3 Quarter-Tone Pieces:Largo |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
Bassoon Variations |
Gordon Gottlieb
|
Charles W UO日嫩: the winds |
an idyll fort和misbegotten |
Gordon Gottlieb
|
Crumb: Idyll for the MisbegottenVox BalaenaeMadrigals |
Set of 5 Take-offs:The Seen and Unseen? (Sweet and Tough) |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
sunrise |
Continuum
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
Heal (2NUTZ Reblap) |
Continuum
|
We Are the Future, Volume II |
Set of 5:V. Vigoroso |
Gordon Gottlieb
Marilyn Dubow
Continuum
Joel Sachs
|
COWELL: Homage to IranPiano PiecesSet of FiveSix Casual DevelopmentsTwo Songs |
3 quarter-tone pieces:allegro |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
on the antipodes |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
remembrance |
Continuum
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
set of 5:III. andante |
Gordon Gottlieb
|
COWELL: Homage to IranPiano PiecesSet of FiveSix Casual DevelopmentsTwo Songs |
Set of 5 Take-offs:Song Without (Good) Words |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
Maes Howe |
Joel Sachs
|
MÁSSON, Á.: KammersinfóniaEljaYmniMaes Howe (Ólafsdóttir, Bjørn-Larsen, Caput Ensemble, Sachs) |
set of 5:IV. presto leggier哦 |
Gordon Gottlieb
Marilyn Dubow
Continuum
Joel Sachs
|
COWELL: Homage to IranPiano PiecesSet of FiveSix Casual DevelopmentsTwo Songs |
In Re Con Moto et al:In Re Con Moto et al, Op. 20 |
Continuum
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
Halloween:HAL Lowe’恩 |
Continuum
Joel Sachs
|
IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |
Ymni |
Joel Sachs
|
MÁSSON, Á.: KammersinfóniaEljaYmniMaes Howe (Ólafsdóttir, Bjørn-Larsen, Caput Ensemble, Sachs) |
Aeschylus and Sophocles |
Continuum
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IVES: Three Quarter-Tone PiecesFive Take-OffsHalloweenSunrise |