| Estampida de maia |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Dulce solum (Carmina Burana 119) |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Che ti çova nascondere |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Douce Dame |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Nota perdita (D'après Carmina Burana 31) |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Amours, ou trop tart |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Estampida Arnautz |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Estampie Janus |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Intermezzo |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| La tierche estampie royale |
Thierry Gomar
|
Love, Revelry and the Dance in Mediæval Music |
| I' vo bene |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Non vedi tu, Amor |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Danxa aurea di Phebo (D'après Carmina Burana 71) |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Oda an die Traurigkeit:IV. Farewell. Who now shall refill the cup for me? |
Christophe Deslignes
|
The Uncertainty Principle |
| Veritas veritatum (Carmina Burana 21) |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
| Estampida de Rocamadour |
Thierry Gomar
Christophe Deslignes
|
Love, Revelry and the Dance in Mediæval Music |
Estampida de maia