Under Hamelin Hill Op. 6: Preambulum (2 hands) |
Thomas Adès
|
British Composers - Ades: Life Story |
Rodelinda, Regina dei Longobardi, ACT III, Scene 8:Recitativo: Sposa, figlio, sorella, amici, oh Dio! (Bertarido) |
Andrew Clark
|
Handel - Rodelinda |
Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe |
Thomas Adès
|
British Composers - Ades: Life Story |
The Diary of One Who Disappeared, JW V12:No. 16, Adagio "Co jsem to udelal" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
The Diary of One Who Disappeared, JW V12:No. 22, Andante "Sbohem, rodny kraju" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
Catch Op. 4 |
Thomas Adès
|
British Composers - Ades: Life Story |
The Importance of Being Earnest:Act III: I am Miss Cardew's guardian (Jack, Lady Bracknell, Chasuble) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Concerto for Oboe and Bassoon in G Major, RV 545:III. Allegro molto |
Michael Niesemann
|
VIVALDI, A.: Concertos - RV 158, 162, 441, 545, 565, 566, 585 (Concerto Koln) |
The Origin of the Harp, Op.13 (1994): II. Largo con moto |
Thomas Adès
|
Adès: Living Toys |
The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
The Diary of One Who Disappeared, JW V12:No. 12, Adagio "Tmava olsinka, chladna studanka" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
Rodelinda, Regina dei Longobardi, ACT I, Scene 1:Aria: L'empio rigor del fato (Rodelinda) |
Andrew Clark
|
Handel - Rodelinda |
The Diary of One Who Disappeared, JW V12:No. 7, Con moto "Ztratil jsem kolicek" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
The Diary of One Who Disappeared, JW V12:No. 9, Andante "Vita, Janicku" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
The Diary of One Who Disappeared, JW V12:No. 21, Meno mosso "Muj drahy taticku" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
Sonata da Caccia, Op.11 (1993): I. Gravement - |
Thomas Adès
Michael Niesemann
Andrew Clark
|
Adès: Living Toys |
Rodelinda, Regina dei Longobardi, ACT I, Scene 2 & 3:Recitativo: Duca, vedesti mai più bel disprezzo? (GrimoaldoGaribaldo) |
Andrew Clark
|
Handel - Rodelinda |
Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43:1. Allegro |
Michael Niesemann
|
Archiv Produktion - Reinhard Goebel |
The Diary of One Who Disappeared, JW V12:No. 8, Andante "Nehled'te, volecci, tesklivo k uvratim" |
Thomas Adès
|
20th Century Classics: Leos Janácek |
Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43:1. Allegro |
Michael Niesemann
|
Archiv Produktion - Telemann |
Asyla, Op. 17: IV |
Thomas Adès
|
Modern Classical Music |
A Recollection, for Piano, JW VIII32 |
Thomas Adès
|
20th Century Classics: Leos Janácek |
The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Five Eliot Landscapes Op. 1: II. Virginia |
Thomas Adès
|
British Composers - Ades: Life Story |
The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
Rodelinda, Regina dei Longobardi, ACT III, Scene 1:Aria: Quanto più fiera tempesta freme (Eduige) |
Andrew Clark
|
Handel - Rodelinda |
The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |
The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
Thomas Adès
|
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès) |