| Quattro pezzi sacri: II. Stabat Mater |
Květoslava Němečková
Czech Philharmonic Orchestra
|
Quattro pezzi sacri |
| Symphony No. 7 in E major: IV. Finale - Bewegt, doch nicht schnell |
Czech Philharmonic Orchestra
|
Bruckner: Symphony No. 7 in E major |
| April Preludias, Op. 13: III. Andante semplice |
Brno Philharmonic Orchestra
|
Vítězslava Kaprálová - Portrait |
| Part Two: Chorus "Let us break their bonds asunder" (HandelMozart) |
Sir Charles Mackerras
|
Messiah - G.F. Handel, arr. W. A. Mozart |
| The Cunning Little Vixen (Prihody Lisky Bystrousky)Act 1:Hled'te sestry jakého máte vudce! |
Sir Charles Mackerras
|
Janácek: Operas |
| String Quartet No. 2, JW VII13, "Listy duverne" : II. Adagio - Vivace |
Leoš Janácek
|
Leo Janáček & Bedrich Smetana: Classical Czech String Quartets |
| Concerto for 2 Oboes, Trumpet and Strings in D Major: V. Vivace |
Sir Charles Mackerras
|
Music for Trumpet |
| Idomeneo KV 366, Act 3, Ballet:Chaconne: Pour le ballet (KV 367January 1781) |
Sir Charles Mackerras
|
Mozart: Idomeneo |
| Symphony No. 16 in C major, K.128: III. Rondo: Allegro |
Sir Charles Mackerras
|
Mozart: Symphonies No. 14, No. 15, No. 16, No. 17, No. 18 |
| Piano Concerto in G Minor, Op. 33, B. 63: II. Andante sostenuto |
Brno Philharmonic Orchestra
|
Dvořák & Ježek: Piano Concertos |
| Endless Pleasure |
Sir Charles Mackerras
|
Endless Pleasure |
| The Bartered Bride: Act 1 - "Let us rejoice, let's be merry" |
Czech Philharmonic Orchestra
|
Best of Smetana |
| Symphony No. 18 in F major, K.130: IV. Molto allegro |
Sir Charles Mackerras
|
Mozart: Symphonies No. 14, No. 15, No. 16, No. 17, No. 18 |
| JenufaAct 1:Jak razem vsecko to Stevkovo vypináni schiplo |
Sir Charles Mackerras
Vaclav Zitek
|
Janácek: Operas |
| Two Aquarelles:Lento, ma non troppo |
Sir Charles Mackerras
|
Two Aquarelles |
| Part Two: Aria "How beautiful are the feet of them" (Soprano) (HandelMozart) |
Sir Charles Mackerras
|
Messiah - G.F. Handel, arr. W. A. Mozart |
| Gloriana, Op.53Act 3 Scene 3:53. Penepole Rich's Pleading |
Sir Charles Mackerras
|
Britten: Gloriana |
| Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour |
Czech Philharmonic Orchestra
|
Antonio Pedrotti in Prague |
| Pineapple Poll - Suite:I. Opening Dance |
Sir Charles Mackerras
|
100 Best Ballet |
| Prince Igor, Polovtsian Dances: DanceII |
Sir Charles Mackerras
|
Russian Music |
| Le Sacre du printemps (The Rite of Spring), Part II: Le Sacrifice: Glorification de l'Élue |
Sir Charles Mackerras
|
Icon: Charles Mackerras |
| Tchaikovsky: Romeo & Juliet Fantasy Overture, TH.42 |
Czech Philharmonic Orchestra
|
Tchaikovsky: Symphony No.6 in B Minor, Op.74 - 2: Allegro con grazia |
| Wind Serenade in D minor B77 ( Op.44): IV. Finale (Allegro molto) |
Sir Charles Mackerras
|
Dvorak - String Serenade in E, Op.22Wind Serenade in D minor Op.44 |
| Rhymes. Cycle of 18 pieces for nine singing voices and chamber ensemble of the words of anonymous rhymes: 8. Listen! Hear What I will Say |
Leoš Janácek
|
Janáček: Hradčany Songs and Other Choruses |
| From Meadow to Mayfair - Suite (1988 Digital Remaster): I. In the Country (Rustic Dance) |
Sir Charles Mackerras
|
The Music of Eric Coates |
| Saint Ludmila, Oratorio for Soloists, Chorus and Orchestra, Op. 71, Part III: XXXVIII. Duetto - Soprano E Tenore Solo |
Czech Philharmonic Chorus
|
Dvořák: Saint Ludmila. Oratorio for Soloists, Chorus and Orchestra, Op.71 |
| Suite for string orchestra:Andante con moto |
Sir Charles Mackerras
|
Concertino for piano and chamber orchestra |
| Concertino for piano and chamber orchestra:3. Con moto |
Sir Charles Mackerras
|
Concertino for piano and chamber orchestra |
Amarus: III. Moderato