| 1 |
Romances (1992 Remastered Version): G, Op. 40 (c1802) |
100 Best Menuhin
|
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| 2 |
The Genius (Of Tesla) |
3:6:9
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| 3 |
La traviataAct 1:Prelude |
Essential Verdi - 40 of His Greatest Masterpieces
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| 4 |
Scene 8 - Chi è mai quel matto? (Vocal) |
Donizetti: L'elisir D'amore
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| 5 |
Scene 2- Come Paride vezzoso (Vocal) |
Donizetti: L'elisir D'amore
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| 6 |
Violin Concerto No. 5 in D Major, K. 219: II. Adagio |
88 Mozart Greats
|
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| 7 |
Scene 7 - Come s'en va contento (Vocal) |
Donizetti: L'elisir D'amore
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| 8 |
La traviataAct 1:"Libiamo ne'lieti calici" (Brindisi) |
Ultimate Opera
|
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| 9 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau |
100 Best Classical Pieces
|
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| 10 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio |
100 Classical Pieces for Your Sleepy Baby
|
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| 11 |
Ebben, tenete (Vocal) |
Donizetti: L'elisir D'amore
|
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| 12 |
Symphonic Studies: Theme |
Rawsthorne: Symphonic Studies & Piano Concertos Nos. 1 & 2
|
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| 13 |
Le nozze di Figaro, K. 492, Act IV: "Giunse alfin il momento... deh vieni" |
100 Relaxing Music Orchestra
|
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| 14 |
Mozart: IdomeneoAct 3 - "Torna la pace al core" |
Mozart 250
|
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| 15 |
Zaide, K.344Act 1:"Ruhe sanft, mein holdes Leben" |
More Mozart for Mothers To Be
|
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| 16 |
Don Giovanni, K. 527:Act II: Crudele? … Non mi dir (Donna Anna) |
MOZART: Cosi fan tutte (Schwarzkopf, Otto, Karajan) (1954)
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| 17 |
Io son ricco... (Vocal) |
Donizetti: L'elisir D'amore
|
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| 18 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau |
100 Classical Pieces for Your Sleepy Baby
|
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| 19 |
Le nozze di Figaro (The Marriage of Figaro), K. 492:Act I: Non so più cosa son (Cherubino) |
MOZART: Cosi fan tutte (Schwarzkopf, Otto, Karajan) (1954)
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| 20 |
Arlecchino oder Die Fenster, Op. 50:Ein Schauspiel ist's für Kinder nicht (Arlecchino) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
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| 21 |
Idomeneo K. 366: Act III. Scene III. I. Recitativo: Cieli! Che Vedo? |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
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| 22 |
Ritual Dances (From "The Midsummer Marriage") - The Fourth Dance:Fire in Summer |
Tippett: Orchestral & Chamber Works
|
|
| 23 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio |
Relaxing Mozart
|
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| 24 |
Le nozze di Figaro, K. 492, Act IV: "Giunse alfin il momento... deh vieni" |
100 Best Classical Pieces
|
|
| 25 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau |
Relaxing Mozart
|
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| 26 |
La traviataAct 3:Ah Violetta!...Se una pudica vergine |
Ultimate Verdi
|
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| 27 |
Voglio dire (Vocal) |
Donizetti: L'elisir D'amore
|
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| 28 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau |
100 Intense Study Music for Reading
|
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| 29 |
Arlecchino oder Die Fenster, Op. 50:Third Episode: The Husband |
BUSONI, F.: Arlecchino (Glyndebourne) (1956)
|
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| 30 |
Arlecchino oder Die Fenster, Op. 50:Den Schlüssel ließ ich mir nachfertigen (Arlecchino, Matteo) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
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| 31 |
Respect for All |
3:6:9
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| 32 |
The Creator |
3:6:9
|
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| 33 |
Don Giovanni, K. 527: Mi tradì quell'alma ingrata |
The Master Composer Series: Mozart
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| 34 |
Bel conforto (Vocal) |
Donizetti: L'elisir D'amore
|
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| 35 |
Der Schauspieldirektor, K.486:Ouvertüre |
Refreshing - Summer Classics
|
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| 36 |
Time for Change |
Entraining
|
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| 37 |
Emilia di Liverpool:Act I: In dura schiavitu (Claudio) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
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| 38 |
Emilia di Liverpool:Act I: Aria: Madre! deh placati! (Emilia, Candida, Chorus) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
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| 39 |
Arlecchino oder Die Fenster, Op. 50:Mit dem Schwert, mit der Laute (Leandro, Colombia, Arlecchino) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
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| 40 |
Idomeneo K. 366: Act I. Scene I: I. Recitativo: Quando Avran Fine Omai |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 41 |
Idomeneo K. 366: Act I. Scene VIII. I. Recitativo: Ecco Ci Salvi Alfin! |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 42 |
Idomeneo K. 366: Act I. Scene VIII. III. Recitativo: Spiagge Romite |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
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| 43 |
Ritual Dances (From "The Midsummer Marriage"):Transformation & Preparation for The First Dance |
Tippett: Orchestral & Chamber Works
|
|
| 44 |
Mignon, Act I: "Connais-tu le pays?" |
Frederica von Stade - The Complete Columbia Recital Albums
|
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| 45 |
Arlecchino oder Die Fenster, Op. 50:Second Episode: The Swordsman |
BUSONI, F.: Arlecchino (Glyndebourne) (1956)
|
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| 46 |
Idomeneo K. 366: Act II. Scene II. I. Recitativo: Se Mai Pomposo Apparse |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 47 |
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile |
88 Mozart Greats
|
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| 48 |
Le nozze di Figaro (The Marriage of Figaro), K. 492:Act II: Porgi, amor (The Countess) |
MOZART: Cosi fan tutte (Schwarzkopf, Otto, Karajan) (1954)
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| 49 |
Emilia di Liverpool:Act II: Non intende il mio contento (Emilia, Chorus) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
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| 50 |
La traviataAct 1:Prelude |
opera gold - 100 great tracks
|
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| 51 |
La traviataAct 1:"Follie! Delirio vano è questo!" - "Sempre libera" |
Ultimate Verdi
|
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| 52 |
Symphony No. 3 "Venetian", Op. 36: I. Moderato |
Searle: Symphonies Nos. 3 & 5
|
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| 53 |
Idomeneo K. 366: Act I. Scene XI. I. Marcia |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 54 |
Scene 5 - Dell 'elisir mirabile (Vocal) |
Donizetti: L'elisir D'amore
|
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| 55 |
Arlecchino oder Die Fenster, Op. 50:Es ist schon ganz finster (Bombastro, Abbate, Columbina, Leandro) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
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| 56 |
Violin Concerto No. 5 in D Major, K. 219: I. Allegro aperto |
88 Mozart Greats
|
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| 57 |
Idomeneo K. 366: Act III. Scene VI. II. Coro: O Voto Tremendo! |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
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| 58 |
Don GiovanniAct 2:"Il mio tesoro intanto" |
Mozart 225 - Legendary Opera Performances
|
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| 59 |
Idomeneo K. 366: Act I. Scene III. I. Coro: Godiam La Pace, Trionfi Amore |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
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| 60 |
La traviataAct 2:"Invitato a qui seguirmi" |
Ultimate Verdi
|
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| 61 |
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile |
Relaxing Mozart
|
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| 62 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau |
Musica Clasica Relajante para Estudiar
|
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| 63 |
Scene 4 - Che vuol dire (Vocal) |
Donizetti: L'elisir D'amore
|
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| 64 |
Idomeneo, K. 366, Act II. Scene VII. II. Terzetto: Pria Di Partir, O Dio! |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
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| 65 |
The Universe |
3:6:9
|
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| 66 |
Emilia di Liverpool:Act I: Ah! di contento (Emilia, Chorus) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
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| 67 |
Scene 10 - Alto!... fronte! (Vocal) |
Donizetti: L'elisir D'amore
|
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| 68 |
Romances (1992 Remastered Version): G, Op. 40 (c1802) |
50 Best Violin
|
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| 69 |
La Bohème:Quando m'en vò' |
150 Puccini - A celebration of T和genius of Puccini
|
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| 70 |
Arlecchino oder Die Fenster, Op. 50:Wahrlich, ich weiss nicht mehr aus noch ein! (Matteo) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
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| 71 |
Ritual Dances (From "The Midsummer Marriage"):Prelude |
Tippett: Orchestral & Chamber Works
|
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| 72 |
Una furtiva lagrima |
Donizetti: L'elisir D'amore
|
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| 73 |
Les Huguenots, Act I: "Nobles Seigneurs, salut!" |
Frederica von Stade Sings French Opera Arias
|
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| 74 |
Idomeneo K. 366: Act I. Scene VII. Coro: Pieta! Numi, Pieta! |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
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| 75 |
The Marriage of Figaro:Voi che sapete (Cherubino). Act II |
Instant Classical Culture
|
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| 76 |
Mozart: Idomeneo, re di Creta, K.366 - Popoli, a voi l'ultima legge...Torna la pace (Act 3) |
Mozart 250
|
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| 77 |
Le nozze di Figaro, K. 492, Act IV: "Giunse alfin il momento... deh vieni" |
100 Orchestral Classical Study Music
|
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| 78 |
La traviataAct 2:"Pura siccome un angelo...Un dì quando le veneri" |
Ultimate Verdi
|
|
| 79 |
Emilia di Liverpool:Act I: O padre! … Mia cara! (Emilia, Claudio) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
|
| 80 |
The Dawn (Of a New Age) |
3:6:9
|
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| 81 |
Scene 7 - Caro elisir! (Vocal) |
Donizetti: L'elisir D'amore
|
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| 82 |
Emilia di Liverpool:Act II: Confusa e l'alma mia (Emilia, Chorus) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
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| 83 |
The Inventor |
3:6:9
|
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| 84 |
Idomeneo K. 366: Act I. Scene II. III. Recitativo: Ecco Il Misero Resto De' Troiani |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 85 |
Idomeneo K. 366: Act I. Scene VIII. II. Aria: Vedrommi Intorno.. Recitativo: Cieli! Che Veggo |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
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| 86 |
Entraining, Pt. I |
Entraining
|
|
| 87 |
Una tenera occhiatina (Vocal) |
Donizetti: L'elisir D'amore
|
|
| 88 |
Emilia di Liverpool:Act I: Dell'indegno il turbamento (All) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
|
| 89 |
Idomeneo K. 366: Act II. Scene III. I. Recitativo: Quai Mi Conturba I Sensi |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 90 |
Scene 2 - Le feste nuziali (Vocal) |
Donizetti: L'elisir D'amore
|
|
| 91 |
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile |
100 Classical Chillout
|
|
| 92 |
La traviataAct 1:"Libiamo ne'lieti calici" (Brindisi) |
Essential Verdi - 40 of His Greatest Masterpieces
|
|
| 93 |
La traviataAct 1:"Libiamo ne'lieti calici" (Brindisi) |
The World of Verdi
|
|
| 94 |
Emilia di Liverpool:Act I: Venite Signori (All) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
|
| 95 |
Idomeneo K. 366: Act II. Scene VII. IV. Recitativo: Eccoti in Me |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
|
| 96 |
Arlecchino oder Die Fenster, Op. 50:Und doch hab ich euch zu danken (Abbate, Bombasto) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
|
|
| 97 |
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile |
Relaxing Orchestral Pieces
|
|
| 98 |
Ritual Dances (From "The Midsummer Marriage"):Preparation for The Fourth Dance |
Tippett: Orchestral & Chamber Works
|
|
| 99 |
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile |
100 Relaxing Music Orchestra
|
|
| 100 |
Don Giovanni, K. 527: "Crudele! Ah no, mio bene!...Non mi dir, bell'idol mio" |
Highlights from Wagner: Tristan Und Isolde - Mozart: Don Giovanni & Le Nozze Di Figaro
|
|
| 101 |
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile |
100 Best Classical Pieces
|
|
| 102 |
La traviataAct 2:"Dammi tu forza o cielo!" |
Ultimate Verdi
|
|
| 103 |
La traviataAct 1:"Libiamo ne'lieti calici" (Brindisi) |
Opera Gold - 100 Great Tracks
|
|
| 104 |
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile |
Calm Concentration Classics
|
|
| 105 |
fr A列T icon cent i (vocal) |
Donizetti: L'elisir D'amore
|
|
| 106 |
violin concerto no. 5 in A major, K. 219, "Turkish": III. rondeau |
Relaxing Orchestral Pieces
|
|
| 107 |
entraining, PT. II |
Entraining
|
|
| 108 |
AR樂馳chin OO的人die fens胎兒, op. 50:IH染色IDS, Monsignor E (Matteo, AB巴特, bombast哦) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
|
|
| 109 |
I dome呢OK. 366: act III. scene II. II. duet O: S撇GA人體non poss |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
|
| 110 |
(Io già m 'immagino...) (Vocal) |
Donizetti: L'elisir D'amore
|
|
| 111 |
scene 10 - signors argent E (vocal) |
Donizetti: L'elisir D'amore
|
|
| 112 |
LES Huguenots, act i: "nobles seigneurs, 薩魯塔!" |
Frederica von Stade - The Complete Columbia Recital Albums
|
|
| 113 |
romance no. 1 ing major, op. 40 (opening) |
100 Best Violin
|
|
| 114 |
I dome呢OK. 366: act II. scene V: II. aria: idol M IO, s er IT ROS O |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 115 |
quant OA more! (vocal) |
Donizetti: L'elisir D'amore
|
|
| 116 |
I dome呢OK. 366: act II. scene VII. i. rec IT ATI VO: part i, IDA曼特 |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
|
| 117 |
I dome呢OK. 366: act II. scene i: rec IT ATI VO: Siam so麗, o滴Mia日本ace |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 118 |
Scene 3 - La donna è un animale (Vocal) |
Donizetti: L'elisir D'amore
|
|
| 119 |
Leno沼澤地Figaro (the marriage of Figaro), K. 492:act IV: GI unseal fin IL moment O… D eh, VIE你, non tar達人 (Susanna) |
MOZART: Cosi fan tutte (Schwarzkopf, Otto, Karajan) (1954)
|
|
| 120 |
I dome neo act 3:"oh神馬捏!" - "do rested AI ace" |
Vesperae solennes de confessore in C, K.339
|
|
| 121 |
I dome呢OK. 366: act II. scene VII. III. co RO: Q UA ln UO VO terror E! |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
|
| 122 |
romances (1992 remastered version): F, op. 50 (從1798) |
100 Best Menuhin
|
|
| 123 |
save T和earth |
3:6:9
|
|
| 124 |
symphonic studies: III. allegro的bravura |
Rawsthorne: Symphonic Studies & Piano Concertos Nos. 1 & 2
|
|
| 125 |
ritual dances (from "the midsummer marriage"):transformation & preparation fort和third dance |
Tippett: Orchestral & Chamber Works
|
|
| 126 |
AI大act 1:"RI torn AVI N次Tor!" |
Opera Gold - 100 Great Tracks
|
|
| 127 |
Emilia地Liverpool:act i: pre陸地O |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
|
| 128 |
the healer |
Entraining
|
|
| 129 |
l ATR av IATA act 1:"lib IA沒one獵頭ICA歷次" (Brindisi) |
50 x Opera
|
|
| 130 |
I dome呢OK. 366: act III. scene ultima: III. co RO: SC end AA默認, SC end Aime neo |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
|
| 131 |
Don Giovanni, K. 527:act i: bat提, bat TiO B Elma set to (z二李娜) |
MOZART: Cosi fan tutte (Schwarzkopf, Otto, Karajan) (1954)
|
|
| 132 |
street corner overture |
Rawsthorne: Symphonic Studies & Piano Concertos Nos. 1 & 2
|
|
| 133 |
I dome呢OK. 366: act II. scene V: i. rec IT ATI VO: χ maid elm IO |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 134 |
EI除or reg Geo給你的if ET to (vocal) |
Donizetti: L'elisir D'amore
|
|
| 135 |
Quanto è bella (Vocal) |
Donizetti: L'elisir D'amore
|
|
| 136 |
Leno沼澤地Figaro (the marriage of Figaro), K. 492:act III: dove son OI被摩門體 (the countess) |
MOZART: Cosi fan tutte (Schwarzkopf, Otto, Karajan) (1954)
|
|
| 137 |
violin concerto no. 5 in A major, K. 219 "Turkish": II. adagio |
100 Study Music Orchestra
|
|
| 138 |
Emilia地Liverpool:act i: Giusto此惡劣, 吃VE do! (all) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
|
| 139 |
Bella Adina! (vocal) |
Donizetti: L'elisir D'amore
|
|
| 140 |
ritual dances (from "the midsummer marriage"):the third dance - the air in spring |
Tippett: Orchestral & Chamber Works
|
|
| 141 |
bridge of gratitude |
Entraining
|
|
| 142 |
ritual dances (from "the midsummer marriage") - the first dance:the first dance - the earth in Autumn |
Tippett: Orchestral & Chamber Works
|
|
| 143 |
I dome呢OK. 366: act i. scene ξ. II. co RO: net圖no son O日 |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 144 |
violin concerto no. 5 in A major, K. 219 "Turkish": II. adagio |
100 Ultimate Classical Baby Music
|
|
| 145 |
bene的忐忑卻是他Ecarte! (vocal) |
Donizetti: L'elisir D'amore
|
|
| 146 |
love for all |
Entraining
|
|
| 147 |
the quest |
3:6:9
|
|
| 148 |
Bastien UN的Bastien呢, K. 50 |
MOZART, W.A.: Bastien und Bastienne (Pritchard) (1954)
|
|
| 149 |
violin concerto no. 5 in A major, K. 219 "Turkish": III. rondeau |
100 Orchestral Classical Study Music
|
|
| 150 |
I dome呢OK. 366: act i. scene IV. III. aria: TUT ten El C or vis恩to |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 151 |
CH IE dial Laura (vocal) |
Donizetti: L'elisir D'amore
|
|
| 152 |
violin concerto no. 5 in A major, K. 219, "Turkish": II. adagio |
Relaxing Orchestral Pieces
|
|
| 153 |
I dome呢OK. 366: act i. scene II. i. rec IT ATI VO: RA盾ate IT ROI啊你, ITE |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 154 |
Der Schauspieldirektor, K.486:"Ich bin die erste Sängerin" |
The Art of Edita Gruberová
|
|
| 155 |
AR樂馳chin OO的人die fens胎兒, op. 50:ver Ehrlich ever Sam目錄ng (AR了C吃no) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
|
|
| 156 |
I dome呢OK. 366: act III. scene IX. i. rec IT ATI VO: padre, M IO Caro pad Re ! |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
|
| 157 |
I dome呢OK. 366: act II. scene II. II. aria: SEI了pad rep兒得 |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
|
|
| 158 |
I dome呢OK. 366: act III. scene II. i. Re磁體TiVo: Principe灑灑, at UO is掛入低 |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
|
| 159 |
I dome呢OK. 366: act II. scene V: III. Marcia |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 160 |
AR樂馳chin OO的人die fens胎兒, op. 50:w IE i STI HRS除了AF, Madame? (AR了C吃no, Colombia) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
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| 161 |
symphony no. 3 "Venetian", op. 36: III. adagio |
Searle: Symphonies Nos. 3 & 5
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| 162 |
scene 9 - Nemo日no!... 哦版本哦? (vocal) |
Donizetti: L'elisir D'amore
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| 163 |
symphonic studies: V. allegro PIA成EVO了 |
Rawsthorne: Symphonic Studies & Piano Concertos Nos. 1 & 2
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| 164 |
I dome呢OK. 366: act i. scene IV. rec IT ATI VO: P人CE, Signor...scene V: M iOS ignore, DEM Ali IL pi UT二日比例 |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 165 |
AR樂馳chin OO的人die fens胎兒, op. 50:fourth episode: the Victor |
BUSONI, F.: Arlecchino (Glyndebourne) (1956)
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| 166 |
act II - scene 1 - can題啊摹, 發此次阿盟Brindisi (vocal) |
Donizetti: L'elisir D'amore
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| 167 |
ritual dances (from "the midsummer marriage"):transformation & preparation fort和second dance |
Tippett: Orchestral & Chamber Works
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| 168 |
I dome呢OK. 366: act III. scene IX. II. aria: no, lam or特 |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 169 |
Adi nacre低迷 (vocal) |
Donizetti: L'elisir D'amore
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| 170 |
violin concerto no. 5 in A major, K. 219 "Turkish": III. rondeau |
100 Ultimate Classical Baby Music
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| 171 |
I dome呢OK. 366: act III. scene i: aria: Z EF fire探討IL using hier i |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 172 |
Don Giovanni, K. 527:act II: VE的熱愛, Carin哦 (z二李娜) |
MOZART: Cosi fan tutte (Schwarzkopf, Otto, Karajan) (1954)
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| 173 |
AR樂馳chin OO的人die fens胎兒, op. 50:first episode: the rogue |
BUSONI, F.: Arlecchino (Glyndebourne) (1956)
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| 174 |
l ATR av IATA act 1:prelude |
Various ArtistsOpera Classics
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| 175 |
I dome neo act 3:"Tor NALA pace AL core" |
Vesperae solennes de confessore in C, K.339
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| 176 |
I dome呢OK. 366: act III. scene VII. III. co RO: S兔噴打Vittoria!..scene VIII. Re磁體TiVo: sire! IL P人CE |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 177 |
I dome呢OK. 366: act II. scene III. II. aria: F u or Delmar |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 178 |
Emilia di Liverpool:Act II: Per te son misero (Claudio, Chorus) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
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| 179 |
Mozart: IdomeneoAct 3 - "Oh smanie!" - "DOreste, dAiace" |
Mozart 250
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| 180 |
Idomeneo K. 366: Act III. Scene VII. I. Marcia |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 181 |
Idomeneo K. 366: Act I. Scene I: II. Aria: Padre, Germani, Addio! |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 182 |
Symphonic Studies: II. Allegretto |
Rawsthorne: Symphonic Studies & Piano Concertos Nos. 1 & 2
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| 183 |
Idomeneo K. 366: Act I. Scene II. II. Aria: Non Ho Colpa |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 184 |
Harmony of the Universe |
Entraining
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| 185 |
La traviataAct 1:"Un dì felice, eterea" |
Essential Verdi - 40 of His Greatest Masterpieces
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| 186 |
Idomeneo, re di Creta, K. 366:Idomeneo, K. 366, Act III: Zeffiretti lusinghieri (Ilia) |
MOZART: Cosi fan tutte (Schwarzkopf, Otto, Karajan) (1954)
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| 187 |
Obbligato (Vocal) |
Donizetti: L'elisir D'amore
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| 188 |
IdomeneoAct 3:Oh smanie! - DOreste, dAiace |
The Art of Edita Gruberová
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| 189 |
Mignon, Act I: "Connais-tu le pays?" |
Frederica von Stade Sings French Opera Arias
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| 190 |
Le nozze di Figaro, K. 492, Act III: "E Susanna non vien!... Dove sono" |
100 Relaxing Music Orchestra
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| 191 |
Emilia di Liverpool:Act II: Nel campo del valore (Claudio, Chorus) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
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| 192 |
Idomeneo K. 366: Act I. Act I, Scene X: I. Recitativo: Ah, Qual Gelido Orror |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 193 |
Idomeneo K. 366: Act II. Scene VII. V. Coro: Corriamo, Fuggiamo |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 194 |
La traviataAct 1:Prelude |
Ultimate Opera
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| 195 |
Qua la mano (Vocal) |
Donizetti: L'elisir D'amore
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| 196 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau |
100 Study Music Orchestra
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| 197 |
Scene 4 - Saria possibile? (Vocal) |
Donizetti: L'elisir D'amore
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| 198 |
Emilia di Liverpool:Act I: Deh! Ti consoli, ah figlia (Emilia, Claudio) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
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| 199 |
Violin Concerto No. 5 in A Major, K. 219, "Turkish": III. Rondeau |
Exam Study Music
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| 200 |
Ritual Dances (From "The Midsummer Marriage"):The Second Dance - The Water in Winter |
Tippett: Orchestral & Chamber Works
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| 201 |
Prendi:per me (Vocal) |
Donizetti: L'elisir D'amore
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| 202 |
Violin Concerto No. 4 in D Major, K. 218: III. Rondeau |
Deep Emotions with Classical Music
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| 203 |
Idomeneo K. 366: Act I. Scene X: II. Aria: Il Padre Adorato Ritrovo |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 204 |
Idomeneo K. 366: Act III. Scene Ultima: I. Recitativo: Popoli! |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 205 |
Symphonic Studies: IV. Lento |
Rawsthorne: Symphonic Studies & Piano Concertos Nos. 1 & 2
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| 206 |
Idomeneo K. 366: Act III. Scene VII. II. Recitativo: Accogli, O Re Del Mar |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 207 |
Idomeneo K. 366: Act I: Overture |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 208 |
Symphonic Studies: I. Allegro di bravura |
Rawsthorne: Symphonic Studies & Piano Concertos Nos. 1 & 2
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| 209 |
Idomeneo K. 366: Act I. Scene VI. II. Aria: Tutte Nel Cor VI Sento |
Mozart: Idomeneo: Overture, Act I & Act II (Beginning)
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| 210 |
Idomeneo K. 366: Act II. Scene VI. II. Coro: Placido E Il Mar |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 211 |
La traviataAct 1:"Libiamo nelieti calici" (Brindisi) |
Various ArtistsOpera Classics
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| 212 |
Violin Concerto No. 4 in D Major, K. 218: III. Rondeau. Andante grazioso - Allegro ma non troppo |
88 Mozart Greats
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| 213 |
Idomeneo K. 366: Act III. Scene X: III. Aria: Doreste, Dalaice |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 214 |
Violin Concerto No. 4 in D Major, K. 218. I. Allegro |
88 Mozart Greats
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| 215 |
Idomeneo re di Creta K.366:Popoli a voi lultima legge...Torna la pace (Act 3) |
Vesperae solennes de confessore in C, K.339
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| 216 |
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau |
Calm Concentration Classics
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| 217 |
Violin Concerto No. 5 in D Major, K. 219: III. Tempo di menuetto |
88 Mozart Greats
|
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| 218 |
Idomeneo K. 366: Act III. Scene Ultima: II. Aria: Torna La Pace Al Core |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 219 |
Idomeneo K. 366: Act III. Scene VI. I. Recitativo: Volgi Intorno Lo Seguado...Non Piu! Sacro Ministro |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 220 |
Idomeneo K. 366: Act III. Scene X: I. Recitativo: Ferma, O Sire, Che Fai? |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 221 |
Idomeneo K. 366: Act II. Scene VI. I. Recitativo: Sidonie Sponde |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 222 |
Idomeneo, K. 366, Act III. Scene III. II. Quartetto: Andro Ramingo E Solo |
Mozart: Idomeneo: Act II (Conclusion) & Act III
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| 223 |
Idomeneo K. 366: Act III. Scene X: II. Recitativo: O Smania! |
Mozart: Idomeneo: Act II (Conclusion) & Act III
|
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| 224 |
La traviataAct 1:Prelude |
The World of Verdi
|
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| 225 |
The Journey |
Entraining
|
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| 226 |
Arlecchino oder Die Fenster, Op. 50:Herr Kapitän, um Vergebung (Colombia, Arlecchino) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
|
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| 227 |
Don Giovanni, K. 527: Ah, fuggi il traditor |
The Master Composer Series: Mozart
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| 228 |
Così chiaro (Vocal) |
Donizetti: L'elisir D'amore
|
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| 229 |
Gianni Schicchi: O Mio Babbino Caro |
I Love Classical Music
|
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| 230 |
Scene 6 - Ah! È bellissima (Vocal) |
Donizetti: L'elisir D'amore
|
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| 231 |
Più tempo, oh Dio (Vocal) |
Donizetti: L'elisir D'amore
|
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| 232 |
Venti scudi! (Vocal) |
Donizetti: L'elisir D'amore
|
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| 233 |
Arlecchino oder Die Fenster, Op. 50:Es bleibt doch die schönste, die ergreifendste Stella (Matteo) |
BUSONI, F.: Arlecchino [Opera] (Gester, Malbin, Wallace, Glyndebourne Festival Orchestra, Pritchard) (1954)
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| 234 |
Scene 6 - (Adir.Ha forse il cielo...) (Vocal) |
Donizetti: L'elisir D'amore
|
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| 235 |
(Ai perigli...) (Vocal) |
Donizetti: L'elisir D'amore
|
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| 236 |
Scene 1 - Prelude (Vocal) |
Donizetti: L'elisir D'amore
|
|
| 237 |
Scene 9- Tran, tran.In guerra, ed in amore (Vocal) |
Donizetti: L'elisir D'amore
|
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| 238 |
(Esulti pur la barbara...) (Vocal) |
Donizetti: L'elisir D'amore
|
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| 239 |
Scene 3 - Una parola, o Adina (Vocal) |
Donizetti: L'elisir D'amore
|
|
| 240 |
Scene 5 - Udite, udite (Vocal) |
Donizetti: L'elisir D'amore
|
|
| 241 |
Emilia di Liverpool:Act I: Duet: Che sia desso! Oh sventurata! (Emilia, Asdrubale) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
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| 242 |
Emilia di Liverpool:Act I: Cara, sereno il rai (Villars, Asdrubale, Bettina, Chorus) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
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| 243 |
Emilia di Liverpool:Act I: Fosca nube a noi minaccia (Asdrubale, Bettina, Chorus) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
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| 244 |
Emilia di Liverpool:Act I: Vive il padre? (Emilia, Claudio) |
DONIZETTI, G.: Emilia di Liverpool [Opera] (Sutherland, McAlpine, Alan, Royal Liverpool Philharmonic, Pritchard) (1957)
|
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| 245 |
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile |
100 Intense Study Music for Reading
|
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| 246 |
La traviataAct 1:Prelude |
Ultimate Verdi
|
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| 247 |
La traviataAct 3:"Tenesta la promessa" - "Attendo né a me giungon mai" - "Addio del passato" |
Ultimate Verdi
|
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| 248 |
IdomeneoAct 3:"Torna la pace al core" |
Mozart 225 - Legendary Opera Performances
|
|
| 249 |
La traviataAct 2:"Ah! Dite alla giovine" |
Ultimate Verdi
|
|
| 250 |
La Damnation de Faust, H 111, Act V: "D'amour l'ardente flamme" |
Frederica von Stade - The Complete Columbia Recital Albums
|
|
| 251 |
La traviataAct 2:"Di Provenza il mar il suol" |
Ultimate Verdi
|
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| 252 |
La traviataAct 2:"Di sprezzo degno se stesso rende" |
Ultimate Verdi
|
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| 253 |
La traviataAct 1:"Libiamo ne'lieti calici" (Brindisi) |
Ultimate Verdi
|
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| 254 |
La traviataAct 3:"Parigi o cara noi lasceremo" |
Ultimate Verdi
|
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| 255 |
La traviataAct 2:"Lunge da lei" - "De' miei bollenti spiriti" |
Ultimate Verdi
|
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| 256 |
La traviataAct 1:"E strano!" - "Ah fors'è lui" |
Ultimate Verdi
|
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| 257 |
La Grande-Duchesse de Gérolstein, Act II: "Dites-lui" |
Frederica von Stade - The Complete Columbia Recital Albums
|
|
| 258 |
Roméo et Juliette, CG 9, Act III: "Depuis hier je cherche en vain" |
Frederica von Stade - The Complete Columbia Recital Albums
|
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| 259 |
Intanto, o mia ragazza (Vocal) |
Donizetti: L'elisir D'amore
|
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| 260 |
La Périchole, Act I: "Ah! Quel dîner je viens de faire" |
Frederica von Stade - The Complete Columbia Recital Albums
|
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| 261 |
Werther, Act III: "Va! Laisse couler mes larmes" |
Frederica von Stade - The Complete Columbia Recital Albums
|
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| 262 |
The Hero |
3:6:9
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| 263 |
Béatrice et Bénédict, H 138, Act II: "Dieu! Que viens-je d'entendre?" |
Frederica von Stade - The Complete Columbia Recital Albums
|
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| 264 |
Cendrillon, Act III: "Enfin, je suis ici" |
Frederica von Stade - The Complete Columbia Recital Albums
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| 265 |
We Are a Part of Nature |
Entraining
|
|