| Trois mouvements pour violon & orgue: Allegro vivace |
Delphine Collot
|
Jehan Alain : Oeuvres instrumentales & vocales, vol.1 |
| LA們ta Zion IP而LA set Tim Ana Santa: no. 23, PLA use閏土super特 |
Martin Gester
Le Parlement De Musique
|
Scarlatti: Lamentazioni per la Settimana Santa |
| Violin Sonata in C Minor, BWV 1017:1. Largo |
Martin Gester
|
Silent Night - Bach |
| The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
Katalin Karolyi
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Tantum ergo, à 2 voix égales & orgue |
Delphine Collot
|
Jehan Alain : Oeuvres instrumentales & vocales, vol.1 |
| las嗯啊Fe沙特館giant E, RV 693:sinfonia. allegro molto |
Martin Gester
Le Parlement De Musique
|
Vivaldi miniatures |
| Quatre pièces pour orgue: Chant donné |
Delphine Collot
|
Jehan Alain : Oeuvres instrumentales & vocales, vol.1 |
| Violin Sonata in G Major, BWV 1019a:3. Cantabile, ma un poco Adagio |
Martin Gester
|
Bach Summer Nights |
| La Seine En FêtePremiere partie:Allegro molto |
Martin Gester
Le Parlement De Musique
|
Baroque dinner |
| Chants et Motets pour la Royale Maison de Saint-Louis, Motets pour le calendrier de l`Eglise, Carême: Domine ante te |
Delphine Collot
|
Un Año Con Jesucristo |
| so那teen喇嘛J Eur, BW V 1015:presto |
Martin Gester
|
Bach for a Spring Day |
| The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Katalin Karolyi
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| Andante con variazioni et scherzo pour quintette à cordes: Scherzo |
Delphine Collot
|
Jehan Alain : Oeuvres instrumentales & vocales, vol.1 |
| T ROI雙眸VE們ts pour viol on & org UE: andante |
Delphine Collot
|
Jehan Alain : Oeuvres instrumentales & vocales, vol.1 |
| las嗯啊Fe沙特館giant E, RV 693:sinfonia. andante molto |
Martin Gester
Le Parlement De Musique
|
Working with Vivaldi |
| Messe modale en septuor, pour sopranos, altos, flûte & quatuor à cordes: Kyrie |
Delphine Collot
|
Jehan Alain : Oeuvres instrumentales & vocales, vol.1 |
| La Seine En FêteDeuxieme partie:Il destino la sorte e il fato |
Delphine Collot
Martin Gester
Katalin Karolyi
Le Parlement De Musique
|
Vivaldi: La Seine En Fête |
| The Importance of Being Earnest:Act II: I had no idea (Gwendolen, Cecily, Jack, Algernon) |
Katalin Karolyi
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Katalin Karolyi
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| La Sena festeggiante, RV 693:Sinfonia. Andante molto |
Martin Gester
Le Parlement De Musique
|
Vivaldi miniatures |
| The Importance of Being Earnest:Act I: Miss Fairfax, ever since I met you (Jack, Gwendolen) |
Katalin Karolyi
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
| T ROI雙眸VE們ts pour viol on & org UE: allegro con跟RA字啊 |
Delphine Collot
|
Jehan Alain : Oeuvres instrumentales & vocales, vol.1 |
La Seine En FêteDeuxieme partie:Il destino la sorte e il fato