| Blood on the Floor:Dispelling the Fears |
Peter Rundel
|
Blood on the Floor |
| Anamorphoses: I. Contrapunctus VI |
Peter Rundel
|
Anamorphoses pour ensemble |
| Spur |
Peter Rundel
|
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel) |
| Extinction Events and Dawn Chorus:IV. Transmission |
Peter Rundel
|
Liza Lim: Extinction Events and Dawn Chorus |
| Recorder Concerto (Live) |
Peter Rundel
|
Dai Fujikura: Mina |
| Sui poemi concentrici II |
Peter Rundel
|
SCIARRINO, A.: Sui poemi concentrici I, II, III (Members of ensemble recherche, Berlin Radio Symphony, Rundel) |
| Anamorphoses: II. Contrapunctus IV |
Peter Rundel
|
Anamorphoses pour ensemble |
| Songs Found in Dream |
Peter Rundel
|
Liza Lim: Extinction Events and Dawn Chorus |
| Massacre C: All Goes to Wreck - Live |
Peter Rundel
|
Wolfgang Mitterer: Massacre (Live) |
| 5 Chansons pour percussion:No. 1. Chanson du Matin |
Peter Rundel
|
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel) |
| Extinction Events and Dawn Chorus:III. Autocorrect |
Peter Rundel
|
Liza Lim: Extinction Events and Dawn Chorus |
| Anamorphoses: V. Contrapunctus XI |
Peter Rundel
|
Anamorphoses pour ensemble |
| Extinction Events and Dawn Chorus:V. Dawn Chorus |
Peter Rundel
|
Liza Lim: Extinction Events and Dawn Chorus |
| Invocation: Scene 6: Por que, pues has llegado? |
Peter Rundel
|
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel) |
| Wondrous Steps (Live) |
Peter Rundel
|
Dai Fujikura: Mina |
| Siddhartha |
Peter Rundel
|
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel) |
| Prism Spectra |
Peter Rundel
|
Dai Fujikura: Mina |
| Machaut-architektur V |
Peter Rundel
|
José María Sánchez-Verdú: Arquitecturas de la Ausencia |
| Extinction Events and Dawn Chorus:II. Retrograde Inversion |
Peter Rundel
|
Liza Lim: Extinction Events and Dawn Chorus |
| Paisajes del Placer y de la Culpa: I. Jardín del Vidrio |
Peter Rundel
|
José María Sánchez-Verdú: Arquitecturas de la Ausencia |
| Fama: Scene 6: Wie hubsch ist es |
Peter Rundel
|
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel) |
| Anamorphoses: IV. Canon per augmentation in contrario motu |
Peter Rundel
|
Anamorphoses pour ensemble |
| Sui poemi concentrici III |
Peter Rundel
|
SCIARRINO, A.: Sui poemi concentrici I, II, III (Members of ensemble recherche, Berlin Radio Symphony, Rundel) |
| Orion |
Peter Rundel
|
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel) |
| Extinction Events and Dawn Chorus:I. Anthropogenic Debris |
Peter Rundel
|
Liza Lim: Extinction Events and Dawn Chorus |
| Lotofagos: Scene 1: We were in a dessert, surrounded by our own image, which did not recognize |
Peter Rundel
|
FURRER, B.: Piano ConcertoInvocationSpurFAMARetour an dichLotofagos (Rundel) |
| Trio III: "Wie ein Hauch aus Licht und Schatten" |
Peter Rundel
|
José María Sánchez-Verdú: Arquitecturas de la Ausencia |
| Paisajes del Placer y de la Culpa: III. Jardín de Oro |
Peter Rundel
|
José María Sánchez-Verdú: Arquitecturas de la Ausencia |
| Following |
Peter Rundel
|
Dai Fujikura: Mina |
| 5 Chansons pour percussion:No. 5. Chanson d'Adieu |
Peter Rundel
|
VIVIER, C.: OrionSiddhartha5 Chansons pour percussion (Dierstein, West German Radio Symphony, Rundel) |
Anamorphoses: V. Contrapunctus XI