| Forty |
Tyshawn Sorey
|
Oblique-I |
| Template III |
Tyshawn Sorey
|
ThatNot |
| What The Birds Tell Me |
Tyshawn Sorey
|
Float the Edge |
| Template I |
Tyshawn Sorey
|
ThatNot |
| Cheryl |
Tyshawn Sorey
|
Unspoken |
| Hypnagogia |
Tyshawn Sorey
|
Float the Edge |
| Euclid and Lamar |
Brad Allen Williams
Pat Bianchi
Tyshawn Sorey
|
Lamar |
| Movement II |
Tyshawn Sorey
|
The Inner Spectrum of Variables |
| Tune for Roger |
Pat Bianchi
|
exhilaration & other States |
| Internal Geographies |
Brad Allen Williams
|
GRIEF |
| More Than You Know |
Brad Allen Williams
Pat Bianchi
Tyshawn Sorey
|
Lamar |
| Children Of Flint |
Tyshawn Sorey
|
Children Of Flint |
| A Love Song |
Tyshawn Sorey
|
Alloy |
| Tesque |
Tyshawn Sorey
|
Unspoken |
| Thirty-Six |
Tyshawn Sorey
|
Oblique-I |
| Curse Fraction |
Tyshawn Sorey
|
On Meaning |
| that是blues, right? |
Tyshawn Sorey
|
ThatNot |
| blue silver |
Pat Bianchi
|
A Higher Standard |
| Algid November |
Tyshawn Sorey
|
Verisimilitude |
| Betcha by Golly Wow |
Brad Allen Williams
Pat Bianchi
Tyshawn Sorey
|
Lamar |
| movement V + vi + reprise |
Tyshawn Sorey
|
The Inner Spectrum of Variables |
| Twenty-Five |
Tyshawn Sorey
|
Oblique-I |
| Missing Our Appointments with Each Other |
Tyshawn Sorey
|
Weighting |
| Permutations for Solo Piano |
Tyshawn Sorey
|
ThatNot |
Euclid and Lamar