| 1 |
Nota perdita (D'après Carmina Burana 31) |
Love, Revelry and the Dance in Mediæval Music
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| 2 |
Estampida de Rocamadour |
Love, Revelry and the Dance in Mediæval Music
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| 3 |
Che ti çova nascondere |
Love, Revelry and the Dance in Mediæval Music
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| 4 |
Amours, ou trop tart |
Love, Revelry and the Dance in Mediæval Music
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| 5 |
Estampie Janus |
Love, Revelry and the Dance in Mediæval Music
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| 6 |
Estampida de maia |
Love, Revelry and the Dance in Mediæval Music
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| 7 |
Intermezzo |
Love, Revelry and the Dance in Mediæval Music
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| 8 |
Veritas veritatum (Carmina Burana 21) |
Love, Revelry and the Dance in Mediæval Music
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| 9 |
Oda an die Traurigkeit:IV. Farewell. Who now shall refill the cup for me? |
The Uncertainty Principle
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| 10 |
Douce Dame |
Love, Revelry and the Dance in Mediæval Music
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| 11 |
Estampida Arnautz |
Love, Revelry and the Dance in Mediæval Music
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| 12 |
Non vedi tu, Amor |
Love, Revelry and the Dance in Mediæval Music
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| 13 |
Dulce solum (Carmina Burana 119) |
Love, Revelry and the Dance in Mediæval Music
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| 14 |
Danxa aurea di Phebo (D'après Carmina Burana 71) |
Love, Revelry and the Dance in Mediæval Music
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| 15 |
I' vo bene |
Love, Revelry and the Dance in Mediæval Music
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| 16 |
La tierche estampie royale |
Love, Revelry and the Dance in Mediæval Music
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| 17 |
Giovine vagha |
Love, Revelry and the Dance in Mediæval Music
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| 18 |
Au renouvel du tens |
Love, Revelry and the Dance in Mediæval Music
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| 19 |
Improvisation aux orguines |
Love, Revelry and the Dance in Mediæval Music
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| 20 |
Lauda:II. Prima Parte ‘Se mai per maraveglia’ |
The Uncertainty Principle
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| 21 |
Amor cal tuo sogetto ognor mi trovo |
Love, Revelry and the Dance in Mediæval Music
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| 22 |
o答案diet RA URI工科IT:II. verso. Golden leaves |
The Uncertainty Principle
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| 23 |
improvisation |
Love, Revelry and the Dance in Mediæval Music
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| 24 |
Celum non animum (Carmina Burana 15) [Deuxième version] |
Love, Revelry and the Dance in Mediæval Music
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| 25 |
Lin OU via u自彈自 |
Love, Revelry and the Dance in Mediæval Music
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| 26 |
Celum non animum (Carmina Burana 15) [Première version] |
Love, Revelry and the Dance in Mediæval Music
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| 27 |
Donna, prechè mi spregi |
Love, Revelry and the Dance in Mediæval Music
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| 28 |
lucent Estella |
Love, Revelry and the Dance in Mediæval Music
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| 29 |
kyrie存儲體破特難受 |
Love, Revelry and the Dance in Mediæval Music
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| 30 |
fa是ET呢發送ambulant (Carmina bur Ana 19) |
Love, Revelry and the Dance in Mediæval Music
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| 31 |
v而is都來此事in tempore (Carmina bur Ana 85) |
Love, Revelry and the Dance in Mediæval Music
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| 32 |
pour co IME白T |
Love, Revelry and the Dance in Mediæval Music
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| 33 |
Estampie Gen ferai droit, Lucidor et lenior (Daprès Carmina Burana 153) |
Love, Revelry and the Dance in Mediæval Music
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| 34 |
T歐洲ES for從IE中 |
Love, Revelry and the Dance in Mediæval Music
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| 35 |
Dame, 恩師incest |
Love, Revelry and the Dance in Mediæval Music
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| 36 |
Clauso chrono (Carmina Burana 73) |
Love, Revelry and the Dance in Mediæval Music
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| 37 |
Istampita Isabella |
Love, Revelry and the Dance in Mediæval Music
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| 38 |
Tempus transit gelidum (Carmina Burana 153) |
Love, Revelry and the Dance in Mediæval Music
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| 39 |
Sic mea fata (Carmina Burana 116) |
Love, Revelry and the Dance in Mediæval Music
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| 40 |
Lauda:VIII. Quarta Parte ‘Gia le ferrate e inexpugnabil porte’ |
The Uncertainty Principle
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| 41 |
Lauda:DI. Terza Parte ‘Se perder la propria vita’ |
The Uncertainty Principle
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| 42 |
Rose des rosaces |
Love, Revelry and the Dance in Mediæval Music
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| 43 |
Dananza Gedeonis (Daprès Carmina Burana 37) |
Love, Revelry and the Dance in Mediæval Music
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| 44 |
Ce fut en mai |
Love, Revelry and the Dance in Mediæval Music
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| 45 |
Lauda:IV. Seconda Parte ‘Universal dolore’ |
The Uncertainty Principle
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| 46 |
Caterine collaudamus (Carmina Burana 19) |
Love, Revelry and the Dance in Mediæval Music
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| 47 |
Istampita In pro |
Love, Revelry and the Dance in Mediæval Music
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