| 1 |
Lotofagos: Scene 1: We were in a dessert, surrounded by our own image, which did not recognize |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 2 |
Fama: Scene 6: Wie hubsch ist es |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 3 |
Extinction Events and Dawn Chorus:III. Autocorrect |
Liza Lim: Extinction Events and Dawn Chorus
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| 4 |
Following |
Dai Fujikura: Mina
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| 5 |
Wondrous Steps (Live) |
Dai Fujikura: Mina
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| 6 |
Extinction Events and Dawn Chorus:V. Dawn Chorus |
Liza Lim: Extinction Events and Dawn Chorus
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| 7 |
Anamorphoses: V. Contrapunctus XI |
Anamorphoses pour ensemble
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| 8 |
Massacre C: All Goes to Wreck - Live |
Wolfgang Mitterer: Massacre (Live)
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| 9 |
5 Chansons pour percussion:No. 1. Chanson du Matin |
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel)
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| 10 |
Anamorphoses: IV. Canon per augmentation in contrario motu |
Anamorphoses pour ensemble
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| 11 |
Extinction Events and Dawn Chorus:II. Retrograde Inversion |
Liza Lim: Extinction Events and Dawn Chorus
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| 12 |
Paisajes del Placer y de la Culpa: III. Jardín de Oro |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 13 |
Songs Found in Dream |
Liza Lim: Extinction Events and Dawn Chorus
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| 14 |
Extinction Events and Dawn Chorus:IV. Transmission |
Liza Lim: Extinction Events and Dawn Chorus
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| 15 |
Blood on the Floor:Dispelling the Fears |
Blood on the Floor
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| 16 |
Spur |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 17 |
Anamorphoses: II. Contrapunctus IV |
Anamorphoses pour ensemble
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| 18 |
Sui poemi concentrici II |
SCIARRINO, A.: Sui poemi concentrici I, II, III (Members of ensemble recherche, Berlin Radio Symphony, Rundel)
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| 19 |
Prism Spectra |
Dai Fujikura: Mina
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| 20 |
Anamorphoses: I. Contrapunctus VI |
Anamorphoses pour ensemble
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| 21 |
Machaut-architektur V |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 22 |
Recorder Concerto (Live) |
Dai Fujikura: Mina
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| 23 |
Trio III: "Wie ein Hauch aus Licht und Schatten" |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 24 |
Orion |
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel)
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| 25 |
Siddhartha |
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel)
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| 26 |
5 Chansons pour percussion:No. 5. Chanson d'Adieu |
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel)
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| 27 |
Invocation: Scene 6: Por que, pues has llegado? |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 28 |
Paisajes del Placer y de la Culpa: I. Jardín del Vidrio |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 29 |
Extinction Events and Dawn Chorus:I. Anthropogenic Debris |
Liza Lim: Extinction Events and Dawn Chorus
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| 30 |
Sui poemi concentrici III |
SCIARRINO, A.: Sui poemi concentrici I, II, III (Members of ensemble recherche, Berlin Radio Symphony, Rundel)
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| 31 |
The Spirit of Beings |
Dai Fujikura: Mina
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| 32 |
Axis Mundi |
Liza Lim: Extinction Events and Dawn Chorus
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| 33 |
Paisajes del Placer y de la Culpa: II. Jardín de Seda |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 34 |
Retour an dich |
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel)
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| 35 |
...Nachlese...lll - Es bleibt eine zitternde Bebung |
Jarrell: ...mais les images restent...
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| 36 |
Anamorphoses: VII. Contrapunctus VIII |
Anamorphoses pour ensemble
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| 37 |
Anamorphoses: VIII. Canon in Hypodiapason |
Anamorphoses pour ensemble
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| 38 |
Anamorphoses: III. Contrapunctus IX |
Anamorphoses pour ensemble
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| 39 |
Aquitecturas del Silencio |
José María Sánchez-Verdú: Arquitecturas de la Ausencia
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| 40 |
Anamorphoses: VI. Contrapunctus X |
Anamorphoses pour ensemble
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| 41 |
Mina (Live) |
Dai Fujikura: Mina
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| 42 |
Cells (1993) for saxophones & large chamber orchestra |
Donaueschingen Festival 75 Years: 1921 - 1996 (Digitally Remastered)
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