It's one hazy panoply
這是一副朦朧的畫卷圖景
Recount this halcyon age
詳述這美好的太平歲月
I turn to Anthony
Anthony轉向Karleinz和Cage時
When he turned to Karleinz and Cage
我轉身朝他看去
But no one's really there
但那兒卻空無一人
Does that mean it's done in vain
是否意味著一切都徒勞無功
If no one really cares
如果真的沒有人在意的話
I'm back to acting strange
我就要重新舉止怪異
Like Daniel Johnston in Texas
就像在80年代某一年的德克薩斯州
At some point in the eighties
Daniel Johnston分發自己的錄音帶
Passing out his cassettes with
還有他自己畫封面的j-card
The j-card that he drew oh did he ever expect it
他是否期待過呢
I guess it's just what happens when the music's a respite
我猜音樂暫緩時就是這個樣子
The world is so appalling and you come to detest it
這世界如此駭人,你開始厭惡它
And you could say that I was nervous then
你可以說那時的我太焦慮
Fairly awkward now
現在又過於笨拙
Leave the speakers loud
當你陷入自我懷疑時
When you feel self doubt
就讓音樂聲蓋過疑惑
If there's any chance
如果還有那麼一個機會
That we'd still hang out
讓我們能繼續四處遊蕩
We could detail dreams
那我們可以細敘往日夢境
While we stare at passing clouds
並讓目光隨雲朵越飄越遠
那些遵循守舊的傑作
Those modal masterworks
似乎只空有形式沒有意義
Atonal oeuvres it seems
當我追問起後續
When I ask afterwards
所有信息都在半途丟失
All message lost inbetween
那轉動的光圈
The shifting aperture
描繪著被陽光浸泡的場景
Depicting sun-soaked scenes
我猜它們都引起共鳴
I guess they resonate
那是再普遍不過的意識
That's Universal Consciousness
引起兩次上升發展
Take two of Ascension
The Shape of Jazz to Come
The Shape of Jazz to Come and
還有Laurie Spiegel的發明
Laurie Spiegel's inventions
O'Rourke或者Zorn和Oliveros都值得一提
O'Rourke or Zorn and Oliveros all deserve mention
你在房間翩翩起舞,沒人注意到你
You're dancing in a room and no one's paying attention
你接受我對你的傾慕
Addressing my reception with a focused eye
把專注的目光投向那過往的雲彩
To the passing clouds
當你失望低沉時
I'll be there for you
我會陪在你身旁
When you're feeling down
只要你想
Any given day
你就能發現我一直在你周圍
You can find me 'round
或者沮喪失落
In a despondent way
或者出神良久
In a study best called brown