| Alleluia |
London Philharmonic Orchestra
|
Anderson: In Liebliche Blaue, Alleluia & The Stations of the Sun |
| Piano Quintet No. 2 in A Major, Op. 81: II. Dumka (Andante con moto) |
London Philharmonic Orchestra
|
Dvořák: Symphonie No. 8 & Quintette avec piano No. 2 (Les indispensables de Diapason) |
| A London Symphony [No. 2] (2005 Digital Remaster): IV.Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maesto |
London Philharmonic Orchestra
|
Vaughan Williams: A London Symphony, Symphony No. 6 in E minor etc |
| Die Walküre, WWV 86B, Act 1, Zweite Szene: Mued am Herd fand ich den Mann. Not fuehrt' ihn ins Haus (Sieglinde) |
London Philharmonic Orchestra
|
Wagner: Die Walkure, Act 1 |
| Italienisches Konzert, BWV 971: II. Andante |
London Philharmonic Orchestra
|
The Greatest Composer Vol. 5, Classical |
| Partita for Double String Orchestra: 1. Prelude - Andante tranquillo |
London Philharmonic Orchestra
|
Music of England, Vol. 1 |
| Divertimento No. 2 in D Major for winds and strings, K.131:V. Menuetto |
London Philharmonic Orchestra
|
George Szell: Concertos & Symphonies |
| Piano Concerto No.3 in C minor Op.37:2. Largo |
London Philharmonic Orchestra
|
Essential Beethoven |
| Messiah HWV 56: But Who May Abide the Day of His Coming |
London Philharmonic Orchestra
|
150 Klassische Meisterwerke |
| Romeo and Juliet Op. 64 - highlights (2002 Digital Remaster), Act III, Epilogue: 52. Death of Juliet |
London Philharmonic Orchestra
|
Prokofiev Dance of the Knights and other highlights from Romeo and Juliet; Mussorgsky Pictures at an Exhibition |
| Symphony No. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich |
London Philharmonic Orchestra
|
Bruckner: Symphony No. 6 |
| Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" ( |
London Philharmonic Orchestra
|
150th Anniversary Box - Mahler |
| Don Giovanni, ossia Il dissoluto punito, K.527Act 2:"Ah! dov'è il perfido?" |
London Philharmonic Orchestra
|
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| Crown Imperial: A Coronation March |
London Philharmonic Orchestra
|
40 Famous Marches |
| Serenade for Strings, Op. 12:IV. Lento |
London Philharmonic Orchestra
|
Lyrita Celebrating 50 Years Devoted to British Music |
| Don GiovanniAct 2:"Il mio tesoro intanto" |
London Philharmonic Orchestra
|
Essential Mozart Opera |
| Così fan tutteAct 2:"Il cor vi dono" |
London Philharmonic Orchestra
|
Mozart: Cosi fan tutte |
| Symphony in B flat H.I No.98:2. Adagio |
London Philharmonic Orchestra
|
Symphony in D, H.I No.104 - "London" |
| CarmenAct 4:Les voici les voici (Toreador Chorus) |
London Philharmonic Orchestra
|
The World of Bizet |
| Macbeth - Version 1865 for the Paris OpéraAct 4:Gran Scena del Sonnambulismo: "Vegliammo invan due notti" |
London Philharmonic Orchestra
|
MacbethAct 3 |
| Don GiovanniAct 1:"Alfin siam liberati" |
London Philharmonic Orchestra
|
Solti - Mozart - The Operas |
| Bluebeard's Castle Sz. 48 (Op.11):Door 7. "Lásd a régi aszszonyokat" |
London Philharmonic Orchestra
|
Bluebeards Castle, Sz. 48 (Op.11) |
| Symphony No. 3 "The Song of the Night": III. Largo |
London Philharmonic Orchestra
|
Vladimir Jurowski: 10 Years |
| Elijah Op.70 MWV A25Part 2:Hear ye Isael; Be not afraid; The Lord hath exalted |
London Philharmonic Orchestra
|
Mendelssohn: Elijah |
| Doctor gradus ad parnassum, children's corner, l 113 : No. 1 |
London Philharmonic Orchestra
|
Lintégrale musique classique, vol. 8 |
| Messiah: Part 3, No. 49 - Then Shall Be Brought to Pass |
London Philharmonic Orchestra
|
Handel: Messiah (Complete Version, Original Instrumentation) |
| Sinfonietta: I. Allegro |
London Philharmonic Orchestra
|
British Symphonies |
| TurandotAct 3:"Quel nome!" |
London Philharmonic Orchestra
|
Puccini: Turandot (Highlights) |
| Symphony No.5, Op. 47, II |
London Philharmonic Orchestra
|
Norton recorded anthology of western music Vol. 3: twentieth century |
| Symphony No. 41 in C major, K.551 "Jupiter": II. Andante cantabile |
London Philharmonic Orchestra
|
Classical Revision: Mozart, Vol. 2 |
"Adieu, mon doux rivage... pour celle qui m'est chere" (Act I Romance)