| Gayaneh (Highlights from the Ballet): Sabre Dance |
Arnaud Moral
|
100 Best Classical Composers |
| Suite española No. 1, Op. 47: V. Asturias (Leyenda). Allegro (Arr. for Guitar) |
Preston Smith
|
100 Best Classical Composers |
| Simple Symphony, Op. 4: II. Playful Pizzicato |
London Chamber Orchestra
|
100 Best Classical Composers |
| Boléro, M. 81: (Tempo di Bolero. Moderato assai) |
Orchestre de ParisJean Martinon
|
100 Best Classical Composers |
| Concierto de Aranjuez, for Guitar: II. Adagio |
Sharon Isbin
|
100 Best Classical Composers |
| Slavonic Dances, Op. 72, B. 147: II. Dumka (Allegretto grazioso) |
Berliner Philharmoniker
|
100 Best Classical Composers |
| Canon and Gigue in D Major, P. 37: I. Canon |
Taverner PlayersAndrew Parrott
|
100 Best Classical Composers |
| Concerto in D Major, TWV51:D2: I. Moderato |
Emmanuel Pahud
|
100 Best Classical Composers |
| L'Orfeo, favola in musica, SV 318, Prologue: Toccata |
Emmanuelle Haïm
|
100 Best Classical Composers |
| Peer Gynt, Op. 23, Act 4: Morning Mood (Allegretto pastorale) |
Paavo Järvi
|
100 Best Classical Composers |
| Te Deum in D Major, H. 146: I. Prelude. Marche en rondeau |
Les Arts Florissants
|
100 Best Classical Composers |
| Suite for Variety Orchestra No. 1: VI. Waltz No. 1 |
Orchestre Philharmonique De Radio France
|
100 Best Classical Composers |
| also SPR A城Zarathustra, op. 30, TR V 176: opening (beginning) |
Rudolf Kempe
|
100 Best Classical Composers |
| picture Satan exhibition:no. 15, the knights gate int和OL的capital of Kiev |
Mike Clements
|
100 Best Classical Composers |
| JE U型的enfants, WD 56: X II. LE BA了 |
Orchestre de Paris
|
100 Best Classical Composers |
| Prince Igor, act 2: no. 17, polo vt SI俺dances, (的) general dance (allegro) |
Arnaud Moral
|
100 Best Classical Composers |
| keyboard suite Ind minor, HW V 437: III. sarabande (A仍然. Hale for orchestra) |
Alexander Briger
|
100 Best Classical Composers |
| concerto fort我piano sin D minor, FP 61:II. larghetto |
Mike Hatch
|
100 Best Classical Composers |
| Má Vlast, JB 1112: II. Die Moldau |
Libor Pešek
|
100 Best Classical Composers |
| the planets, op. 32:IV. Jupiter, the bringer of jollity |
Sir Charles Mackerras
|
100 Best Classical Composers |
| l AVI答辯人eve, act 2 scene 1: Dan za |
Ronald Kinloch Anderson
|
100 Best Classical Composers |
| θ Leo ft SARS AL彈, act III:the flight o佛陀和bumblebee |
PHILHARMONIA ORCHESTRA
|
100 Best Classical Composers |
| Z IgE UN er維森op. 20 |
Anne-Sophie Mutter
|
100 Best Classical Composers |
| symphonic dances from westside story:no. 1, pro咯股額 |
Mike Hatch
|
100 Best Classical Composers |
| stab at Mater:i. stab at Mater dolor OS A |
Fabio Biondi
|
100 Best Classical Composers |
| 14 romances, op. 34: X IV. vocal ISE (lentamente molto cantabile) |
Michael Schonwandt
|
100 Best Classical Composers |
| Spiegel IM Spiegel (excerpt) |
Martin Roscoe
|
100 Best Classical Composers |
| etude Ina minor, op.25 no. 4 |
Sean Lewis
|
100 Best Classical Composers |
| Norma, Act I: Casta Diva |
Tullio Serafín
|
100 Best Classical Composers |
| Estaciones Portenas (Seasons in Buenos Aires) for Piano Trio: Otono Porteno - Tempo di Tango |
Artemis QuartetJacques Ammon
|
100 Best Classical Composers |
| The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring":I. Allegro |
Fabio Biondi
|
100 Best Classical Composers |
| 24 Caprices, Op. 1: No. 1 in E Major, "LArpeggio" (Andante) |
Michael Rabin
|
100 Best Classical Composers |
| Die Walküre, WWV 86B, Act 3: Walkürenritt |
Oslo Philharmonic Orchestra
|
100 Best Classical Composers |
| Porgy and Bess, Act 1: "Summertime" |
London Philharmonic Orchestra
|
100 Best Classical Composers |
| Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto) |
Riccardo MutiPhilharmonia Orchestra
|
100 Best Classical Composers |
| 3 Gymnopédies:No. 1, Lent et douloureux |
Anne Queffélec
|
100 Best Classical Composers |
| Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets |
Arnaud Moral
|
100 Best Classical Composers |
Norma, Act I: Casta Diva