanuel Bach Chamber Orchestra
|
C.P.E. Bach: Die letzten Leiden des Erlösers, Wq. 233 |
| Die letzten Leiden des Erlösers, Wq. 233: No. 7, "Wende Dich zu meinem Schmerze" |
Hartmut Haenchen
Carl Philipp Emanuel Bach Chamber Orchestra
|
C.P.E. Bach: Die letzten Leiden des Erlösers, Wq. 233 |
| Die Zauberflöte, K.620Act 1:"Der Vogelfänger bin ich ja" |
Sebastian Weigle
|
Mozart - Winter Is Coming |
| Keyboard Concerto in E-Flat Major, Wq. 35, H. 446:I. (Allegro moderato) |
Hartmut Haenchen
Carl Philipp Emanuel Bach Chamber Orchestra
|
BACH, C.P.E.: Organ Concertos, Vol. 3 - Wq, 34, 35 (Munch) |
| Sinfonia in G Major, Wq. 1821, H. 657:I. Allegro di molto |
Hartmut Haenchen
Carl Philipp Emanuel Bach Chamber Orchestra
|
BACH, C.P.E.: Sinfonias (Carl Philipp Emanuel Bach Chamber Orchestra, Haenchen) |
| La Damnation de Faust Op.24Part 2:Scène 7. Air de Méphistophélès. "Voici des roses" |
Sebastian Weigle
|
Gods, Kings & Demons (Opera Arias) |
| Quartet for Double Bass, Flute, Viola and Cello in D Major: II. Andante grazioso |
Werner Tast
|
VANHAL, J.B.: Double Bass Concerto in D MajorHAYDN, F.J.: Divertimento in E-Flat MajorSPERGER, J.M.: Quartet in D Major (Straka) |
| Tristan und IsoldeAct 2:"Tatest du's wirklich?" |
Sebastian Weigle
|
Gods, Kings & Demons (Opera Arias) |
| Sonata for Flute, Viola and Harp: I. Pastorale: Lento, dolce rubato |
Werner Tast
|
Claude Debussy.: Violin SonataCello SonataSyrinxSonata for Flute, Viola and Harp (Funke, Bischof, Rosel, Walter, Ulbricht, Zoff) |
| Concerto for 2 Violins, 2 Oboes and Bassoon in D Major, RV 564a: II. Adagio non molto |
Andreas Lorenz
|
Baroque Concertos - Georg Philipp TelemannJohann Joachim QuantzAntonio VivaldiJan Dismas Zelenka (Guttler) |
| IV. Menuet I & II |
Andreas Lorenz
|
Bach: Orchestersuiten |
| La clemenza di Tito, K.621Act 1:"Parto, ma tu ben mio" |
Sebastian Weigle
|
The Best Of Elina Garanca |
| Orfeo ed Euridice:Act I Scene 1: Aria: Chiamo il mio ben cosi (Orfeo) |
Hartmut Haenchen
Carl Philipp Emanuel Bach Chamber Orchestra
|
GLUCK, G.W.: Orfeo ed Euridice [Opera] (Haenchen) |
Sinfonia concertante in E flat major, K. 297b: III. Andantino con variazioni