| Capriccio:4. Andante |
Paul Crossley
|
Glagolitic Mass |
| The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Variation of the King of the West |
London Sinfonietta
|
Britten: The Prince of the Pagodas - Ballet; Gloriana - Symphonic Suite |
| Sonatina in G minor for violin & piano, D408:2. Andante |
Paul Crossley
|
Inspiration: Schubert |
| Le Carnaval des Animaux:Volières |
London Sinfonietta
|
Essential Saint-Saëns |
| Sonata for Violin and Piano in A, D.574 "Duo":2. Scherzo (Presto) |
Paul Crossley
|
Schubert: Odyssey |
| Capriccio:3. Allegretto |
Paul Crossley
London Sinfonietta
|
Glagolitic Mass |
| Piano Sonata No.3:3. Allegro vivace |
Paul Crossley
|
Tippett: Orchestral & Chamber Works |
| Grand Pianola Music:On the Great Divide |
London Sinfonietta
|
Chamber Symphony Grand Pianola Music |
| The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Variation (Female Flam |
London Sinfonietta
|
Britten: The Prince of the Pagodas - Ballet; Gloriana - Symphonic Suite |
| Clarinet Concerto No.1 in C minor Op.26:3. Rondo (Vivace) |
London Sinfonietta
|
Spohr: Clarinet Concertos |
| Living Toys, Op.9 (1993): V. Playing Funerals - |
London Sinfonietta
|
Adès: Living Toys |
| Concertino for piano and chamber orchestra:3. Con moto |
London Sinfonietta
|
Concertino for piano and chamber orchestra |
| Le Carnaval des Animaux:Tortues |
London Sinfonietta
|
Essential Saint-Saëns |
| Three Inventions for Chamber Orchestra: Invention I |
London Sinfonietta
|
Benjamin: Three Inventions, Upon Silence, Sudden Time & Octet |
| Love is my enemy from The Firebrand of Florence |
London Sinfonietta
|
20th Century Classics: Weill |
| Sonata for Violin and Piano No.1 in A, Op.13:4. Allegro quasi presto |
Paul Crossley
|
Classical Study: Fauré |
| Sonatina in G minor for violin & piano, D408:4. Allegro moderato |
Paul Crossley
|
Schubert - Great Recordings |
| Sonatina in A minor for violin & piano, D385:4. Allegro |
Paul Crossley
|
Landscapes: Schubert |
| Le Carnaval des Animaux, R.125:2. Poules et Coqs |
London Sinfonietta
|
Classics for Autumn: Saint-Saëns |
| The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Variation (Male Flame) |
London Sinfonietta
|
Britten: The Prince of the Pagodas - Ballet; Gloriana - Symphonic Suite |
| Le Tombeau de Liberace:4. Candelabra Rhumba |
Markus Stenz
Paul Crossley
London Sinfonietta
|
Le Tombeau de Liberace |
| Sonatina in D for violin & piano, D384:1. Allegro molto |
Paul Crossley
|
The Imagination of Schubert |
| Sonata for Violin and Piano:2. Ballada (Con moto) |
Paul Crossley
|
Glagolitic Mass |
| The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Variation II: Girl's Solo (Nona Liddell, violin |
London Sinfonietta
|
Britten: The Prince of the Pagodas - Ballet; Gloriana - Symphonic Suite |
| In the Mists (V mlhách):4. Presto |
Paul Crossley
|
Janacek |
| Symphony No. 5 in C-Sharp Minor:II. Sturmisch bewegt, mit grosster Vehemenz |
Markus Stenz
|
MAHLER, G.: Symphony No. 5 (Cologne Gurzenich Orchestra, Stenz) |
| Isle Of The Dead, Op. 29 |
Markus Stenz
|
The Very Best Of Rachmaninoff |
Le Tombeau de Liberace:2. How Do I Love Thee?